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35,694 stories from The Guardian

4000 Miles review " Eileen Atkins and Sebastian Croft connect in tale of distant relations by Chris Wiegand

Minerva theatre, ChichesterAmy Herzog's play about a grandmother surprised by her grandson is given a contemplative staging by Richard Eyre Timothée Chalamet and Eileen Atkins were fully re…

SOURCE: The Guardian at 7:06pm on May 10, 2023

Moulin Rouge forced to drop 'cruel' underwater act that used snakes by Angelique Chrisafisin Paris

Cabaret club acts after city hall warning and protests by animal rights groups The Moulin Rouge cabaret club in Paris has been forced to drop a long-running act in which terrestrial snakes a…

SOURCE: The Guardian at 12:48pm on May 10, 2023

Melanie Bracewell: the 10 funniest things I have ever seen (on the internet) by Melanie Bracewell

The New Zealand comedian shares what makes her laugh online, including her friend's audition tape, Sean Lock and a singing cat Get our weekend culture and lifestyle email I've been on the in…

SOURCE: The Guardian at 12:48pm on May 10, 2023

Saving Face: inside the arresting office drama about invisible illness by Caroline Butterwick

In his new show, Si Rawlinson mixes hip-hop, contemporary dance and physical theatre to explore how we present ourselves in the workplace A group of office workers are each hiding something …

SOURCE: The Guardian at 12:48pm on May 10, 2023

Operation Mincemeat review " irrepressible wartime musical is a West End triumph by Emma John

Fortune theatre, LondonWith gag-packed songs and gender-swapped roles, this fringe show about a secret service plot is a joyful success on the big stage SpitLip's anarchic adaptation of one …

SOURCE: The Guardian at 10:32am on May 10, 2023

The Suspicions of Mr Whicher review " true crime classic turned into tense drama by Mark Lawson

Watermill theatre, NewburyKate Summerscale's Victorian potboiler is deftly condensed in a production that brings out the misogyny and class snobbery of the era The risk of a successful crim…

SOURCE: The Guardian at 8:18am on May 10, 2023

Abomination: A DUP Opera review " brilliant satire skewers politicians with their own words by Tim Ashley

Theatre Royal, BrightonAnger seethes beneath the Belfast Ensemble's waltzes in Conor Mitchell's scathing denunciation of homophobia and hate speech Conor Mitchell's Abomination: A DUP Opera,…

SOURCE: The Guardian at 8:18am on May 10, 2023

The cuddling cowboys ride again! Saddle up for the Brokeback Mountain musical by Ryan Gilbey

As the two hard-loving herders from the 2005 Oscar-winner get back on their horses, the team behind a new musical version talk about fear, regret " and the tragic power of forbidden desire T…

SOURCE: The Guardian at 5:12pm on May 9, 2023

'Joanna Lumley is my ultimate': Strictly supremo Jason Gilkison on dream contestants and his Eurovision drag spectacular by Lyndsey Winship

The choreographer shares his ballroom roots, his love for Liverpool nightlife and what makes a perfect TV dance duo "The attitude here is that everyone loves the underdog," says Jason Gilkis…

SOURCE: The Guardian at 8:36am on May 9, 2023

Praise this stage: the derelict church that became a haven for dance by Lyndsey Winship

Our series on regional dance scenes continues in Bristol where a centuries-old church has become a creative hub thanks to hard work and a touch of serendipity You walk into the space, and wo…

SOURCE: The Guardian at 2:12am on May 9, 2023

Blue Now review " remarkable retelling of Derek Jarman's final film by Kate Wyver

Theatre Royal BrightonSearing collection of diary excerpts, brought to life by prominent queer voices, recalls the devastation of Aids with fury and frankness A mesmeric reckoning with the d…

SOURCE: The Guardian at 6:32am on May 8, 2023

The Coronation review " immaculately rehearsed, touching and Shakespearean by Michael Billington

A blend of pageantry, procession, music and mystery, with many private moments to savour A coronation is pure theatre. But how does one review it when there is so little to compare it with? …

SOURCE: The Guardian at 2:02pm on May 7, 2023

Judi Love review " solo tour crowns funny girl done good by Brian Logan

Hackney Empire, London You'd expect bawdy lines delivered with deadpan frankness from the rising TV comedian, but injections of knockabout physicality raise her stage showpiece to higher joy…

SOURCE: The Guardian at 11:54am on May 7, 2023

Candy Gigi: Friday Night Sinner! review " all-out bid for showbiz glory by Brian Logan

Soho theatre, London Torn between wifely duty and her dream to become the Jewish Barbra Streisand, this would-be star finds an in-between world of outrageous comedy A teenage winner of Boreh…

SOURCE: The Guardian at 10:48am on May 7, 2023

The Circle review " love, tears and tender truths when Jane Asher comes to call by David Jays

Orange Tree, Richmond Strong emotions rule in a candid and well-judged Somerset Maugham comedy twisting romantic fates across generations of squabbling society Elizabeth (Olivia Vinall), the…

SOURCE: The Guardian at 8:42am on May 7, 2023

Shamel Pitts: Black Hole review " fragile glimpses of an Afrofuturist world by Sanjoy Roy

Curve, Leicester The US dancer conjures a potent spectacle filled with mysterious symbolism as three figures strain, combine and detach in stirring, almost ritual patterns There's a strange …

SOURCE: The Guardian at 7:36am on May 7, 2023

Wuthering Heights review " chaotic Brontë adaptation by Clare Brennan

Royal & Derngate, Northampton, and touringThe classic novel reimagined as a sort of police procedural becomes a storm of ideas struggling to find definition A barrage of sound mixes rain…

SOURCE: The Guardian at 7:36am on May 7, 2023

My play King Charles III was written as a tragedy. It's a warning about what happens now by Mike Bartlett

From Netflix's The Crown to a play in the West End, what has the character of Charles taught us about entitlement and radicalism? There are many good reasons Shakespeare was drawn to write a…

SOURCE: The Guardian at 7:36am on May 7, 2023

The week in theatre: The Motive and the Cue; A Play for the Living in a Time of Extinction; Jules et Jim; Supernova " review by Susannah Clapp

Lyttelton; Barbican; Jermyn Street; Omnibus, LondonSam Mendes reignites Gielgud and Burton's Broadway Hamlet; a climate crisis play is powered by bikes and eco-shaming; Timberlake Wertenbake…

SOURCE: The Guardian at 6:24am on May 7, 2023

Breakin' Convention; Russell Maliphant Dance Company: Vortex review " sheer pleasure and virtuosity by Sarah Crompton

Sadler's Wells, London; and touringBreakin' Convention celebrate 20 years of dazzling virtuosity, while one of the UK's most thoughtful choreographers shines a new light on Jackson Pollock …

SOURCE: The Guardian at 4:18am on May 7, 2023

Adam Brace obituary by Michael Coveney

Writer, director and script-fixer who nurtured powerful new work at the Soho theatre in LondonOn the night of the 2023 Olivier awards ceremony at the Royal Albert Hall, Adam Brace, nominated…

SOURCE: The Guardian at 6:32am on May 6, 2023

'So many people don't believe anything " only what makes them money': Ruth Wilson on being a Hollywood outsider by Charlotte Edwardes

The Affair star on #MeToo hypocrisy, the violence of cosmetic surgery, and why she steers clear of social media Ruth Wilson hitches the skin by her ears to demonstrate how she'd look if she …

SOURCE: The Guardian at 6:32am on May 6, 2023

The Great White Bard by Farah Karim-Cooper review " reclaiming Shakespeare by Arifa Akbar

An inspiring analysis of Shakespeare and race restores his reputation as a playwright for all There is a vivid moment in Farah Karim-Cooper's new book where she reflects on the image of the …

SOURCE: The Guardian at 6:32am on May 6, 2023

Jane Asher: 'What scares me about getting older? Becoming irritating to other people' by Rosanna Greenstreet

The actor on the lasting thrill of a teenage kiss, her crush on Harrison Ford and what she plans to do with her brain Born in London, Jane Asher, 77, had her first role at five, in the 1952 …

SOURCE: The Guardian at 6:32am on May 6, 2023

We Need New Names review " playful staging of NoViolet Bulawayo's novel by Claire Armitstead

Brixton House, LondonDirector Monique Touko keeps the tone lively with this tough story of Mugabe's Zimbabwe in which the actors switch race, age and gender with ease In a place called Parad…

SOURCE: The Guardian at 9:48am on May 5, 2023
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