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6,591 stories from Stage and Cinema

Los Angeles Theater Review: GENE KELLY: THE LEGACY (Pasadena Playhouse) by Mia Bonadonna

THE LEGACY WILL HAVE YOU GEEKING OUT FOR GENE KELLY Gene Kelly's widow, Patricia Ward Kelly, is touring with her retrospective multi-media presentation of Gene Kelly's life and work, Gene Ke…

SOURCE: Stage and Cinema at 8:41pm on March 1, 2014

Los Angeles Theater Review: A NICE INDIAN BOY (East West Players) by G. Bruce Smith

GAY BOYS AND INDIANS A Nice Indian Boy, currently enjoying its world premiere production at East West Players, is a charming little comedy about love, marriage, culture clash and the shiftin…

SOURCE: Stage and Cinema at 2:44pm on March 1, 2014

Chicago Dance Review: ALVIN AILEY AMERICAN DANCE THEATER (Auditorium Theatre) by Lawrence Bommer

HAPPY IN THEIR SECOND HOME It's its second annual homecoming, the much-anticipated, event-filled Alvin Ailey American Theater arrives at the Auditorium Theatre, as well as to community venue…

SOURCE: Stage and Cinema at 2:29pm on March 1, 2014

Chicago Theater Review: CORPUS DELICITI (MadKap Productions at Greenhouse Theater Center) by Lawrence Bommer

CHERCHEZ LA CORPSE Sometimes truths get told that only murder can out. The quaint, perhaps anachronistic, setting for David Alex' problematic two-act drama, just premiered by MadKap Producti…

SOURCE: Stage and Cinema at 12:30pm on February 28, 2014

Off-Broadway Theater Review: THE SHAPE OF SOMETHING SQUASHED (Paradise Factory Theater) by Dmitry Zvonkov

SQUASHED HOPES MAKE FOR BRILLIANT THEATER What a relief it is, what a glorious pleasure for a viewer, after sitting through so much unnecessary theater, to find oneself finally in the hands …

SOURCE: Stage and Cinema at 10:16pm on February 26, 2014

Los Angeles / Regional Theater Review: LYSISTRATA JONES (Chance Theater) by Tony Frankel

BASKETBALL MUSICAL IS ONE BIG PENALTY You wanna know how great the Chance Theater is? They actually made it a palatable experience to sit through one of the most half-baked and frivolous new…

SOURCE: Stage and Cinema at 8:45pm on February 26, 2014

Los Angeles Theater Review: DISASSEMBLY (Theatre of NOTE in Hollywood) by Paul Birchall

LOVE GONE NUTS Here's a twisted little response to the maudlin sappiness of Valentine's Day:  Steve Yockey's sprightly romantic farce is about love, all right, but it's love as pathologic…

SOURCE: Stage and Cinema at 9:17pm on February 25, 2014

Los Angeles / Regional Opera Review: LA TRAVIATA (Segerstrom Concert Hall in Costa Mesa) by Barnaby Hughes

ORANGE COUNTY GOES GREEN, I.E. VERDI Opera is alive and well in Orange County! Since the demise of Opera Pacific (1985-2008), Pacific Symphony, aided by Pacific Chorale, has emerged as the c…

SOURCE: Stage and Cinema at 7:36pm on February 25, 2014

Chicago Theater Review: GOLDEN BOY (Griffin Theatre Company at Theater Wit) by Lawrence Bommer

WHEN THE BRASS RING IS JUST ANOTHER NOOSE The siren song of the bitch-goddess “success” croons loud and clear in this cautionary, modern melodrama. Golden Boy, Clifford Odets' 77…

SOURCE: Stage and Cinema at 4:30pm on February 25, 2014

Los Angeles Opera Review: BILLY BUDD (LA Opera) by Tom Chaits

LOST AT SEA To culminate a year-long centennial celebration of British composer Benjamin Britten, L.A. Opera revisits the acclaimed Francesca Zambello production of his 1951 seafaring opera …

SOURCE: Stage and Cinema at 8:03pm on February 24, 2014

Off-Broadway Theater Review: PAINS OF YOUTH (The Cake Shop Theater Company at Access Theater) by Dmitry Zvonkov

THE FRUSTRATED AND THE BORED Watching The Cake Shop Theater Company perform Martin Crimp's brisk new translation of Ferdinand Bruckner's sharp 1926 play Pains of Youth, about a group of medi…

SOURCE: Stage and Cinema at 2:54pm on February 24, 2014

Chicago Theater Review: A TALE OF TWO CITIES (Lifeline Theatre) by Lawrence Bommer

FRANCE TRIMS ITS 1% WITH THE GUILLOTINE 2014 has been as good to 1859 as it was to the late 18th century. Christopher M. Walsh's adaptation of Charles Dickens' novel"a saga of unexpected her…

SOURCE: Stage and Cinema at 1:51pm on February 24, 2014

Los Angeles Theater Review: BRIEF ENCOUNTER (The Wallis in Beverly Hills) by Jason Rohrer

STILLED LIFE In 2007, Noel Coward and David Lean’s 1945 film Brief Encounter, a somewhat maudlin expansion of the 1936 Coward one-act Still Life, was turned into a stage spectacle by C…

SOURCE: Stage and Cinema at 4:38pm on February 22, 2014

Los Angeles Dance Review: 3 EXCEPTIONAL PERFORMANCES (L.A. Dance Project at The Theatre at Ace Hotel) by Tony Frankel

REFLECTIONS ON L.A. DANCE PROJECT The uneven and uninspiring effort presented by L.A. Dance Project last night isn't bad news; it just means that this nascent company needs to hone its visio…

SOURCE: Stage and Cinema at 12:30am on February 22, 2014

Chicago Theater Review: COCK (Profiles Theatre) by Lawrence Bommer

A SEXUAL CAGE FIGHT The punning title"Cock"is a heavy clue on what to expect. From the moment you enter, you know you won't confuse this 80-minute tour de theatre with anything else. Profile…

SOURCE: Stage and Cinema at 2:02pm on February 21, 2014

Off-Off-Broadway Theater Review: BRANCHED, A COMEDY WITH CONSEQUENCES (InViolet Repertory Theater at HERE Arts Center) by Dmitry Zvonkov

A STUMP Sitting through Erin Mallon's 90-minute play Branched, A Comedy with Consequences, I found myself envying the gentleman who, silently and with the upmost discretion, managed to sneak…

SOURCE: Stage and Cinema at 8:00pm on February 20, 2014

Los Angeles Theater Review: VILLON (Odyssey Theatre) by Paul Birchall

A VILE VILLON MAKES FOR VILLAINOUS VIEWING Art isn't pretty " and neither is Murray Mednick's sharp, cynical comedy about the life of the great artistic poet François Villon, who, in 1…

SOURCE: Stage and Cinema at 9:15pm on February 19, 2014

Los Angeles Opera Preview: BILLY BUDD (LA Opera) by Tony Frankel

THE BLOOMING OF A BUDD IN L.A. Based on Herman Melville's classic American tale, adapted into a libretto by English novelist E.M. Forster and writer Eric Crozier, Billy Budd tells the …

SOURCE: Stage and Cinema at 7:12pm on February 19, 2014

Chicago Theater Review: BUZZER (Goodman Theatre) by Lawrence Bommer

RACIAL PROFILING AND YOU Smoothly staged by Jessica Thebus for the Goodman Theatre local premiere, the blame game reaches Olympic proportions in Tracey Scott Wilson's wicked two-act troublem…

SOURCE: Stage and Cinema at 4:06pm on February 19, 2014

Los Angeles Theater Review: LOVE, NOËL: THE LETTERS AND SONGS OF NOËL COWARD (The Wallis) by Tony Frankel

LOVE WITHOUT THE TRIMMINGS My darling, dearest Noël: It only just occurred to me that I haven't written you since I saw your play Peace in our Time. Do forgive me, lamb chop. Let me cut t…

SOURCE: Stage and Cinema at 2:54am on February 19, 2014

Off-Broadway Theater Review: TIL DIVORCE DO US PART (DR2 Theatre) by Dmitry Zvonkov

LES MS. Conceived, written and choreographed by Ruthe Ponturo, Til Divorce Do Us Part is a collection of musical numbers, each illustrating different aspects of divorce from the point of vie…

SOURCE: Stage and Cinema at 2:51am on February 19, 2014

Dallas Opera Review: DEATH AND THE POWERS (The Dallas Opera, screened at the Hammer Museum) by Daniel S. G. Wood

THERE'S NOT AN APP FOR THAT Enough already. First, I applaud The Dallas Opera for taking a chance on Tod Machover's new experimental opera Death and the Powers, as well as the diligent ca…

SOURCE: Stage and Cinema at 7:28pm on February 18, 2014

San Diego Opera Review: THE ELIXIR OF LOVE (San Diego Opera at the Civic Theatre) by Barnaby Hughes

THIS ELIXIR IS A TONIC FOR WHAT AILS YOU Some artistic works are such a product of their time that it is difficult for later generations to understand them without spending a considerable am…

SOURCE: Stage and Cinema at 1:31pm on February 18, 2014

Los Angeles Theater Review: GOING TO ST. IVES (Actors Co-op in Hollywood) by G. Bruce Smith

A BLESSING FROM BLESSING Playwright Lee Blessing has done a gutsy thing. He puts himself in the head and heart of the mother of a ruthless African dictator who murders and tortures his compa…

SOURCE: Stage and Cinema at 9:18pm on February 17, 2014

Los Angeles Theater Review: HENRY V (Porters of Hellsgate in North Hollywood) by Jason Rohrer

A HAPPY FEW, A HAPPY MANY Just about every Shakespeare production runs the risk of getting a packed house of high school students at least one performance in the run.  This situation is a…

SOURCE: Stage and Cinema at 2:11pm on February 17, 2014
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