DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Chicago Theater Review: THE COMMONS OF PENSACOLA (Northlight Theatre in Skokie) by Lawrence Bommer

AFTER THE FALL IS OVER A Midwest premiere by Northlight Theatre, Amanda Peet's topical domestic drama The Commons of Pensacola isn't exactly about Bernie Madoff's unimprisoned wife nor how h…

SOURCE: Stage and Cinema at 1:50pm on September 21, 2014

Los Angeles Theater Review: THE GOAT OR, WHO IS SYLVIA? (L.A. Gay & Lesbian Center's Renberg Theatre) by Jason Rohrer

YOU’LL GET THIS GOAT Martin is an architect at the top of his profession; he and his wife Stevie and their son Billy live at, or on, the crest of civilization: rich, successful, smart,…

SOURCE: Stage and Cinema at 2:49pm on September 20, 2014

Chicago Theater Review: REST (Victory Gardens) by Lawrence Bommer

SUNSET ASSISTED DYING Samuel D. Hunter, Victory Gardens Theater ensemble playwright and recent recipient of a MacArthur "genius" award, specializes in tender tales of gutsy outsiders, spunky…

SOURCE: Stage and Cinema at 1:58pm on September 20, 2014

Los Angeles Theater Preview: WHERE'S CHARLEY? (Musical Theater West in Long Beach) by Tony Frankel

HERE'S CHARLEY This Sunday, September 21, Musical Theatre West will begin the Reiner Staged Reading Series fifth anniversary season with a one-time only performance of Where’s Charley?…

SOURCE: Stage and Cinema at 2:59am on September 20, 2014

Los Angeles Theater Review: THE BEHAVIOR OF BROADUS (Sacred Fools) by Tony Frankel

STRANGE BUT WATCHABLE BEHAVIOR Let's see if I got this right. A tongue-in-cheek bio-musical and pseudo-adventure tale about John Broadus Watson"wannabe preacher-turned-behavioral scientist-t…

SOURCE: Stage and Cinema at 8:57pm on September 19, 2014

Los Angeles Theater Review: HAPPY DAYS (Theatre @ Boston Court in Pasadena) by Jason Rohrer

HEAVENLY DAY Samuel Beckett’s 1960 two-hander Happy Days presents a life in hell: Winnie, a middle-aged lady half-buried in an apocalyptic wasteland, is awakened and put to sleep by a …

SOURCE: Stage and Cinema at 6:14pm on September 19, 2014

Los Angeles Theater Review: WILL YOU SAVE THEM? (Loft Ensemble) by Tom Chaits

BEYOND SAVING The title of the Loft Ensemble's world premiere presentation asks the question, Will You Save Them? Unfortunately the answer is, "I can't." While the production is not complete…

SOURCE: Stage and Cinema at 5:08pm on September 19, 2014

Chicago Dance Review: STORIES IN MOTION (The Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

TALESPINNING AT ITS MOST LITERAL Running only through this weekend, Joffrey Ballet's captivating evening, Stories in Motion, delivers three richly imagined dance narratives, complete with st…

SOURCE: Stage and Cinema at 3:59pm on September 19, 2014

Los Angeles Theater Review: WESTERN SOCIETY (Gob Squad at REDCAT) by Jason Rohrer

ALL YESTERDAY’S PARTIES A projection reads "1,000,000 Years B.C.," and the countdown (count up?) begins; that’s a lot of numbers to scroll on a stage bare of performers, and it&#…

SOURCE: Stage and Cinema at 2:35pm on September 19, 2014

San Francisco Theater Review: OLD HATS (A.C.T.) by Jim Allen

EVERYTHING OLD IS NEW AGAIN As a child, I always hated clowns. At best they were weird; at worst just plain scary. And, to top it off, they weren't even funny, at least not to me. Why then w…

SOURCE: Stage and Cinema at 3:44am on September 19, 2014

Los Angeles Theater Review: COCK (Rogue Machine) by Tom Chaits

HARD DRIVING COCK GOES DEEP Love may be "a many-splendored thing" but as Pat Benatar sang it's also a "battlefield." In Mike Barlett's Cock, making its Los Angeles premiere at Rogue Machine,…

SOURCE: Stage and Cinema at 6:50pm on September 18, 2014

Chicago Theater Review: KING LEAR (Chicago Shakespeare Theater) by Lawrence Bommer

A FORCED FRENZY Some well-meant productions make you feel bad because you care so little. That's perilously close to what transpires in Chicago Shakespeare Theater's louder-than-life revival…

SOURCE: Stage and Cinema at 3:13pm on September 18, 2014

Los Angeles Theater Review: THE SIMPSONS TAKE THE BOWL (Hollywood Bowl) by Tony Frankel

MORE D'OH THAN WOO-HOO The intelligent minds behind The Simpsons already had over 51,000 spectators (over three nights) in the palms of their collective hands before they sat down to write T…

SOURCE: Stage and Cinema at 2:59am on September 18, 2014

San Francisco Cabaret Preview: CELEBRATING STEPHEN SCHWARTZ (Bay Area Cabaret) by Jim Allen

THIS WICKED MAGIC SHOW WILL CAST AN ENCHANTED GODSPELL Teddy Bear's; Fanny's; Trinity Place; 132 Bush; the Plush Room; The Mint; Josie's; the list goes on and on. Time was when San Francisco…

SOURCE: Stage and Cinema at 10:00pm on September 17, 2014

Off-Broadway Theater Review: TRADE PRACTICES (HERE at Pershing Hall on Governors Island) by Paulanne Simmons

DRAMA IN THE MARKETPLACE Trade Practices, which launches HERE's 2014-2015 season, takes the audience on a tour into the bowels of the corporate world where deals are negotiated, promises are…

SOURCE: Stage and Cinema at 12:15pm on September 16, 2014

Chicago Theater Review: DEATH TAX (Lookingglass) by Lawrence Bommer

REALITY THEFT Twisting a devious course over a mere 80 minutes and across Lookingglass Theatre’s nearly barebones thrust stage, this puzzle play by Lucas Hnath (whose equally treachero…

SOURCE: Stage and Cinema at 8:47pm on September 15, 2014

Off-Broadway Theater Review: SOLITARY LIGHT (Axis Theatre Company) by Dmitry Zvonkov

ASPHYXIATING Neither the excellent quartet playing quality pieces that are at times rousing, nor Karl Ruckdeschel's lovely period costumes, are enough to make Solitary Light, with music and …

SOURCE: Stage and Cinema at 8:00pm on September 15, 2014

Chicago Opera Review: MACBETH (Chicago Opera Theater at the Harris) by Lawrence Bommer

VIDEO WILL OUT Shakespeare’s shortest tragedy becomes, appropriately, a 115-minute, one-act opera by Ernest Bloch, a dour offering first produced in 1910 at the Opera-Comique in Paris.…

SOURCE: Stage and Cinema at 2:27pm on September 14, 2014

Bay Area Theatre Review: AN AUDIENCE WITH MEOW MEOW (Berkeley Rep) by Jim Allen

THE CAT'S MEOW MEOW: PURRRRRFECT When you hear the words "performance art," do you envision a motionless Marina Abramovic allowing a 10-foot boa constrictor to wrap itself around her head? W…

SOURCE: Stage and Cinema at 1:14pm on September 14, 2014

Los Angeles Theater Review: THE GOAT OR, WHO IS SYLVIA? (Renberg Theatre) by Tony Frankel

ALBEE SEEING YOU AT THE RENBERG On the surface, Edward Albee's The Goat or, Who Is Sylvia? is about a middle-aged architect, Martin, who has a zoophilic love affair that threatens to destroy…

SOURCE: Stage and Cinema at 4:00am on September 14, 2014

Los Angeles Theater Review: ANIMALS OUT OF PAPER (East West Players) by Tony Frankel

INTO THE FOLD Recently divorced, and abandoned by her beloved three-legged dog, well-respected origami artist Ilana has fortified herself in her studio. Surrounded by paper, Chinese take-out…

SOURCE: Stage and Cinema at 6:35pm on September 13, 2014

Los Angeles Theater Preview: VOX LUMIERE"THE PHANTOM OF THE OPERA (L.A. Theatre Center) by Tom Chaits

SHINING NEW LUMIERE ON A FABLED CLASSIC Gaston Leroux's novel The Phantom of the Opera created a sensation when it was first unveiled as a serialization in the French newspaper Le Gaulois fr…

SOURCE: Stage and Cinema at 6:17pm on September 13, 2014

Chicago Theater Review: THE MIDNIGHT CITY (Firecat Projects at Steppenwolf Theatre) by Erika Mikkalo

THIRTEEN WAYS OF LOOKING AT A CITY As artist, poet, and actor Tony Fitzpatrick prepares to leave Chicago for New Orleans, he presents his theater piece, The Midnight City: a personal convers…

SOURCE: Stage and Cinema at 11:33am on September 13, 2014

Los Angeles Theater Review: RACE (Kirk Douglas Theatre in Culver City) by Tony Frankel

A FLAT-FOOTED RACE In April 2014, lawyer and LA Clippers owner Donald Sterling was banned from the NBA for life and fined $2.5 million by the league after private recordings of him making ra…

SOURCE: Stage and Cinema at 7:21pm on September 12, 2014

Chicago Theater Review: ISAAC'S EYE (Writers Theatre) by Lawrence Bommer

GROUNDING GENIUS IN LIFE Lucas Hnath is a curious writer who likes to pit truth against fantasy to see which captures the most actuality. His Isaac’s Eye, now in an enthralling Midwest…

SOURCE: Stage and Cinema at 7:10pm on September 12, 2014
« Previous 25   Page 194 of 264   Next 25 »