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6,591 stories from Stage and Cinema

Chicago Opera Review: IL TROVATORE (Lyric Opera) by Barnaby Hughes

A TREASURE TROVATORE There's nothing subtle about Verdi's ambitiously conceived Il Trovatore (The Troubadour). Grandly realized and magnificently staged by Lyric Opera, it is one of the thre…

SOURCE: Stage and Cinema at 12:41pm on October 29, 2014

National Tour Theater Review: PIPPIN (Pantages) by Tony Frankel

I'M NOT SAYING YOU SHOULD BE SKIPPIN' PIPPIN, BUT… Prepare yourself. After all the rave reviews and buzz from New York, Diane Paulus's Tony-winning revival hits the road filled with enough…

SOURCE: Stage and Cinema at 2:38am on October 29, 2014

S.F. & L.A. Theater Preview: ARGUENDO (Elevator Repair Service at Z Space and REDCAT) by Tony Frankel

NUDITY IS AS NUDITY DOES For the sake of argument ("arguendo"), let us consider G-strings as tools of oppression, and pasties as violations of our First Amendment rights. This was the perspe…

SOURCE: Stage and Cinema at 11:28pm on October 28, 2014

Off-Broadway Theater Review: LIFT (Crossroads Theatre Company at 59E59 Theaters) by Dmitry Zvonkov

BETTER CROSS THIS OFF YOUR LIFT Nothing quite fits together in Walter Mosley's flat, agenda-heavy and undisciplined Lift, about a young black man and woman who find themselves trapped in a s…

SOURCE: Stage and Cinema at 4:59pm on October 28, 2014

Chicago Theater Review: TITANIC (Griffin Theatre Company at Theater Wit) by Lawrence Bommer

PRIDE COMETH BEFORE AN ICEBERG Griffin Theatre Company's total triumph is a strange success. It's odd that a more intimate version of a musical called Titanic can so succeed. The cast is red…

SOURCE: Stage and Cinema at 2:18pm on October 27, 2014

Chicago Opera Review: GLI EQUIVOCI NEL SEMBIANTE (Haymarket Opera Company) by Barnaby Hughes

EXCELLENT BY ALL APPEARANCES It is rare enough to find early operas staged in the U.S., so to find a whole company devoted to their performance is truly extraordinary. Haymarket Opera Compan…

SOURCE: Stage and Cinema at 2:12am on October 27, 2014

Chicago Theater Review: THE HUNDRED FLOWERS PROJECT (Silk Road Rising) by Lawrence Bommer

FACELESS FOLLOWERS OF TWITTER AND MAO There's a fascinating paradigm shift in the middle of The Hundred Flowers Project, Christopher Chen's cautionary stage and video thriller. Whether you c…

SOURCE: Stage and Cinema at 12:57pm on October 26, 2014

Los Angeles Theater Review: WHAT OF THE NIGHT? (The Vagrancy at Studio/Stage) by Jason Rohrer

WHAT INDEED The title of María Irene Fornés’ 1989 quartet of one-acts recalls a two-verse Old Testament passage in Isaiah. The wandering Jews cry out from the midst of war, famine,…

SOURCE: Stage and Cinema at 1:37pm on October 25, 2014

Chicago Dance Review: GIORDANO DANCE CHICAGO (Fall Engagement at the Harris Theater) by Lawrence Bommer

LEAPING BIPEDS! There's one more chance"tonight"to see five intriguing dances on display at the Harris Theater, exciting work from the reliable 52-year-old Giordano Dance Chicago troupe. Kin…

SOURCE: Stage and Cinema at 1:15pm on October 25, 2014

Los Angeles Theater Review: BROOMSTICK (Fountain) by Paul Birchall

STAY FOR DINNER, WON’T YOU? She's an ancient crone who lives in a tiny cottage deep in the forest, feared by those near and far.  She brews strange elixirs and ointments, and is rum…

SOURCE: Stage and Cinema at 7:52pm on October 22, 2014

Los Angeles Opera Preview: DIDO AND AENEAS & BLUEBEARD'S CASTLE (Los Angeles Opera) by Tony Frankel

KOSKY'S QUEEN AND CASTLE On the surface, there isn't much that unites Henry Purcell's 1688 Dido and Aeneas and Béla Bartók’s 1918 Bluebeard's Castle, except perhaps that men are no…

SOURCE: Stage and Cinema at 6:17pm on October 22, 2014

Chicago Theater Review: ALL GIRL EDGAR ALLAN POE (The Chicago Mammals) by Barnaby Hughes

WHERE BLACK BOX EQUALS COFFIN Just in time for Halloween, The Chicago Mammals are performing their All Girl Edgar Allan Poe. Apart from the original source material, most everything about th…

SOURCE: Stage and Cinema at 12:44pm on October 22, 2014

Off-Broadway Theater Review: JAMES DICKEY'S DELIVERANCE (Godlight Theatre Company at 59E59) by Dmitry Zvonkov

SEE THE MOVIE Imagine John Boorman's film Deliverance staged, "panties" scene and all, as a piece of dinner theater, with all the performers looking very serious and projecting their voices,…

SOURCE: Stage and Cinema at 7:00pm on October 21, 2014

Chicago Theater Review: AMAZING GRACE (Pre-Broadway World Premiere at Bank of America Theatre) by Barnaby Hughes

GRACEFULLY AMAZING John Newton (1725-1807) was many things: a slave trader, a sailor and a clergyman. Yet today he is chiefly remembered as the author of "Amazing Grace," perhaps the most we…

SOURCE: Stage and Cinema at 2:25am on October 21, 2014

Chicago Theater Review: PARADE (BoHo Theatre) by Lawrence Bommer

IN SOME WAYS, THIS PARADE PASSED ITSELF BY First performed in Chicago by Bailiwick Repertory, now dutifully revived by BoHo Theatre, the potentially pile-driving Parade by bookwriter Alfr…

SOURCE: Stage and Cinema at 1:21pm on October 19, 2014

Chicago Theater Review: ANIMAL FARM (Steppenwolf) by Barnaby Hughes

THE FARM-TO-FABLE REVOLUTION IS HERE One of the most extraordinary things about George Orwell's novels is their prophetic power; they are perhaps even more relevant now than when he wrote th…

SOURCE: Stage and Cinema at 2:58am on October 19, 2014

Chicago Dance & Theater Review: THE ART OF FALLING (Hubbard Street & The Second City) by Lawrence Bommer

LEAPS AND LAUGHS: A STRANGE AMALGAM It's a worthy experiment, even if the eclectic results seem maddeningly inconclusive. For three more performances, two very different Chicago arts troupes…

SOURCE: Stage and Cinema at 12:45pm on October 17, 2014

Chicago Dance Review: SWAN LAKE (The Joffrey Ballet) by Lawrence Bommer

A DREAM WITHIN A DANCE Borrowed from the Pennsylvania Ballet, Joffrey Ballet's latest offering (running through Oct. 26 at the Auditorium Theatre) is not your usual Swan Lake. Not to be comp…

SOURCE: Stage and Cinema at 2:33pm on October 16, 2014

Los Angeles Theater Review: FOREVER (Kirk Douglas Theatre in Culver City) by G. Bruce Smith

ORLANDERSMITH CAN SEE FOREVER There is a timeless quality to stories about families, particularly families riddled with alcoholism, drug addiction, bitterness, hatred, sadness, and lost d…

SOURCE: Stage and Cinema at 3:24pm on October 15, 2014

Chicago Theater Review: THE SUBMISSION (Pride Films and Plays at the Apollo Studio Theatre) by Lawrence Bommer

STEALING CREDIT WHERE IT'S DUE The Submission is a devious, double-edged title for Jeff Talbott's equally transgressive play. It refers both to the cold (as in out-of-nowhere) entry of a scr…

SOURCE: Stage and Cinema at 2:54pm on October 15, 2014

Off-Broadway Theater Review: JACUZZI (Ars Nova) by Dmitry Zvonkov

WARM TUB The lights come up on a couple, Helene (Hannah Bos) and Derek (Paul Thureen), reading in a Jacuzzi, inside a cozy Colorado skiing cabin one cold winter evening sometimes in the 1980…

SOURCE: Stage and Cinema at 8:27pm on October 14, 2014

Los Angeles Theater Review: BETTER (Echo Theatre Company at Atwater Village Theatre) by Tony Frankel

FOR BETTER OR WORSE Based on her own experience with a dying father and marital breakup with playwright Hamish Linklater (whose The Vandal is currently running in Chicago), Jessica Goldbe…

SOURCE: Stage and Cinema at 2:55am on October 14, 2014

Chicago Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (Porchlight) by Barnaby Hughes

A CONFESSION ABOUT SWEENEY TODD Bless me, Father, for I have sinned. It's been four days since my last confession. I saw Porchlight Music Theatre's production of Sweeney Todd at Stage 773……

SOURCE: Stage and Cinema at 1:23am on October 14, 2014

Chicago Theater Review: LA CHUNGA (Aguijón Theater) by Barnaby Hughes

MISSING MECHE Although Nobel Prize-winning writer Vargas Llosa is known primarily as a novelist, he has also written nine plays spanning a period of sixty years. La Chunga,written in 1986, i…

SOURCE: Stage and Cinema at 1:57am on October 13, 2014

Regional Theater Review: VENUS IN FUR (South Coast Repertory in Costa Mesa) by Jason Rohrer

GODDESS OF LOVE THAT YOU AREN’T David Ives’ two-character adaptation of Leopold von Sacher-Masoch’s 1870 novel Venus in Furs wowed New York in 2010, largely for its star tu…

SOURCE: Stage and Cinema at 3:31pm on October 12, 2014
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