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3,478 stories from The Arts Desk

Dear England, Prince Edward Theatre review - still a winner in its new West End home by Helen Hawkins

James Graham's play works like a big joke that a whole nation is in on It was interesting, in the same week that the England football team trounced Italy 3-1 in a Euros qualifier, to see Dea…

SOURCE: The Arts Desk at 10:25pm on October 20, 2023[SHARE]

Portia Coughlan, Almeida Theatre review - atmospheric revival of Marina Carr's bleak 1996 drama by Jane Edwardes

Haunted by the ghost of her brother, Alison Oliver's depressed Portia is on a path to self-destruction In 1994, the National Maternity Hospital in Dublin commissioned Marina Carr to write a …

SOURCE: The Arts Desk at 6:07am on October 20, 2023[SHARE]

Meetings, Orange Tree Theatre review - three-hander that chews on big issues by Helen Hawkins

Mustapha Matura's 1981 play set in modern Trinidad is superbly served up Mustapha Matura's 1981 play, Meetings, is still a knockout. Supply the characters with mobile phones and it could be…

SOURCE: The Arts Desk at 12:33pm on October 19, 2023[SHARE]

The Flea, The Yard Theatre review - biting satire fails to sting by Gary Naylor

★★★ THE FLEA, THE YARD THEATRE Hotchpotch of influences and tones derails production that exposes hypocrisy in high places  Victorian scandal meets Ziggy Stardust with a…

SOURCE: The Arts Desk at 7:04am on October 19, 2023[SHARE]

Hamnet, Garrick Theatre review - conventional adaptation of the bestseller drains its poetry away by Helen Hawkins

Maggie O'Farrell's inventive retelling of the Shakespeares' love story needs a more inventive production The RSC apparently has a hit on its hands with its West End transfer of Hamnet. Box o…

SOURCE: The Arts Desk at 4:49am on October 19, 2023[SHARE]

Dracula: Mina's Reckoning, Festival Theatre Edinburgh review - audacious and entirely convincing by David Kettle

An all-female spin on Stoker's classic horror from the National Theatre of Scotland dares to challenge stereotypes An all-female production of Bram Stoker's Dracula " well, kind of " that tr…

SOURCE: The Arts Desk at 8:43pm on October 16, 2023[SHARE]

Dead Dad Dog, Finborough Theatre review - Scottish two-hander plays differently 35 years on, but still entertains by Gary Naylor

★★★★ DEAD DAD DOG, FINBOROUGH THEATRE Nostalgia rather than political satire drives charming revival  A play that will speak to any middle-aged Londoner with roots…

SOURCE: The Arts Desk at 7:33am on October 14, 2023[SHARE]

The Ocean at the End of the Lane, Nöel Coward Theatre review - magical Neil Gaiman adaptation returns by Jane Edwardes

Monsters and a demonic Nanny make for an eye-popping evening There were shrieks, gasps, and nervous laughter in the Nöel Coward Theatre during press night of a kind rarely heard in the thea…

SOURCE: The Arts Desk at 5:07am on October 13, 2023[SHARE]

Sunset Boulevard, Savoy Theatre review - Nicole Scherzinger stuns in an exceptional production by Mert Dilek

Director Jamie Lloyd is at the height of his powers in this stark, sublime reinterpretation of a modern classic Jamie Lloyd has the gift that keeps on giving. Hot on the heels of recent prod…

SOURCE: The Arts Desk at 5:07am on October 13, 2023[SHARE]

Blue Mist, Royal Court review " authentic, but not entirely convincing by Aleks.sierz

Energetic new play about South Asian Muslim men challenges stereotypes Multiculturalism, according to the Home Secretary, has failed, so where does that leave British Black and Asian commun…

SOURCE: The Arts Desk at 5:07pm on October 12, 2023[SHARE]

The Changeling, Southwark Playhouse review - wild ride proves too bumpy to land all its points by Gary Naylor

★★★ THE CHANGELING, SOUTHWARK PLAYHOUSE Wild ride proves too bumpy to land all its points An excess of gimmicks and uneven tone unbalance an innovative take on a Jacobean e…

SOURCE: The Arts Desk at 5:04am on October 12, 2023[SHARE]

The Foreigners' Panto, BOLD Theatre review - no laughing matter by Veronica Lee

Immigration madness given a panto makeover The starting point of this musical comedy " using a panto format to take a deep dive into the UK's immigration law " comes from such a good place …

SOURCE: The Arts Desk at 9:07pm on October 9, 2023[SHARE]

Death of England: Closing Time, National Theatre review - thrillingly and abundantly alive by Aleks.sierz

Triumphant climax to Roy Williams and Clint Dyer's brilliant tetralogy about race It's closing time somewhere in the East End. Nah, not the pub, but at a small local shop. Inside, Denise is …

SOURCE: The Arts Desk at 9:07pm on October 9, 2023[SHARE]

Group Portrait in a Summer Landscape, Lyceum Theatre, Edinburgh review - a maze of ideas by David Kettle

The Scottish independence referendum is just one of the strands that Peter Arnott attempts to weave together in an unconvincing Chekhovian drama The title of Peter Arnott's new play " a co-p…

SOURCE: The Arts Desk at 8:03pm on October 9, 2023[SHARE]

Othello, Riverside Studios review - three Iagos pitch Shakespeare's villain into the 21st century by Gary Naylor

A compelling character gets re-invented in Sinéad Rushe's fascinating production Shakespeare gives Iago over 1000 lines to implant the jealous rage in Othello, so there's plenty to of raw m…

SOURCE: The Arts Desk at 5:43am on October 9, 2023[SHARE]

Flowers for Mrs Harris, Riverside Studios review - lovely, low-key musical finds a London berth by Paul Vale

Jenna Russell in career-defining form as the widow of the title Although based on the 1958 Paul Gallico novel Mrs 'Arris Goes To Paris, this musical adaptation arrived much later. With a bo…

SOURCE: The Arts Desk at 2:25am on October 9, 2023[SHARE]

A Voyage Round My Father, Theatre Royal Bath review - Rupert Everett excels in a play showing its age by Gary Naylor

John Mortimer creates a dazzling vehicle for a star, alongside one-dimensional supporting characters Like theatre itself, the law finds its voice in stories, performance and spectacle. Any …

SOURCE: The Arts Desk at 7:37am on October 7, 2023[SHARE]

Imposter 22, Royal Court Theatre review - ace on representation, less so on structure by Gary Naylor

Big-hearted and necessary play fails to deliver fully on its huge promise The Royal Court's collaboration with Access All Areas (AAA) may not be theatre's first explicit embrace of the neuro…

SOURCE: The Arts Desk at 8:25pm on October 3, 2023[SHARE]

Stephen Sondheim's Old Friends, Gielgud Theatre review - exuberant gala of nonstop virtuosity by Helen Hawkins

Big Broadway show with a pleasing British accent The Sondheim gala show Old Friends is a must for fans of the master, naturally, but its quality would knock anybody who loves musical theatre…

SOURCE: The Arts Desk at 8:25pm on October 3, 2023[SHARE]

Unbelievable, Criterion Theatre review - Derren Brown-directed show misses his otherworldly danger by Gary Naylor

★★★ UNBELIEVABLE, CRITERION THEATRE Entertaining show, but short of a little magic in more senses than one Pantomime vibe undermines the unique frisson of the magicia…

SOURCE: The Arts Desk at 7:03am on September 29, 2023[SHARE]

Close-Up: The Twiggy Musical, Menier Chocolate Factory review - a tourist's view of a Sixties icon by Helen Hawkins

Ben Elton has written an odd musical-documentary, part comic-strip, part lecture The Biba dresses are way too colourful, the shop's interior about 10 times too bright… and did anybody real…

SOURCE: The Arts Desk at 5:55am on September 29, 2023[SHARE]

Untitled F*ck M*ss S**gon Play, Young Vic review - committed and important play let down by heavy-handed writing by Gary Naylor

★★ UNTITLED F*UCK M*SS S**GON PLAY, YOUNG VIC A gruelling watch, but message hits home Satirical comedy-drama labours its points across an uninterrupted two hours Seldom can a…

SOURCE: The Arts Desk at 2:25am on September 27, 2023[SHARE]

Frank and Percy, The Other Palace review - two-hander fails to escape a very short leash by Demetrios Matheou

Ian McKellen and Roger Allam as the lonely men who bond over their dogs Two elderly men meet in the park while walking their dogs, and become friends. Even when friendship turns to love, the…

SOURCE: The Arts Desk at 10:07pm on September 26, 2023[SHARE]

Octopolis, Hampstead Theatre review - blue, blue, electric blue by Aleks.sierz

New play about the relations between humans and other life forms has profound depths How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fasci…

SOURCE: The Arts Desk at 6:55pm on September 25, 2023[SHARE]

Rebecca, Charing Cross Theatre review - troubled show about a troubled house nonetheless diverts by Gary Naylor

  Austrian musical finally arrives in London to entertain, but not quite thrill There are times when it's best to know as little as possible before taking one's seat for a show " this new…

SOURCE: The Arts Desk at 3:25pm on September 22, 2023[SHARE]
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