1,623 stories from exeuntmagazine.com
Funny as hell: Nabilah Said writes on Clean Break's hilarious, but painful exploration of how women are prison are depicted.
The post Review: Inside Bitch at Royal Court appeared first on Ex…
Mess, horror and queer celebration: here are Exeunt's UK-wide picks for March in theatre and performance.
The post Exeunt Recommends: March 2019 appeared first on Exeunt Magazine.
'Rich people acting out their little dramas': Frey Kwa Hawking writes on Sleepwalk Collective's final show in their Kardashian trilogy, a deconstructed, live-art opera.
The post Review: Kou…
'A plethora of pleasurable acts, presented with nuance, gender-theory and heart': Hannah Greenstreet writes on Pecs Drag Kings' show exploring the seepage of gender binaries.
The post Revie…
Mining the past: Tracey Sinclair writes on the nuanced portrayal of a 'fragile ecosystem' of men in Beth Steel's mining drama.
The post Review: Wonderland at Northern Stage, Newcastle appea…
"Bats! Gay bats! Bats in a freaking tunnel!" - Francesca Peschier heads underground in search of the campest, eeriest, and most shiver-inducing shows at Vault Festival.
The post Vaults Ody…
Staged magic: Alice Saville writes on Eve Leigh's play, and its explorations of grief and artifice.
The post Review: The Trick at Bush Theatre appeared first on Exeunt Magazine.
Justice is served: Ed Nightingale writes on John Donnelly's biting, densely political Molière adaptation.
The post Review: Tartuffe at National Theatre appeared first on Exeunt Magazine.
Working it out: Naomi Obeng reviews Luca Rutherford's solo show in two parts - a written response, and an audio recording made immediately after the performance.
The post Review: Luca Ruther…
Rosemary Waugh interviews the young company behind a hit fringe show exploring trauma, clothes, and healing.
The post ThisEgg: "We're all just trying to keep each other going." appeared fir…
Fossil hunters: Kandinsky's new devised show brilliantly excavates the history of science to unearth the human cost of the discovery of dinosaurs, writes Brendan MacDonald.
The post Review:…
Singing her song: Louise Jones reviews Emma Geraghty's solo show exploring fatness and queerness through music.
The post Review: Fat Girl Singing at York Theatre Royal appeared first on Exeu…
'a beautiful messy dance of instructions, rule breaking and expectations': Francesca Peschier writes on the stage directions in Outbox theatre's gloriously queer show, devised from the exper…
J N Benjamin explores the ethical issues around casting unpaid 'community' performers alongside professional actors.
The post Are community choruses exploitative? appeared first on Exeunt M…
Amy Borsuk reviews 1927's mixed media show, in which 'playful, exaggerated human acting' meets 'the absurdities conjured into life onscreen'.
The post Review: The Animals and Children Took …
Ned Bennett's subtle and physical production brings out 'the sticky straw and steaming shit side of horses', as represented in Peter Shaffer's play, writes Rosemary Waugh.
The post Review:…
Francesca Peschier dives into Vault Festival to find shows that explore girlhood, "like cutting through life with blunted scissors".
The post Vaults Odyssey: Girlhood appeared first on Exeun…
'Different kinds of storytelling': Emily Holyoake reviews Yellow Earth and Extant's collaborative circus-theatre piece made with blind actors.
The post Review: Flight Paths at Curve Theatre,…
'Who has the freedom to force choices onto whom and why?': Kate Hewitt's new take on Stephen Adly Guirgis's play questions the possibility of free will within the penal system, writes Verity…
Bad parenting: James Varney writes on the ambiguous critical outlook of David Judge's autobiographical monologue on race and fatherhood.
The post Review: SparkPlug at HOME, Manchester appear…
Personal and political: Lilith Wozniak reviews Chinonyerem Odimba's play for Eclipse Theatre, set during the Bristol Bus Boycott.
The post Review: Princess and the Hustler at Bristol Old Vic…
Paralysing pontifications: Sally Hales writes on Anne Washburn's brilliant new satire of an America that can't save itself from Trump.
The post Review: Shipwreck at Almeida Theatre appeared …
Playwright Luke Barnes writes on what he's learned from developing new play 'The Jumper Factory' in collaboration with men from Wandsworth prison.
The post Making work with 'real' people ap…
Alex Oates' play about an autistic child has sparked a multi-layered conversation about disability and representation. Alice Saville writes on why it's time for its makers to listen.
The po…
Hope and pain: Hailey Bachrach writes on a hit musical following the fates of the 'plane people' who landed in Newfoundland, post 9/11.
The post Review: Come From Away at Phoenix Theatre app…
