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6,591 stories from Stage and Cinema

Los Angeles Theater Preview: CIRCA (Broad Stage in Santa Monica) by Tony Frankel

COME JOIN THE CIRCA Brisbane-based Circa creates circus that moves the heart, mind and soul. The company discovers, cultivates and presents works and experiences from the living heart of cir…

SOURCE: Stage and Cinema at 10:11pm on March 12, 2014

San Diego Theater Review: DETROIT (San Diego REP) by Tony Frankel

THE ACTUAL CITY OF DETROIT HAS FEWER PROBLEMS THAN THIS PRODUCTION After watching San Diego REP's production of Lisa D'Amour's Detroit, most audience members will be dumbstruck that this bla…

SOURCE: Stage and Cinema at 8:52pm on March 12, 2014

Long Beach / Los Angeles Opera Preview: THE DEATH OF KLINGHOFFER (Long Beach Opera) by Tony Frankel

LBO MAKES A KLINGHOFFER YOU CAN'T REFUSE The big story this weekend isn't the appearance of John Adams' The Death of Klinghoffer. Since its arrival in 1991, the opera has been encircled by c…

SOURCE: Stage and Cinema at 1:30am on March 12, 2014

Los Angeles Opera Preview: LUCIA DI LAMMERMOOR (Los Angeles Opera at the Dorothy Chandler Pavilion) by Tony Frankel

I LOVE LUCIA Lucia di Lammermoor, Gaetano Donizetti's darkly romantic tale of honor, betrayal, loss and madness, opens this Saturday at the Dorothy Chandler Pavilion and plays through April …

SOURCE: Stage and Cinema at 10:39pm on March 11, 2014

Off-Broadway Theater Review: STOCKHOLM (One Year Lease Theater Company at 59E59 Theaters) by Paulanne Simmons

AN UNHAPPY COUPLE – UNHAPPY IN ITS OWN WAY Stockholm Syndrome is a form of traumatic bonding in which hostages develop an irrational sympathy for their captors. The term refers to a ro…

SOURCE: Stage and Cinema at 7:18pm on March 11, 2014

Los Angeles Dance Review: SAVION GLOVER'S STePz (Valley Performing Arts Center in Northridge) by Myra Joy Veluz

WAITING TO CLIMAX To use a sexually potent metaphor, STePz' display of tap choreography was long on foreplay, producing many unfulfilled climaxes which led to an awkward happy ending. The sl…

SOURCE: Stage and Cinema at 3:17pm on March 11, 2014

Chicago Theater Review: PASSION (Theo Ubique) by Lawrence Bommer

THE RHAPSODIC SIDE OF STALKING Stendhal wrote a story once about a man who also wrote a story as a way to force himself to fall in love. It seems an impossibly pure task. Passion carries tha…

SOURCE: Stage and Cinema at 1:42pm on March 11, 2014

Off-Broadway Theater Review: NO EXIT (The Pearl) by Dmitry Zvonkov

ABANDON ALL HOPE YE WHO ENTER THE THEATER As staged by Linda Ames Key, Paul Bowles' adaptation of Jean Paul Sartre's No Exit, a play that imagines three individuals' hell as being trapped in…

SOURCE: Stage and Cinema at 8:10pm on March 10, 2014

Chicago Theater Review: DESSA ROSE (Bailiwick Chicago at Victory Gardens) by Lawrence Bommer

SOUL MATES FROM 167 YEARS AGO "Oh, we have paid for our children's place in the world. We have paid again and again." This assertion of achievement rings terribly true after two and a half h…

SOURCE: Stage and Cinema at 5:48pm on March 10, 2014

Chicago Theater Review: LEVELING UP (Steppenwolf) by Samantha Nelson

SCRIPT ABOUT VIDEO GAME USAGE NEEDS FIXES Early in Leveling Up at Steppenwolf Theatre, professional gamer Ian (Clancy McCartney) makes it clear that he prefers playing video games all day ra…

SOURCE: Stage and Cinema at 4:22pm on March 10, 2014

Los Angeles Opera Review: CARMEN (A POP-Up production by Pacific Opera Project) by Daniel S. G. Wood

POP MISSES AN OP Pacific Opera Project's production of Carmen is difficult to review, only because the benchmark is unclear. Bizet's ever-popular four-act 1875 opera about a gypsy temptress …

SOURCE: Stage and Cinema at 8:40pm on March 9, 2014

Chicago Theater Review: THE GOSPEL OF LOVINGKINDNESS (Victory Gardens Biograph Theater) by Lawrence Bommer

THE FORCE OF FORGIVENESS What's too ugly or scary to process, let alone to confront, in real life is grist for the mill of theater, such as how a gun appears and death comes out of nowhere. …

SOURCE: Stage and Cinema at 3:30pm on March 8, 2014

Los Angeles Theater Review: TALHOTBLOND (Ruskin Group Theatre Co. in Santa Monica) by Tom Chaits

NOTSOGUD Everything you need to know about Ruskin Group Theatre's current world premiere production is revealed in the title: TALHOTBLOND: everybody lies online. If you are at all tech savvy…

SOURCE: Stage and Cinema at 3:30pm on March 8, 2014

San Diego Theater Review: THE WINTER'S TALE (Old Globe Theatre in Balboa Park) by Tony Frankel

SHAKESOPHRENIC, OR SCHIZSPEARE American director Barry Edelstein knows his Shakespeare. Before being appointed Artistic Director of the Old Globe 16 months ago, he was Director of the Shakes…

SOURCE: Stage and Cinema at 6:23pm on March 7, 2014

Nat'l Tour / Chicago Theater Review: HEARTBEAT OF HOME (Oriental Theatre) by Lawrence Bommer

STEPS THAT SOAR Produced by Moya Doherty, the dynamo behind Riverdance, director John McColgan's well-crafted spinoff just launched its U.S. premiere at Chicago's Oriental Theatre before con…

SOURCE: Stage and Cinema at 1:13pm on March 6, 2014

Los Angeles Theater Review: THE GOAT, OR WHO IS SYLVIA? (California Repertory Company in Long Beach) by Mia Bonadonna

GOAT ON A BOAT Edward Albee's diligently disturbing tragicomedy, The Goat or Who is Sylvia?, is running at California Repertory Company in the belly of the Queen Mary's Royal Theatre. One of…

SOURCE: Stage and Cinema at 2:49pm on March 5, 2014

Los Angeles Theater Review: THE TRIP BACK DOWN (Whitefire Theatre in Sherman Oaks) by Tom Chaits

A SHORT TAKE ON A LONG TRIP Sometimes critics get caught up in their own words and feel the need to expand upon their self-important ramblings beyond all reason.  They spew forth with so …

SOURCE: Stage and Cinema at 2:57am on March 5, 2014

Chicago Theater Review: THE SECOND CITY'S INCOMPLETE GUIDE TO EVERYTHING (UP) by Samantha Nelson

NOT SO INCOMPLETE The Incomplete Guide to Everything features scenes culled from more than 50 years of The Second City performances, right up to sketches that are part of the soon-to-end mai…

SOURCE: Stage and Cinema at 2:51am on March 5, 2014

Los Angeles Theater Review: CRY TROJANS! (TROILUS AND CRESSIDA) (The Wooster Group at REDCAT) by Paul Birchall

CRY!BOYS AND INDIANS Let’s be honest:  Director Elizabeth LeCompte's sometimes astonishing adaptation of Shakespeare's Trolius and Cressida by the acclaimed Wooster Group of New Yor…

SOURCE: Stage and Cinema at 2:49am on March 5, 2014

San Diego Opera Preview: A MASKED BALL (San Diego Opera at the Civic Theatre) by Tony Frankel

INTRIGUE? I'M GLAD YOU MASKED The poster of San Diego Opera's production of Verdi's A Masked Ball claims "Based on a True Story." This is not hyperbole. When their production opens on Saturd…

SOURCE: Stage and Cinema at 9:48pm on March 4, 2014

Chicago Theater Review: SEMINAR (Haven Theatre Company at Theater Wit) by Lawrence Bommer

BAPTISM IN WORDS Seminar, Theresa Rebeck's utterly engaging one-act, is all about the wonders and terrors of writing. Both in the author's dazzling dialogue and the fascinating issues she co…

SOURCE: Stage and Cinema at 2:45pm on March 4, 2014

Off-Off-Broadway Theater Review: THE WINTER'S TALE (WorkShop Theater at The Main Stage Theater) by Dmitry Zvonkov

A FINE INTRODUCTION TO SHAKESPEARE It takes a few minutes to get going but once it does Ryan Lee's staging of Shakespeare's The Winter's Tale becomes dynamic entertainment; Mr. Lee and his f…

SOURCE: Stage and Cinema at 5:05am on March 4, 2014

Los Angeles Theater Review: COLDWATER (Son of Semele in Silverlake) by Mia Bonadonna

A HEART-POUNDING, COSMOS-QUESTIONING PIECE OF THEATER Today may be your last chance to see Blue Cube's hauntingly philosophical drama, Coldwater, but now that it has been tried out as part o…

SOURCE: Stage and Cinema at 2:00pm on March 2, 2014

Regional Theater Review: TENNESSEE WILLIAMS UNSCRIPTED (Impro Theatre at South Coast Rep in Costa Mesa) by Daniel S. G. Wood

COMEDICAL, TRAGICAL, IMPROVISATORICAL Impro Theatre's long-form improvisational theater is among the most impressive of the performing arts. At South Coast Rep, the group proffered a full-le…

SOURCE: Stage and Cinema at 2:21am on March 2, 2014

Los Angeles Theater Review: 50 SHADES! THE MUSICAL (Kirk Douglas Theatre in Culver City) by Paul Birchall

FLESH MADE TEDIOUS In my day job as a public librarian, I can tell you with certainty there is nothing more dreaded than finding E. L. James' turgid lust romancer Fifty Shades of Grey in …

SOURCE: Stage and Cinema at 9:43pm on March 1, 2014
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