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6,591 stories from Stage and Cinema

Chicago Theater Review: THE WHITE SNAKE (Goodman) by Lawrence Bommer

AN ANCIENT SWEETNESS ON A GOODMAN STAGE Infatuated with alteration, Tony-winner Mary Zimmerman loves transformations, metamorphoses, shape-shifting, and slow to rapid mood swings. Nothing sh…

SOURCE: Stage and Cinema at 2:25pm on May 15, 2014

Off-Broadway Theater Review: MURDER FOR TWO (New World Stages) by Dmitry Zvonkov

BORED TO DEATH In Joe Kinosian and Kellen Blair's ill-conceived two-hander musical comedy Murder for Two, lively performances and Scott Schwartz's energetic direction are not enough to overc…

SOURCE: Stage and Cinema at 7:54pm on May 13, 2014

Los Angeles Theater Review: 110 IN THE SHADE (Actors Co-op Theatre Company in Hollywood) by Tom Chaits

A BLAZING-HOT PRODUCTION As Los Angeles heats up to scorching temperatures this week, there is a cool, refreshing theatrical breeze blowing down the pike. It may be wise to avoid the 110-in-…

SOURCE: Stage and Cinema at 11:04pm on May 12, 2014

Los Angeles Theater Review: FAT PIG (Hudson) by Eve Meadows

A PIG WITH WINGS Variety critic Daniel Kimmel identified a thread running through Neil LaBute's work: “He is a misanthrope who assumes that only callous people who use and abuse others…

SOURCE: Stage and Cinema at 1:59pm on May 12, 2014

Los Angeles Opera Preview: THAÏS (LA Opera) by Tony Frankel

DAZZLING DOMINGO IN MASSENET’S MASTERPIECE What do world-renowned singers do once they have reached the age of retirement? On the strength of their name, they fill cabarets and concert…

SOURCE: Stage and Cinema at 2:59am on May 12, 2014

Los Angeles Theater Review: AN EVENING OF CLASSIC LILY TOMLIN (Valley Performing Arts Center, CSUN) by G. Bruce Smith

HAS THE BLOOM WORN OFF THE LILY, OR IS IT ME? Dear Lily: I've adored you ever since you burst into my consciousness " and the nation's " way back in 1969 on Laugh-In. Who could forget your E…

SOURCE: Stage and Cinema at 9:00pm on May 11, 2014

Los Angeles Theater Review: THE GHOST OF GERSHWIN (The Group Rep in North Hollywood) by Tom Chaits

THE GHOST OF GERSHWIN: SONGS 10, BOOK 3 There is a lot to sing about in the Group Rep's season closer The Ghost of Gershwin. It contains a bevy of freshly penned ditties by Wayland Pickard (…

SOURCE: Stage and Cinema at 9:40pm on May 10, 2014

Los Angeles Theater Review: MAURICE HINES IS TAPPIN' THRU LIFE (The Wallis in Beverly Hills) by Tony Frankel

THE OLD SONG-AND-DANCE Full of vitality, eagerness, and joie de vivre, the indefatigable, cheerful, and fast-talkin' showman Maurice Hines is offering a walk-down-memory-lane with song, big …

SOURCE: Stage and Cinema at 7:28pm on May 10, 2014

Los Angeles Theater Review: AJAX IN IRAQ (Not Man Apart in Santa Monica) by Jason Rohrer

THEATRICAL ANTHRAX In Ellen McLaughlin’s 2011 play Ajax in Iraq, a heroic American soldier, A.J., is raped by her sergeant.  Her Iraq War story parallels that of the Trojan War hero…

SOURCE: Stage and Cinema at 1:54pm on May 10, 2014

Los Angeles Theater Review: UNORGANIZED CRIME (Elephant Theatre in Hollywood) by Tom Chaits

ALL THAT CHAZZ After nearly a 25-year absence, actor Chazz Palminteri returns to the Los Angeles stage in the world premiere of Unorganized Crime, currently shooting up the joint at the Elep…

SOURCE: Stage and Cinema at 5:38pm on May 9, 2014

Los Angeles Theater Review: SCI-FEST (1st Annual Los Angeles Science Fiction One-Act Play Festival at ACME) by Tony Frankel

GOING WHERE NO FESTIVAL HAS GONE BEFORE Writer and actor David Dean Bottrell came up with a swell idea for Los Angeles"a science fiction theater festival. Consisting of two different program…

SOURCE: Stage and Cinema at 5:37pm on May 9, 2014

Los Angeles Theater Review: A DELICATE BALANCE (Odyssey Theatre) by Tom Chaits

INDELICATE AND OUT OF BALANCE When Edward Albee's A Delicate Balance won the Pulitzer Prize in 1967 it was no doubt a theatrical revelation. Although it didn't pack the emotional wallop of W…

SOURCE: Stage and Cinema at 3:57am on May 9, 2014

Chicago Theater Review: HENRY V (Chicago Shakespeare Theater) by Lawrence Bommer

BEYOND THE BREACH It honors the text. That's praise enough for any production, especially when the drama is the world's greatest propaganda play: Henry V. Shakespeare's most patriotic wor…

SOURCE: Stage and Cinema at 3:25pm on May 8, 2014

Regional Theater Review: INTO THE WOODS (3-D Theatricals in Fullerton) by Tony Frankel

INTO THE WORDS For his production of Into the Woods, director T.J. Dawson notes that Stephen Sondheim's score is often revered as genius. "However, many of his incredible lyrics rush by most…

SOURCE: Stage and Cinema at 2:29am on May 8, 2014

Los Angeles Dance Review: YOUTH (L.A. Contemporary Dance Company at Club Fais Do Do) by Tony Frankel

JUST DANCE I recently read an email from a dance mentor whose advice for performing was simply, "Let it all go and Dance, Motherfuckers!" I couldn't help but think back to the email as I wat…

SOURCE: Stage and Cinema at 12:40am on May 8, 2014

San Diego Theater Review: OLD JEWS TELLING JOKES (Lyceum Theatre) by Milo Shapiro

WHAT, WOULD IT KILL YOU TO HEAR A JEWISH JOKE, I ASK YOU? A German, a Frenchman, and a Jew are crawling across the desert.  The German says, “Mein Gott!  I’m so hot and thi…

SOURCE: Stage and Cinema at 9:44pm on May 6, 2014

Cabaret Review: JEREMY JORDAN: BREAKING CHARACTER (Catalina Bar & Grill in Hollywood) by Tony Frankel

29 IS THE NEW 19 "If you ever feel stuck in your life," Broadway, TV, and film heartthrob Jeremy Jordan told the adoring throng at his L.A. debut last night, "go back to your childhood and r…

SOURCE: Stage and Cinema at 7:13pm on May 6, 2014

Off-Broadway Theater Review: HERE LIES LOVE (The Public Theatre) by Victoria Linchong

THE REVOLUTION WILL BE DANCED Move over Evita, there's another Queen of Hearts in town. And she likes diamonds too. I'm talking about Imelda Marcos"she of the thousand pairs of shoes"who is …

SOURCE: Stage and Cinema at 7:13pm on May 6, 2014

Cabaret Review: DAISY EAGAN: ONE FOR MY BABY (Rockwell Table & Stage) by Tony Frankel

OOPSY DAISY With enough comic personality to rival Fanny Brice, the droll, deft, dirty, daffy, derisive, delirious, and delightful Daisy Eagan, best-known for being the youngest female Tony …

SOURCE: Stage and Cinema at 9:27pm on May 5, 2014

Off-Broadway Theater Review: AN OCTOROON (by Branden Jacobs-Jenkins at Soho Rep) by Dmitry Zvonkov

NOW THIS IS HOW YOU ADAPT A PLAY In 1859 Dion Boucicault's The Octoroon opened in New York City to much acclaim. The plot of this suspenseful melodrama centers on George, a young man of Sout…

SOURCE: Stage and Cinema at 1:07pm on May 5, 2014

Los Angeles Opera Review: LA CALISTO (Pacific Opera Project in Highland Park) by Barnaby Hughes

BAROQUE AND LOVING IT It begins innocently enough with two nymphs singing, swinging and blowing bubbles"until the gods intervene and mayhem ensues. There are transvestites, lusty satyrs, and…

SOURCE: Stage and Cinema at 2:10am on May 5, 2014

Los Angeles Theater Review: PREMEDITATION (Los Angeles Theatre Center) by Tony Frankel

NOT PREMEDITATED ENOUGH Despite playwright Evelina Fernández' ability to take clichéd problems about marriage and turn them into humorous complaints about men tossing underwear on the fl…

SOURCE: Stage and Cinema at 8:55pm on May 3, 2014

Chicago Theater Review: JUNO (TimeLine Theatre) by Lawrence Bommer

MELTING JIGS INTO DIRGES Whether it's a Jewish family in Awake and Sing! or a black one in A Raisin in the Sun, poverty grinds down its unloved ones and prejudice finishes the ki…

SOURCE: Stage and Cinema at 3:11pm on May 3, 2014

San Diego Theater Review: TIME AND THE CONWAYS (The Old Globe) by Tony Frankel

TIME IS RELATIVE FOR THE RELATIVES IN TIME J. B. Priestley's Time and the Conways is in some ways a creaky play, yet the production at The Old Globe is so lovingly directed, thrillingly acte…

SOURCE: Stage and Cinema at 4:32am on May 3, 2014

Commentary and Regional Theater Review: THE PURPLE LIGHTS OF JOPPA ILLINOIS (World Premiere by Adam Rapp at South Coast Rep in Costa Mesa) by Tony Frankel

DIM LIGHTS As part of its 17th Annual Pacific Playwrights Festival, South Coast Repertory presented a play by Adam Rapp. Unlike Theresa Rebeck's Zealot and Rajiv Joseph's Mr. Wolf, which rec…

SOURCE: Stage and Cinema at 12:16am on May 3, 2014
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