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6,591 stories from Stage and Cinema

Los Angeles Theater Review: RUTH DRAPER'S MONOLOGUES (Geffen Playhouse) by Tom Chaits

IS THERE A DIRECTOR IN THE HOUSE? There is nothing inherently humdrum about the Geffen Playhouse's production of Ruth Draper's Monologues but there is nothing particularly exhilarating about…

SOURCE: Stage and Cinema at 8:21pm on April 18, 2014

Off-Off-Broadway Theater Review: AN ECLECTIC EVENING OF SHORTS VII: BOXERS AND BRIEFS (Theater 54 @ Shelter Studios) by Dmitry Zvonkov

SOME ARE TKO’S, SOME SHOULD BE BRIEFER The first play featured in this annual showcase of ten-minute plays by emerging writers, An Eclectic Evening of Shorts VII: Boxers and Briefs,…

SOURCE: Stage and Cinema at 9:14pm on April 17, 2014

Los Angeles Theater Review: EVERYTHING YOU TOUCH (The Theatre @ Boston Court) by Tony Frankel

EVERYTHING NEEDS A RETOUCH 30-year-old Jess is a mess. A New York-based dotcom genius, Jess is fraught with low self-esteem, making her an overweight, smelly, anti-social, stressed-out, aggr…

SOURCE: Stage and Cinema at 9:52pm on April 15, 2014

Off-Broadway Theater Review: SHAKESBEER (New York Shakespeare Exchange) by Dmitry Zvonkov

BOOZE AND BARD In ShakesBEER, NYC's Original Shakespearean Pub Crawl, New York Shakespeare Exchange members perform ten-minute scenes from four Shakespeare plays in as many bars over the cou…

SOURCE: Stage and Cinema at 5:31pm on April 15, 2014

Chicago Theater Review: DORIAN (House Theatre) by Lawrence Bommer

A WILD(E) ADAPTATION A spectacle that swirls and thrills, The House Theatre of Chicago's Dorian has updated Oscar Wilde's classic cautionary tale from Victorian music halls to today's club s…

SOURCE: Stage and Cinema at 4:40pm on April 15, 2014

Chicago Theater Review: MUD BLUE SKY (A Red Orchid) by Lawrence Bommer

THE CONDITIONAL KINDNESS OF STRANGERS An episodic evening set in and around a hotel near O'Hare Airport, Marisa Wegrzyn’s itinerant one-act both celebrates and red-flags those encou…

SOURCE: Stage and Cinema at 1:43pm on April 14, 2014

Chicago Theater Review: THE WAY WEST (Steppenwolf) by Lawrence Bommer

WATCHING LOSERS LOSE IS A LOSE/LOSE SITUATION After a brief show of compassion for life's casualties and some welcome sympathy for the underdog in Good People and The Motherfucker with the H…

SOURCE: Stage and Cinema at 12:56pm on April 13, 2014

Los Angeles Theater Review: BULGAKOV/MOLIÈRE (City Garage Theatre in Santa Monica) by Jason Rohrer

TITTY GARAGE Shows that are listed at two hours and fifteen minutes shouldn't be forgiven for running three hours, unless they are written by a genius like Mikhail Bulgakov.  One of that …

SOURCE: Stage and Cinema at 12:27pm on April 13, 2014

Los Angeles Dance Interview: ANA MARIA ALVAREZ (Artistic Director and founder of CONTRA-TIEMPO Urban Latin Dance Theater) by Myra Joy Veluz

IT'S ALL IN THE TIEMPO The excitement in Ana Maria Alvarez' voice is contagious: "When we got the news it was like one of those Ed McMahon calls that everyone sees on television." The Artist…

SOURCE: Stage and Cinema at 3:35pm on April 11, 2014

Los Angeles / Tour Theater Review: THE SUIT (U.S. Tour at Freud Playhouse at UCLA) by Jason Rohrer

THREADBARE In the 1950s, dissident South African Can Themba wrote a short story called "The Suit," describing a cuckold’s response to his wife’s infidelity " specifically his ins…

SOURCE: Stage and Cinema at 2:38pm on April 10, 2014

Bay Area Theater Review: THE HOUND OF THE BASKERVILLES (TheatreWorks) by Stacy Trevenon

A HOWLINGLY FUNNY BASKERVILLES SPOOF IS MORE THAN ELEMENTARY It turns out that you can teach an old dog new tricks, proven by TheatreWorks' contemporary stage-spoof treatment of the 1901 She…

SOURCE: Stage and Cinema at 6:42pm on April 9, 2014

Los Angeles Theater Review: THE LAST ACT OF LILKA KADISON (Falcon Theatre in Burbank) by Tony Frankel

INVENTIVE MEMORY PLAY COULD USE JUST A BIT MORE MAGIC Inspired by the work of Johanna Cooper"a broadcaster who was commonly drawn to Jewish tales"Nicola Behrman, David Kersnar, Abbie Phillip…

SOURCE: Stage and Cinema at 9:23pm on April 8, 2014

San Diego Opera Review: DON QUIXOTE (San Diego Opera at the Civic Theatre) by Barnaby Hughes

SAN DIEGO OPERA’S SWAN SONG SPEAKS TO DREAMING IMPOSSIBLE DREAMS Don Quixote ("Don Quichotte" in its original French spelling) serves as a fitting final production with which to close …

SOURCE: Stage and Cinema at 8:47pm on April 8, 2014

Chicago Theater Review: OUR CLASS (Remy Bumppo) by Lawrence Bommer

THE BANALITY OF SURVIVAL A crowded creation, Our Class remembers the Holocaust by forgetting nothing. Intent on conscience-keeping, burning to reclaim a slice of history, this dogged docudra…

SOURCE: Stage and Cinema at 3:27pm on April 8, 2014

Chicago Theater Review: DEPRAVED NEW WORLD (Second City) by Samantha Nelson

SECOND CITY DEPRAVED AND BACK ON TRACK Dark thoughts, insecurity and regrets may seem like particularly bleak material to base a sketch comedy show around, but their universality makes them …

SOURCE: Stage and Cinema at 6:20pm on April 7, 2014

Regional Theater Review: RED (San Diego REP) by Milo Shapiro

A BLINKING YELLOW FOR RED AT THE REP Is a soup can art?  To Matisse, probably not.  To Warhol, clearly yes.  And to everyone else?  Ah, that’s when we start getting into wh…

SOURCE: Stage and Cinema at 5:39pm on April 7, 2014

Off-Off-Broadway Theater Review: LITTLE MAC, LITTLE MAC, YOU'RE THE VERY MAN! (Less Than Rent at the Kraine Theater) by Dmitry Zvonkov

MAC THE DULL KNIFE Under Charlie Polinger's unremarkable direction, the often charming cast of Sean Patrick Monahan and James Presson's vacuous tongue-in-cheek musical comedy Little Mac, Lit…

SOURCE: Stage and Cinema at 4:37pm on April 7, 2014

Los Angeles Theater Review: COME BACK, LITTLE SHEBA (A Noise Within) by G. Bruce Smith

COME BACK TO A NOISE WITHIN The current production of Come Back, Little Sheba at Pasadena's A Noise Within proves that William Inge's breakout 1950 Broadway hit is still relevant today. The …

SOURCE: Stage and Cinema at 3:44pm on April 7, 2014

Chicago Theater Review: GOD'S WORK (Goodman) by Lawrence Bommer

FREED FROM A CELLAR The inception of this 2006 work from Chicago's neighborhood-based Albany Park Theater Project is a remark made by a 14-year-old member of their youth ensemble: "I learned…

SOURCE: Stage and Cinema at 2:46pm on April 7, 2014

Los Angeles Theater Review: A MIDSUMMER NIGHT'S DREAM (Bristol Old Vic and Handspring Puppet Company at the Broad Stage) by Jason Rohrer

WELL MET BY MOONLIGHT Some plays are just too good to be easily staged.  In my experience Shakespeare’s most beloved comedy, A Midsummer Night’s Dream, has defied more directo…

SOURCE: Stage and Cinema at 1:29am on April 7, 2014

Los Angeles Theater Review: DOCTOR ANONYMOUS (Zephyr Theatre) by Tony Frankel

IS THERE A SHOW DOCTOR IN THE HOUSE? There is a method of political activism called a "zap." Basically, zaps are militant but non-violent face-to-face confrontations with persons in position…

SOURCE: Stage and Cinema at 4:53pm on April 5, 2014

Los Angeles Theater Preview: 'S WONDERFUL: THE NEW GERSHWIN MUSICAL (Musical Theatre West) by Tony Frankel

HAVING A “‘S WONDERFUL” TIME It should come as no surprise that the song catalog of George and Ira Gershwin"according to Los Angeles Times"generates about $8 million a year…

SOURCE: Stage and Cinema at 10:28am on April 4, 2014

Chicago Theater Review: TRISTAN & YSEULT (Kneehigh at Chicago Shakespeare Theater) by Lawrence Bommer

MERRY PRANKSTERS' MEDIEVAL MELTDOWN Cheeky, goofy and sassy as it "cocks a snoot" at a literary legend, this irrepressible import from Kneehigh, a brassy Cornwall theater, should be injected…

SOURCE: Stage and Cinema at 1:52pm on April 3, 2014

Los Angeles Dance Interview: HEIDI DUCKLER (Artistic Director and founder of Heidi Duckler Dance Theatre) by Myra Joy Veluz

HEIDI DUCKLER OFFERS AN OASIS FROM CONVENTIONAL DANCE Well before her college-years dance training, Heidi Duckler danced as early as she could walk. "I've always been dancing," she tells Sta…

SOURCE: Stage and Cinema at 7:33pm on April 2, 2014

Los Angeles Theater Review: SHAKESPEARE UNSCRIPTED (Imprō Theatre at the Carrie Hamilton) by Jason Rohrer

SHAKESPEARE WISHES HE WERE THIS FUNNY Mistaken identities, cross-dressing, puns, fart jokes and dick jokes and pussy jokes.  You know where you can find these?  Movies starring Saturda…

SOURCE: Stage and Cinema at 11:58am on April 1, 2014
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