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13,354 stories from The Financial Times

What ballet dancers do after hanging up their slippers

The sheer physical demands can end professional careers as early as 35, yet ex-dancers can apply the discipline they’ve learnt in new ways

SOURCE: The Financial Times Subscription at 12:00am on May 16, 2026

W1A creator John Morton’s debut play Eclipse is a quiet triumph

A pair of siblings care for their dying father in this precise and devastating work at Chichester’s Minerva Theatre

SOURCE: The Financial Times Subscription at 7:40am on May 15, 2026

Frida Kahlo and Diego Rivera reunite in imaginatively eerie Met opera debut

In ‘El Último Sueño de Frida y Diego’, Gabriela Lena Frank vividly blends Mexican mythology with magical realism

SOURCE: The Financial Times Subscription at 7:11am on May 15, 2026

The folk singer whose voice was stolen by AI — and how she fought back

After a fake album was released in her name, Emily Portman has returned with an intensely human new release

SOURCE: The Financial Times Subscription at 7:00am on May 15, 2026

Normal — Bob Odenkirk goes full John Wick in shoot-’em-up comedy

The actor plays a small-town sheriff pulled into a spree of absurdist carnage in Ben Wheatley’s latest gonzo caper

SOURCE: The Financial Times Subscription at 12:00pm on May 14, 2026

Made in America — Tulsa Ballet make their UK debut in lively mixed bill show

Celebrating their 70th anniversary, the Oklahoma company’s strengths were well displayed at London’s Linbury Theatre

SOURCE: The Financial Times Subscription at 12:00pm on May 14, 2026

Weimar, the cultural beacon swept up in the storm of the Third Reich

From literary and artistic gem to Nazi stronghold, how a quaint town encapsulated the best and worst in German history and became a byword for a failed experiment in democracy

SOURCE: The Financial Times Subscription at 12:00pm on May 14, 2026

Paul Simon continues his magnificent return from retirement at London’s Royal Albert Hall

The 84-year-old delivered a stirring set that ranged from Simon and Garfunkel classics to the mini-masterpiece that is his latest album

SOURCE: The Financial Times Subscription at 8:01am on May 14, 2026

The Lyric Hammersmith’s An Ideal Husband — a lavish, chaotic update of Oscar Wilde

Nicholai La Barrie’s production carries a thrillingly timely charge, but is often overwhelmed by its own excess

SOURCE: The Financial Times Subscription at 6:26am on May 14, 2026

The Christophers — Ian McKellen and Michaela Coel have superb chemistry in art-fake comedy

Steven Soderbergh’s film follows a fabled painter and the art restorer determined to forge his works

SOURCE: The Financial Times Subscription at 12:00am on May 14, 2026

Why artists’ love for opera will never die

From Chagall at the Met to Kentridge at Glyndebourne, painters, sculptors and animators have been thrilled by the total art form

SOURCE: The Financial Times Subscription at 12:00am on May 13, 2026

Gary Oldman mesmerises in Krapp’s Last Tape — and Godot finally arrives

The actor returns to London’s Royal Court for a Beckett-themed night that also includes new work ‘Godot’s To-Do List’

SOURCE: The Financial Times Subscription at 7:00am on May 12, 2026

Alive With Ghosts review — Chris Potter’s thrilling new album inspired by abolitionist John Brown

This sonically rich project examines the unresolved tensions that remain at the heart of American life

SOURCE: The Financial Times Subscription at 7:00am on May 12, 2026

Vocal Break — the power of the female voice, from Rosetta Tharpe to Cyndi Lauper to Billie Eilish

Part memoir, part feminist manifesto, Lauren Elkin’s clever cultural history hails the artists who have broken free from conventions to make their voices heard

SOURCE: The Financial Times Subscription at 12:00am on May 12, 2026

Brett Dean’s Of One Blood review — tale of Elizabethan intrigue makes a thrilling 21st century opera

With a pungent, propulsive score and gutsy singing, this world premiere at the Bayerische Staatsoper deserves to be heard widely

SOURCE: The Financial Times Subscription at 12:00pm on May 11, 2026

The HTSI guest edit: filmmaker Celine Song’s ‘beautiful inconveniences’

Meet the people adding edge to a frictionless world

SOURCE: The Financial Times Subscription at 7:22am on May 9, 2026

Ian McKellen and Michaela Coel on art, fakery and how ‘cinema has grown up’

With timely themes for age of AI, their film ‘The Christophers’ portrays clashing artists who form a close bond — much as the stars did on set

SOURCE: The Financial Times Subscription at 12:00am on May 9, 2026

Musician Chang Kiha’s guide to Seoul

The singer-songwriter celebrates the city’s best beers, bridges and pork belly 

SOURCE: The Financial Times Subscription at 12:00am on May 9, 2026

What Wagner actually sounded like

From period instruments to adapted singing styles, a project in Dresden attempts to recreate a historically faithful ‘Ring’ cycle

SOURCE: The Financial Times Subscription at 12:00am on May 9, 2026

Theatre investing could benefit from a venture capital mindset

But an enticing backdrop can’t hide the fact that the risks are real and sizeable

SOURCE: The Financial Times Subscription at 12:00am on May 2, 2026

Ruth Slenczynska, pianist, 1925-2026

The American child prodigy honed her skills under the tutelage of Sergei Rachmaninov

SOURCE: The Financial Times Subscription at 12:00am on May 2, 2026

The Trocks are the funnymen of ballet — but you watch them at your peril

Seeing the New York drag troupe, now touring the UK, means you may never see the classical repertoire the same way again

SOURCE: The Financial Times Subscription at 12:00am on May 2, 2026

A Midsummer Night’s Dream — Globe’s inventive production is irresistible fun

Emily Lim’s joyous interpretation of the play celebrates the bond between actors and the audience

SOURCE: The Financial Times Subscription at 12:11pm on May 1, 2026

The Poem: Medea by Ariana Reines

From ‘The Rose’, the latest collection by the award-winning New York-based poet and playwright

SOURCE: The Financial Times Subscription at 7:00am on May 1, 2026

Hokum — Adam Scott elevates Irish-set horror screaming with chutzpah

The ‘Severance’ star plays a writer holed up in an off-season hotel in this self-mocking but genuinely macabre tale

SOURCE: The Financial Times Subscription at 12:56pm on April 30, 2026
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