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6,591 stories from Stage and Cinema

San Diego Theater Review: PAGEANT (Cygnet Theatre) by Milo Shapiro

DRAG YOURSELF DOWN TO PAGEANT Exiting Cygnet’s revival of Pageant, my writing pad, normally filled with pages of barely decipherable notes, had nothing upon it but the title.  This …

SOURCE: Stage and Cinema at 2:38am on July 28, 2014

Chicago Theater Review: THE MARVELOUS MARVELETTES (Black Ensemble Theater) by Lawrence Bommer

THE OTHER DREAMGIRLS Black Ensemble Theater's latest summer-long tribute is to a girls group who never quite achieved escape velocity to lasting fame. Reginald Williams’ faithful…

SOURCE: Stage and Cinema at 3:41pm on July 26, 2014

Los Angeles Theater Review: DORIS AND ME (El Portal Theatre in North Hollywood) by Roy Leake Jr

NO SECRET ANYMORE Boy, oh boy, oh boy, does Scott Dreier (the "Me" of Doris and Me) love Doris Day (the "Doris" of Doris and Me).  I mean, he loooooooooves her.  The tag line of his sh…

SOURCE: Stage and Cinema at 7:00pm on July 25, 2014

San Diego Theater Review: JADE HEART (MOXIE) by Milo Shapiro

THE GREAT CALL OF CHINA The very nature of adoption can leave a child"and the adult he or she becomes"filled with questions: Who were you, Mother?  Why did you make this choice?  Do yo…

SOURCE: Stage and Cinema at 5:31pm on July 25, 2014

Chicago Theater Review: HELLISH HALF-LIGHT: Shorter Plays of Samuel Beckett (Mary-Arrchie) by Lawrence Bommer

SAMUEL BECKETT: MINIMALISM IN EXTREMIS Dark doings on a claustrophobic stage. These are the 80+ minutes at Mary-Arrchie Theatre's Angel Island. Six short but not sweet offerings by the late …

SOURCE: Stage and Cinema at 2:04pm on July 25, 2014

Los Angeles Theater Review: PATERNUS (Rogue Machine Theatre) by Tony Frankel

FATHERS AND SONS The sensitive, expressive, and pensive son. The emotionally cool, impatient, and badgering father. Together, this family dynamic seen throughout history is so familiar that …

SOURCE: Stage and Cinema at 3:15am on July 25, 2014

Los Angeles Theater Preview: LADY WINDERMERE'S FAN (Chalk Repertory Theatre) by Tony Frankel

L.A.'S BIGGEST FAN It surprises me that Lady Windermere's Fan isn't produced as frequently as the ubiquitous The Importance of Being Earnest. Beginning Friday, Chalk Rep is remounting las…

SOURCE: Stage and Cinema at 12:09am on July 25, 2014

Off-Broadway Theater Review: DROP DEAD PERFECT (Theatre at St. Clement's) by Dmitry Zvonkov

A DROP-DEAD DELIGHT Delightful in an over-the-top yet grounded and sympathetic portrayal of Idris Seabright, a well-off spinster obsessed with memories of her long-gone Latin lover, Everett …

SOURCE: Stage and Cinema at 1:53pm on July 22, 2014

Chicago Theater Review: INTIMATE APPAREL (Eclipse) by Lawrence Bommer

THE THREADS THAT BREAK There's no doubt why Lynn Nottage's drama won five national awards for best play, including the Drama Critics' Circle Award and American Theatre Critics Association's …

SOURCE: Stage and Cinema at 12:27pm on July 21, 2014

Chicago Theater Review: THE JUNGLE (Oracle Theatre) by Lawrence Bommer

IT'S NOT JUST THE MEAT, IT'S THE MISERY The final searing image in Oracle Theatre's pile-driving retelling of Upton Sinclair's muckraking masterwork is a bold take on the Chicago flag: Now t…

SOURCE: Stage and Cinema at 2:43pm on July 20, 2014

National Tour Review: ONCE (Pantages in Hollywood) by Tony Frankel & Lawrence Bommer

MORE THAN ONCE Ironically, the real-life love affair celebrated on screen about collaborators Glen Hasard, an Irish composer, and Markéta Irglová, a Czech songwriter, fizzled after John …

SOURCE: Stage and Cinema at 8:32pm on July 19, 2014

Chicago Dance Review: NEW DANCES 2014 (Thodos Dance Chicago) by Lawrence Bommer

ELEVATED EXPERIMENTS Now in its 14th season, New Dances 2014, Thodos Dance Chicago's weekend-long premiere at the Ruth Page Center for the Arts is a grueling, ambitious, and often successful…

SOURCE: Stage and Cinema at 5:01pm on July 19, 2014

National Tour Theater Review: WE WILL ROCK YOU (Ahmanson Theatre) by Tony Frankel

WE WILL SCHLOCK YOU A huge West End hit for twelve years (just closing last May), this awful compilation jukebox musical does for Queen what Mamma Mia! did for ABBA, Buddy for Buddy Holly an…

SOURCE: Stage and Cinema at 5:12am on July 17, 2014

Chicago Theater Review: THE QUALMS (Steppenwolf) by Lawrence Bommer

T.M.I. AS DRAMA The Qualms (a cute title that sounds like both a setting and a condition) is basically an Internet forum made flesh, a "truth or dare" confessional in one act. Steppenwolf Th…

SOURCE: Stage and Cinema at 3:33pm on July 16, 2014

Los Angeles Theater Review: BUYER & CELLAR (Center Theatre Group/Mark Taper Forum) by Tony Frankel & Dmitry Zvonkov

HELLO, GORGEOUS Jonathan Tolin's keen and tremendously funny new show Buyer & Cellar, performed by Michael Urie, imagines what it would be like for Alex More, a young gay man struggling …

SOURCE: Stage and Cinema at 3:36am on July 16, 2014

Los Angeles Theater Review: ANDRONICUS (Coeurage Theatre Company in Silver Lake) by Jason Rohrer

A BLOODY BUT WORTHWHILE MESS When Kenneth Clark asked of William Shakespeare, "who else has felt so strongly the absolute meaninglessness of life," he illustrated the point with this speech …

SOURCE: Stage and Cinema at 12:23pm on July 14, 2014

Chicago Theater Review: SEUSSICAL (Chicago Shakespeare Theater) by Lawrence Bommer

HORTON HATCHES A HIT "Oh! The Thinks You Can Think!" proclaims this joyous romp as it proves what it belts. One of those powerful pensées is: "A person's a person, no matter how small." …

SOURCE: Stage and Cinema at 1:26pm on July 13, 2014

Chicago Theater Review: TWAIN'S WORLD (First Floor Theatre at Hugen Hall) by Lawrence Bommer

HIDDEN IN THE MASTER'S SHADOW The sardonically named Twain's World (that hint of amateurism is to be heeded), this year's week-long LitFest from First Floor Theatre is devoted to the works (…

SOURCE: Stage and Cinema at 12:48pm on July 12, 2014

Los Angeles Dance Review: ROMEO AND JULIET (National Ballet of Canada) by Tony Frankel

I DREAM’D A DREAM TO-NIGHT The National Ballet of Canada (TNBC), which presented its thrilling rendition of Christopher Wheeldon's Alice's Adventures in Wonderland at the Dorothy Chand…

SOURCE: Stage and Cinema at 7:40pm on July 11, 2014

Chicago Theater Review: BRIGADOON (Goodman) by Lawrence Bommer

MUSICALS LIKE THIS OCCUR ONCE EVERY 100 YEARS What won't some do to flee the ravages and anguish of war? In 1947, when Brigadoon confirmed the mutual genius of Alan Jay Lerner and Frederick …

SOURCE: Stage and Cinema at 4:41pm on July 8, 2014

Los Angeles Theater Preview: AUGUST: OSAGE COUNTY (L.A. Theatre Works at UCLA) by Tony Frankel

A HOT AUGUST CAST Having witnessed many Broadway hits at the beginning and end of their runs (and the touring companies they spawned), it is fair for me to say that the magic and crackling e…

SOURCE: Stage and Cinema at 6:25pm on July 7, 2014

Los Angeles Theater Review: IN THE BOOM BOOM ROOM (Hudson Backstage in Hollywood) by Jason Rohrer

DOOM DOOM DOOM In the Boom Boom Room is a David Rabe play that did not win a Tony in 1974.  In it, Rabe demonstrates no particular affinity yet for female characters, of whom there are ma…

SOURCE: Stage and Cinema at 12:47pm on July 6, 2014

Off-Off-Broadway Theater Review: THE MYSTERIES (The Flea Theater) by Paul Birchall

THEATER AS A TEMPLE The Flea Theater commissioned 48 different playwrights to contribute short dramatic pieces to this tremendous production, which basically recounts all the narratives in t…

SOURCE: Stage and Cinema at 4:02pm on July 5, 2014

Off-Off-Broadway Theater Review: CLOWN BAR (Pipeline Theatre Company at The Box) by Paul Birchall

RAISING THE CLOWN BAR Did the TV series It give you nightmares for decades?  Does the art of John Wayne Gacy make you tremble?  Does dear old Bozo make you break out in hives?  If y…

SOURCE: Stage and Cinema at 2:25am on July 5, 2014

Off-Broadway Theater Review: THE TASTE OF IT (Ballybeg at Theatre 54 at Shetler Studios) by Paul Birchall

STORMY ROMANCE It is sometimes the case that the plays that seem the simplest " three characters, a few dusty flats, a tiny, shoe-box set in a miniscule theater somewhere on the 12th floor o…

SOURCE: Stage and Cinema at 3:21pm on July 2, 2014
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