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35,611 stories from The Guardian

The Plot review – exploding myths in an hour of gunpowder and treason by Mark Fisher

Summerhall, EdinburghSet in purgatory, Emma Howlett’s two-hander rethinks the national intrigue with 5 NovemberNever play with matches is good advice – especially when gunpowder is invol…

SOURCE: The Guardian at 3:50pm on August 12, 2026

How the Other Half Loves review – Alan Ayckbourn’s ingenious farce brings the houses down by Mark Lawson

The Old Vic, London The suburban romp of envy and infidelity in two different homes comes bouncing back to life with a fizzing cast led by Roger AllamEarly in a career that reaches 92 plays …

SOURCE: The Guardian at 1:45pm on August 12, 2026

Death Note: The Musical review – wildly popular manga mystery is a killer night out by Andrew Pulver

Barbican, LondonThe multi-platform phenomenon makes its way to the stage, with all the supernatural hijinks, J-horror tropes and emotional intensity intactWe know that people like to dress u…

SOURCE: The Guardian at 12:55pm on August 12, 2026

Buggers review – phenomenal flesh and blood portrait of Francis Bacon and George Dyer by Arifa Akbar

Pleasance Courtyard, EdinburghThe painter and his lover are played with real intensity by Alistair Hall and Peter Clements, in a visceral psychodrama of contained violence and sadnessThe fam…

SOURCE: The Guardian at 11:30am on August 12, 2026

You and Me (and Whoever Comes Next) review – theatre crafted with love and care by Chris Wiegand

Summerhall, Edinburgh Actor Keron Day draws on his experiences of getting along, or not, with live-in carers to give a pithy account of a complex relationshipThe stories told by Patch of Blu…

SOURCE: The Guardian at 11:30am on August 12, 2026

Mayflies review – Manchester’s Haçienda roars back to life in an Edinburgh warehouse by Mark Fisher

Rear Warehouse, Brown’s of Leith, EdinburghTwo men look back on their hedonistic past from a sobering present in Grid Iron’s adaptation of Andrew O’Hagan’s novelThe site-specific spe…

SOURCE: The Guardian at 12:50am on August 12, 2026

Ten Ways to Die Happy review – gameshow invites you to don a robe and treasure time by Kate Wyver

Underbelly, Bristo Square, EdinburghAudience members are invited to examine what they will do with their lives in this earnest shared thought experimentIf you could hold the years of your li…

SOURCE: The Guardian at 4:05pm on August 11, 2026

Harriet Dyer: Easily Distra … review – how to sell a single shoe on eBay and other stories by Brian Logan

Monkey Barrel, EdinburghA comic on the verge of the big time offers a ‘very silly hour’ around the highways and byways of her lifeA former winner of the Sean Lock award for comic origina…

SOURCE: The Guardian at 10:40am on August 11, 2026

Spin Cycle review – romcom hits full speed as couple air their dirty laundry by Kate Wyver

Underbelly Bristo Square, Edinburgh There is crackling chemistry between Zofia Zerphy and Rhiannon Bell while their washing gets done but this play remains a puzzleNames go missing like lost…

SOURCE: The Guardian at 7:25am on August 11, 2026

Isaac Mizrahi on stage, style and the legacy of Unzipped: ‘Fashion has no real spine any more’ by Juan A Ramírez

The designer defined the glory days of 90s style with a wit that made him every supermodel’s best friend. As he gears up for a new cabaret show, he’s as outspoken as everThere’s a lot …

SOURCE: The Guardian at 7:00am on August 11, 2026

Frankie McNair: Huge Ass Mindset review – a stellar comic finds laughs in the darkest places by Brian Logan

Gilded Balloon Teviot, EdinburghWith charisma and craft, the Australian standup discusses childhood sexual abuse in a show with a healing qualityIf fringe audiences know Frankie McNair’s w…

SOURCE: The Guardian at 6:40am on August 11, 2026

QFWFQ review – If On a Winter’s Night a Traveller is taken in a bold new direction by Mark Fisher

Summerhall, EdinburghGregory Nussen spins Italo Calvino’s surrealist authorial intrusions into a fascinating, playful and political showHow to adapt an unadaptable novel famed for its post…

SOURCE: The Guardian at 4:10am on August 11, 2026

Game of Thrones, Shakespearean? What fools these mortals be! by Michael Billington

The Mad King may bring more dynastic disputes and dotty despots to the RSC – but a ‘mayhap’ or a riddling aphorism does not a Shakespeare play makeAs a latecomer to Game of Thrones, I …

SOURCE: The Guardian at 2:00am on August 11, 2026

Yeehaw! Bring on the tap-dancing cowgirls! How the Edinburgh Military Tattoo suddenly got cool by Mark Fisher

With its marching bands, billowing flags and precision drills, the Tattoo has never exactly been cutting edge. But now an experimental theatre-maker has been let loose on it … Dusk has set…

SOURCE: The Guardian at 12:55am on August 11, 2026

After Party review – matters of life and death as flamboyant ‘glam-ma’ turns 80 by Arifa Akbar

Traverse theatre, EdinburghA grandmother welcomes her family to a birthday bash in a muddled play that addresses its key theme too lateA celebratory family get-together leads to an almighty …

SOURCE: The Guardian at 12:55am on August 11, 2026

Amanda Knox in Cartwheel review – rookie standup acquitted of murder tells her story by Brian Logan

Gilded Balloon TeviotPerformer cleared of death of her roommate in Italy uses new motherhood as framework for her defiant comedy show‘Welcome to the most controversial show on the fringe!�…

SOURCE: The Guardian at 7:35pm on August 10, 2026

Harriet Richardson: Creep review – a scandalous delve into shame and desire by Anya Ryan

Pleasance Courtyard, EdinburghWith the air of a hungover postmortem, Richardson gives a head-spinning account of an encounter with an older comedianIf you’re partial to a bit of gossip and…

SOURCE: The Guardian at 3:20pm on August 10, 2026

Titclown: Daddy’s Little Girl review – a smart swipe at the mess made by men by Kate Wyver

Summerhall, EdinburghJessica Aszkenasy rages and wrestles with daddy issues in a show that combines feminist analysis with outrageous humour and tendernessAfter the 2025 debut of her breast-…

SOURCE: The Guardian at 12:05pm on August 10, 2026

John Cameron Mitchell: ‘It’s punk to turn off your phone – you’re walking away from the herd’ by Dee Jefferson

The writer, director and star of Hedwig and the Angry Inch on turning down David Bowie, falling off a Broadway stage, and a cringeworthy moment with Nicole KidmanThe film adaptation of Hedwi…

SOURCE: The Guardian at 12:05pm on August 10, 2026

Cathy review – snappy comedy with a perfect role for Elaine C Smith by Mark Fisher

Traverse theatre, EdinburghWriter-director Eilidh Loan takes inspiration from her grandmother for this portrait of grief and religionEilidh Loan marked her arrival as a playwright with Moorc…

SOURCE: The Guardian at 8:55am on August 10, 2026

‘Comedy is my seed of hope’: UK Palestinian comic Sami Abu Wardeh on his Edinburgh show by Aamna Mohdin

A growing wave of Palestinian performers are using comedy to tell their stories of occupation, exile and warThe war in Gaza is a topic many avoid discussing, let alone joke about. But for Pa…

SOURCE: The Guardian at 6:50am on August 10, 2026

Roleplay review – Fleabag producer scores again with one woman’s life as a ‘slutfluencer’ by Arifa Akbar

Summerhall, EdinburghHannah Reilly is a bold and deft performer in a knotty solo show that questions whether sexual empowerment can survive its commodificationIt is hard to ignore the buzz a…

SOURCE: The Guardian at 6:50am on August 10, 2026

The secret lives of theatre workers: ‘People were having full sex in the stalls’ by Georgie Wyatt

Domestic dramas, bodily fluids, drink, drugs, rudeness and worse … ushers and box office staff have seen it all. So much for the myth of the ‘genteel’ theatregoer‘Theatre still has a…

SOURCE: The Guardian at 4:40am on August 10, 2026

Sanctuary review – tender, uplifting portrait of love in the Aids crisis by Arifa Akbar

Pleasance Dome, EdinburghJacob Sparrow’s award-winning two-hander finds hope and humanity amid the prejudice and loss of the 1990sOne of the highlights of the Edinburgh international festi…

SOURCE: The Guardian at 3:35am on August 10, 2026

‘Men have 30 seconds to get a laugh. Women have 10’: standup Bella Hull on proving herself in rough clubs by Rachael Healy

She started standup at 17 playing ‘unsafe basements’ and braving revolting hecklers – and even worse headline acts. Now she writes for SNL and is giving Edinburgh a blast of her surrea…

SOURCE: The Guardian at 3:35am on August 10, 2026
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