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2,070 stories from The Theatre Times

"Bérénice" at Milan's FOG Festival by Margaret Rose

Together with Wayne McGregor's dance piece, UniVerse: A Dark Crystal Odyssey, Romeo Castellucci's reimagining of Jean Racine's Bérénice (first staged in 1670), with Isabelle Huppert in the…

SOURCE: thetheatretimes.com at 2:33pm on May 14, 2024

Igor Vuk Torbica (1987 " 2020) " Balkan "Prince of Theatre" " The third Igor's Days by Emilija Kvočka

He lived for 33 years, and then he left us. He had his first professional direction in the Zrenjanin theatre, where he staged Molière's Don Juan. He directed 13 plays and started the fourte…

SOURCE: thetheatretimes.com at 12:27pm on May 13, 2024

From Exile to Redemption by Marcina Zaccaria

Solo Performers John Rwothomack and Fidaa Zidan join forces to unravel the discovery of life after political rallies and prison sentences in Lines. The full version of the article From Exile…

SOURCE: thetheatretimes.com at 12:23pm on May 12, 2024

How To Recognise Us? The Foreign Women In London: Theatre Review Of "Don't Get Me Wrong" by Xunnan Li

Amidst the bustling metropolis of London, a group of aspiring theatrical talents (Kelly Guibal, Flavia Di Saverio, Thelma Osorio Euan, Maria Luc, Hana Tamaru, Arianna Folini) took to the sta…

SOURCE: thetheatretimes.com at 2:03am on May 5, 2024

Retro-futurist Green Theatre: Trick of the Light's "Suitcase Show" by David O'Donnell

A new show from Trick of the Light theatre company is always something special, and Suitcase Show"presented as part of this year's New Zealand Fringe Festival"is no exception. The core of…

SOURCE: thetheatretimes.com at 12:05pm on May 2, 2024

Follies and Murder Ballads and Extinction, Oh My!: New York City Fringe 2024 by Rhiannon Ling

2024's New York City Fringe has come to an end, eighteen nights of shows enjoyable, waspish, querying, high-caliber, and searching (on occasion, all things all at once). I had the privilege …

SOURCE: thetheatretimes.com at 3:04pm on April 28, 2024

"Without a State:" a Collision Between Migration and the Perpetual Pursuit of Identity and Belonging by Tawanda Mupatsi

Southern Rhodesia (now Zimbabwe) is still in the hands of Britain, the colonial power, and several migrants are coming from neighboring Northern Rhodesia (now Zambia) and Nyasaland (now Mala…

SOURCE: thetheatretimes.com at 10:37am on April 23, 2024

"That Perfect Dark": Samuel Beckett's "Company" in Dunedin by David O'Donnell

The southern city of ÅŒtepoti/Dunedin has played an important role in the history of Samuel Beckett production in Aotearoa. In 1959, one of the earliest New Zealand productions of Waiting …

SOURCE: thetheatretimes.com at 4:02am on April 19, 2024

Anything Can Be Bought If The Price Is Right: Juan Mayorga's "La Colección" (The Collection) by Maria Delgado

Juan Mayorga might have been a crime writer in another life, he loves to set up complex, menacing conceits that explore behaviour on the fringes of criminality. What constitutes right? How f…

SOURCE: thetheatretimes.com at 4:21am on April 12, 2024

Staging Justice: Miguel del Arco revisits Jordi Casanovas' "Jauría" and the case of "la manada" (the wolfpack) by Maria Delgado

Seeing a play you much admired five years ago for a third time isn't always sensible. Will it be as good as you remember it? I saw Jauría, Jordi Casanovas' verbatim play based on the case…

SOURCE: thetheatretimes.com at 11:07am on April 9, 2024

Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe's Future(s)? by Kasia Lech

Europa jest wielojÄ™zyczna. Europe " as a geopolitical concept, its residents, communities, and countries " is a multilingual space where people communicate in multiple languages such as …

SOURCE: thetheatretimes.com at 10:55am on April 8, 2024

Milan's FOG Festival  by Margaret Rose

Milan's international multidisciplinary performance art festival FOG, featuring theatre, music, and dance, is at its seventh edition. The brainchild of the Triennale theatre's artistic direc…

SOURCE: thetheatretimes.com at 3:47pm on April 7, 2024

Between The REMBELIO OF POPOLARI ("Omilies", Carnevals, Anonymous Poets) And No Stable Funding by Ivanka Apostolova Baskar

An Interview with Kostas Kapodistrias " Theatre actor and director, theatre manager/founder of Theatro Tsi Zakithos, Zakynthos, Greece One of the most authentic, inspiring and human great ac…

SOURCE: thetheatretimes.com at 4:21am on April 4, 2024

The Silent Service of Women: Cayenne Douglass's "Maiden Voyage" at The Flea by Rhiannon Ling

"What kind of service do submarines provide?" asks the machine's captain, Ricky Martin. "Silent service" is the proper answer. It is nearly the dénouement of Cayenne Douglass's Maiden Voyag…

SOURCE: thetheatretimes.com at 4:16am on April 2, 2024

"Teeth" Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob's Musical by Morgan Skolnik

Last year I went to the dentist for a toothache and was told that somehow, to my extreme disbelief, my tooth had grown another tooth in it. Well, my dens in dente is nothing compared to Dawn…

SOURCE: thetheatretimes.com at 4:17am on March 31, 2024

"I Killed My Mother/It Wasn't My Fault." Which Way Does One Get to Come-of-Age? by Teodora Medeleanu

The question of universality faces entire series of utterly new answers, but not all of them find a place or are given a form to be exhibited on stage, as it is frequently mistaken for relat…

SOURCE: thetheatretimes.com at 10:39am on March 25, 2024

A Triple Bill on Desire and its Discontents: "La Voix Humaine", "Erwartung" and Something in Between at Madrid's Teatro Real by Maria Delgado

There are a number of firsts in the new Teatro Real production triple bill that brings together Francis Poulenc's La Voix Humaine (1959), adapted from Jean Cocteau's 1930 play, and Arnold Sc…

SOURCE: thetheatretimes.com at 10:36am on March 25, 2024

Alfredo Sanzol Stages Lorca's "The House of Bernarda Alba": Simmering Passions, Solitude and Surveillance by Maria Delgado

The 2023/2024 season has proved the year of Bernarda Albas. Lorca's 1936 drama was completed only a few months before his death, as Spain was edging closer to civic conflict. Its razor-sharp…

SOURCE: thetheatretimes.com at 3:33am on March 25, 2024

"Haywire:" An Unsettling Account On Mental Health Issues by Tawanda Mupatsi

When Chenura Trust a Zimbabwean media company announced that they were working on a theatrical performance titled Haywire which was going to be centered around mental health issues, initial …

SOURCE: thetheatretimes.com at 4:37pm on March 22, 2024

"ANGELA (a Strange Loop)": The Wild and Wonderful World of Susanne Kennedy by Maria Delgado

Susanne Kennedy doesn't do things by half. When she creates a world, it has its own logic, its own rules, its own ethos. It's not a world of participation but one where the audience are invi…

SOURCE: thetheatretimes.com at 4:34pm on March 22, 2024

Re-imagining the City through Performance: "The Drifting Room", Created and Performed by Stephen Bain by David O'Donnell

The Drifting Room, created and performed by Stephen Bain. The Performance Arcade 2024, Te-Whanganui-A-Tara Wellington waterfront, 22-25 February 2024. What if the theatre"that fixed architec…

SOURCE: thetheatretimes.com at 6:32pm on March 21, 2024

Find Your Voice, Loud and Clear: Musical "Il Tenore" Review by Hansol Oh

It is 1930s Kyeongseong (what Seoul was called during the Japanese occupation), and the colonial Japanese government is enforcing a Japanese-only policy to bolster the forced assimilation of…

SOURCE: thetheatretimes.com at 4:37pm on March 21, 2024

Stage to Screen: Támara Torres on "Orange Is The New Black," Netflix Shaping Streaming by Alexander Fatouros

American actress of beauty and talent, Támara Torres is a legend of Orange is the New Black, the Netflix comedy-drama television series created by Jenji Kohan. Her portrayal of Emily "Wee…

SOURCE: thetheatretimes.com at 12:29am on March 21, 2024

"The Bald Soprano," French Absurd Theater Becomes a German Contemporary Opera Buffa by Antonio Hernández Nieto

There are some myths about the opera that are not true. Firstly, that young people do not like opera. Secondly, opera audiences hate contemporary operas. If you think that both statements ar…

SOURCE: thetheatretimes.com at 4:49am on March 18, 2024

Tim Price's "Nye" at the National Theatre: A Fun Life of the Creator of the National Health Service by Aleks Sierz

For me, this is the most emotional show on the London stage. Why's that? Because it's about Nye Bevan, who as Minister of Health in the postwar socialist Labour government set up the Nationa…

SOURCE: thetheatretimes.com at 6:11pm on March 14, 2024
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