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1,530 stories from Theatrius

“The House of Bernarda Alba” Exposes the Tragedy of Absolute Power—at OTP by Jenyth Jo

Federico García Lorca’s Spanish Women Link 30s Fascism to US by Jenyth Jo After watching Stephen Colbert’s last show, I needed a good, old-fashioned Greek catharsis. CBS’s cancelled C…

SOURCE: Theatrius at 6:46pm on May 26, 2026

“Dracula, A Feminist Revenge Fantasy, Really” Bends Genders for Juicier Stakes—at SF Playhouse by Mary Lou Herlihy

Kate Hamill Camps Up Dracula with Victorian Vamps by Mary Lou Herlihy In a wildly entertaining goth romp, we join freedom fighting feminists, taking revenge on monstrous men. Dracula, the wo…

SOURCE: Theatrius at 3:40pm on May 23, 2026

“Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT by Mary Lou Herlihy

O’Farrell & Chakrabarti Impart Awe for Nature’s Magic by Mary Lou Herlihy In a brilliant reimagining of Anne Hathaway’s life, Royal Shakespeare Company’s “Hamnet” conquers th…

SOURCE: Theatrius at 2:24pm on May 22, 2026

“Drapetomania” ‘Disease’ of Freedom Calls Us to Action—at The Marsh, Berkeley by Mimi Pinson

Wayne Harris Wittily Liberates Himself & All Armchair Activists by Mimi Pinson Not many know the term that Wayne Harris chose for the title of his latest solo show: “Drapetomania,” n…

SOURCE: Theatrius at 7:47am on May 21, 2026

“La Cage aux Folles” Liberates True Love in Classic Drag—at The Rhino by Jenyth Jo

Fierstein & Herman’s 80’s Musical Soars with Hope & Joy by Jenyth Jo In 2017, Michael Billingsley rightly claimed “no piece of theatre has done as much to encourage sexual tole…

SOURCE: Theatrius at 7:48am on May 19, 2026

“Shakespeare Over My Shoulder” The Bard on Tap—at African-American Shakes by Jared Randolph

Ted Lange Shakes His Spear with Four Geniuses in Tavern Debate by Jared Randolph Okay, stop me if you’ve heard this one before: a scientist, an earl, and a spy walk into a tavern. What do …

SOURCE: Theatrius at 2:16pm on May 18, 2026

“Pictures from Home” Exposes Myth of ‘Good Life’—at Marin by Mary Lou Herlihy

Sharr White Shows Corporate Greed Eroding Fragile Family  by Mary Lou Herlihy For so many dads of the 50s generation, my own included, the message was clear: “Work hard for Corporate Amer…

SOURCE: Theatrius at 7:36pm on May 16, 2026

“The Grown-Ups” Conjures Summer Camp, Exposes Our Lies—at Lunatico by Robert M. Gardner

Fox & Henriques’ Camp Counselors Grapple with Comic Catastrophe by Robert M. Gardner Down in La Val’s Subterranean, Theatre Lunatico brings us an exciting, dark comedy ripe for our t…

SOURCE: Theatrius at 7:10pm on May 12, 2026

“Cyrano” Exposes Limits of ‘Pretty Privilege’—at Berkeley Shakes by Jenyth Jo

Tachis & Lo’s Woman-Centered Classic Upends Patriarchal Power by Jenyth Jo In a time when our trust for so-called ‘leaders’ is nearly non-existent, Berkeley Shakes’ “Cyrano” …

SOURCE: Theatrius at 10:44pm on May 10, 2026

“The Gods of Comedy” Showers Us with Jokes & Fun—at Masquers by Rachel Norby

Ken Ludwig’s Comic Fantasy Brightens & Enlightens by Rachel Norby When classics professors Daphne and Ralph meet on a beach in Naxos, Greece, they have no idea of the adventures they w…

SOURCE: Theatrius at 5:28pm on May 8, 2026

“Takes All Kinds” Celebrates America with Awesome Acting—at The Marsh by Corey Finnegan

Dan Hoyle Still Running, Mingling Comedy & Honesty by Corey Finnegan & Barry David Horwitz This review was first published at Theatrius on October 9, 2024. It’s time again to en…

SOURCE: Theatrius at 9:22pm on May 4, 2026

“Hamnet” Looks at Shakespeare through Women’s Eyes—at ACT by Mary Lou Herlihy

O’Farrell & Chakrabarti Celebrate Women’s Natural Wisdom by Mary Lou Herlihy In a brilliant reimagining of Anne Hathaway’s life, Royal Shakespeare Company’s “Hamnet” conquers…

SOURCE: Theatrius at 3:35am on April 27, 2026

“Come From Away”: A Layover Arouses Humanity—at TheatreWorks by Isa S. Chu

Sankoff & Hein’s Musical Turns Crisis into Connection by Isa S. Chu A sign in the lobby informs us that our “layover” is 100 minutes long. Suitcases and pet carriers line the front…

SOURCE: Theatrius at 7:50pm on April 20, 2026

“How to Make an American Son”: Hard-Working Dad vs. His Privileged Son—at NCTC by Rachel Norby

Christopher Oscar Peña Casts Cringey Doubt on Immigrant Future by Rachel Norby A Honduran American dad seems to achieve the “American Dream.” He has worked his way up from poverty to ow…

SOURCE: Theatrius at 12:30am on April 20, 2026

“Lost in Yonkers” Finds Tenderness in Tough Love—at Center REP by Mary Lou Herlihy

Neil Simon Tempers Jewish Immigrants’ Grief with Youthful Laughter by Mary Lou Herlihy Generations of bitterness cast a pall over the Kurnitz family. But the unexpected arrival of an estra…

SOURCE: Theatrius at 6:12pm on April 9, 2026

“The Monsters”: An Intense Sibling Love Story—at Berkeley Rep by Kheven Lee Lagrone

Ngozi Anyanwu’s Big Brother/Little Sister Tale Moves Us by Kheven Lee LaGrone Berkeley Rep’s production of Ngozi Anyanwu’s “The Monsters” seduced me from its beginning. Anyanwu has…

SOURCE: Theatrius at 9:30pm on April 5, 2026

“Flex” Features Black Female Athletes Yearning to Break Free—at SF Playhouse by Jenyth Jo

Candrice Jones’ Lady Train Scores Victory! by Jenyth Jo As a former Division 1 athlete from Stanford, I wondered whether watching a play about basketball would be as much fun as going to a…

SOURCE: Theatrius at 4:42pm on April 5, 2026

“The Goat or, Who Is Sylvia?” Tears the Veil & Confronts Us—at Shotgun by Bevon Benet Brye

‍Edward Albee’s Searing Tragedy Evokes Laughter, Tears, Revelation‍ ‍ by Bevon Benet Brye ‍ In “The Goat or, Who Is Sylvia?” Edward Albee uses bestiality as a scorched-earth me…

SOURCE: Theatrius at 6:29am on April 2, 2026

“Public Charge” Proves Diplomacy Is Difficult & Worth Pursuing—at The Public by Andrea Libresco

Reynoso & Chepiga Spotlight Government as Force for Good by Andrea Libresco “Public Charge” feels like the foreign policy companion to Michael Lewis’ Who is Government?: The Untold…

SOURCE: Theatrius at 1:42pm on March 30, 2026

“Macbeth” Updated to 70s New York, A Vital New Vision—at Magic by Jo Tomalin

Migdalia Cruz Adapts Shakespeare for Our Time by Jo Tomalin The Magic Theatre’s new vibrant production of “Macbeth,” in a modern version by Migdalia Cruz, directed by Liam Vincent, is …

SOURCE: Theatrius at 5:57am on March 27, 2026

“Pass the Nails & Shame the Devil” Lifts Up Black Women Changemakers—at The Marsh by Mary Lou Herlihy

Pearl Louise Gets Pulled into Parents’ Duplex Dream in 80s East Oakland by Mary Lou Herlihy “Pass the Nails and Shame the Devil,” is a love letter to Pearl Louise’s powerful mom. Sma…

SOURCE: Theatrius at 9:43pm on March 24, 2026

“Assassins” Reveals What Triggers Alienated Americans—at OTP by Jenyth Jo

Adam KuveNiemann Astounds in Reimagined Sondheim Musical by Jenyth Jo Oakland Theater Project has delivered a great run-up to the next No Kings March in “Assassins” preshow montage. Proj…

SOURCE: Theatrius at 3:45am on March 24, 2026

"What Is To Be Done?" Fights Depression & Fascism, Brilliantly"at The Marsh by Robert M. Gardner

Josh Kornbluth Takes No Prisoners, Connecting Private & Public by Robert M. Gardner On Friday, August 15, at The Marsh in Berkeley, we were thrilled to attend a work-in-progress improvis…

SOURCE: Theatrius at 9:04pm on August 23, 2025

"Twelfth Night or, What You Will" Highlights Our Humanity"at The Public by Andrea Libresco

Shakespeare in the Park Returns, Joyfully & Inclusively, to New York by Andrea Libresco As the performance begins, multiple helicopters fly over the Delacorte Theater. While not a part o…

SOURCE: Theatrius at 1:08am on August 22, 2025

"The Tempest" Mixes Magic, Old Feuds, & New Love"at Marin Shakes by Jenyth Jo

Shakespeare's Sorcery Illuminates Island Power Struggles  by Jenyth Jo Prospero, the dethroned Duke of Milan, is a vengeful woman with magic in her hands. She conjures up a wild storm tha…

SOURCE: Theatrius at 11:03pm on August 21, 2025
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