13,356 stories from The Financial Times
Jenny Holzer, Julie Mehretu, Richard Prince and others unearth hidden gems for a run of mini-exhibitions at the museum
The photographer's work, on show in New York, explores her mixed heritage
The singer excels in a revival of Richard Jones's inward-looking production
Plus: Christie's tepid auction results; and Joburg fair in black ownership
Record labels join tech groups to tackle 'industrial-scale' deployment of fake users
The painter's first retrospective in a French public museum since 1941 is a revelation
This small but splendid show underscores the 15th-century painter's growing reputation
David McVicar's Milan production is bold, and the casting is excellent
The quartet's bristling, abrasive gig at Earth in London showed why they are attracting attention
The plot becomes endearingly daft in this story of a young anti-superhero
Mundane dialogue and jarring incongruity marr this London-set film
Wackiness blights this story of a real-life bank robbery
The issues raised are pertinent, but the drama lacks nuance
Stars are moving into theatres, and pointing a possible wayto the future of live music
First screening cancelled at last minute due to historical sensitivities
The pianist's week-long residency was split into sections that reflected his heritage in jazz and Jamaican music
Yana Peel owns stake in husband's private equity fund that controls NSO Group
Welcome to Due Diligence, the FT's daily deals briefing
'I am making this investment for my family,' says telecom and media entrepreneur after spending $3.7bn
The world's two largest auction houses are now privately owned by French billionaires
South African bass-baritone Musa Ngqungwana as Porgy is the emotional heart of the performance
After 52 years the band can still sell out Wembley Stadium but the latest line-up change may be a rupture too far
Director Martin Duncan emphasises the infantile and comic in Offenbach's neglected opera
Jackie Sibblies Drury takes a conventional family set-up and subverts it at New York's Polonsky Shakespeare Center
For centuries, galleries and auction houses have been able to say pretty much what they like about an artist's work, without buyers having an easy way of checking its authenticity
