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35,409 stories from The Guardian

The Eternal Shame of Sue Perkins review " a Bake Off star basks in self-abasement by Brian Logan

Darlington HippodromePerkins' return to live comedy features some lurid stories of her personal and professional ineptitude, and jaunty tales about vacuum cleaners and a drug-addled trip to …

SOURCE: The Guardian at 7:24am on February 7, 2026

Trigger warnings risk 'mollycoddling' theatre audiences, says Tony-winning director by Dalya Alberge

Exclusive: John Doyle says theatre should be able to disturb and challenge audiences, and not sanitise difficult themes The Tony award-winning theatre director John Doyle has warned that tri…

SOURCE: The Guardian at 6:18pm on February 6, 2026

It Walks Around the House at Night review " jump scares and spine tingles as a pretend ghost gets really spooked by Arifa Akbar

Minerva theatre, Chichester Award-winning writer Tim Foley's frightfest brings an out of work actor to a country manor to burnish the myth of its resident wraith. Beware of the silhouetted h…

SOURCE: The Guardian at 6:18pm on February 6, 2026

The Virgins review " a tornado of gossip, pretence and pain as teens make Friday night sex night by Anya Ryan

Soho theatre, LondonDesire collides with stomach-churning awkwardness in this play " which won the Women's prize " about friends heading out for some physical contact I'm watching Miriam Bat…

SOURCE: The Guardian at 9:31am on February 6, 2026

Arcadia review " love, gardening and Euclidian geometry collide in Tom Stoppard's cosmic masterpiece by Arifa Akbar

Old Vic, LondonStuffed with knowledge and often regarded as the playwright's finest work, this drama's sheer cleverness gleams in an exuberant production When Tom Stoppard was asked what thi…

SOURCE: The Guardian at 10:42am on February 5, 2026

All Is But Fantasy review " Lady Macbeth, Juliet and the girls belt out their grumbles as the witches let rip by Catherine Love

The Other Place, Stratford-upon-AvonWhitney White's thrilling, song-filled show flips Shakespeare's great characters and asks why we still lap up these tales of sexy men killing sexy women I…

SOURCE: The Guardian at 8:36am on February 5, 2026

The Memory of Water review " blackly funny look at sisters fighting for a dead mother's love by Mark Fisher

Octagon, BoltonThree grownup daughters display childhood neediness in this well-acted production that explores unrequited desires as a mother comes back from the grave The three grownup sist…

SOURCE: The Guardian at 6:36am on February 5, 2026

The Ophiolite review " a family at war over patriarch's dying wishes by Arifa Akbar

Theatro Technis, London In Philip de Voni's ambitious debut play, a clash over funeral rites exposes deep divisions in a British-Cypriot extended family Ancient Greek literature teems with c…

SOURCE: The Guardian at 3:12am on February 5, 2026

Crown of Blood review " Macbeth's deadly hurly-burly rooted in mythic Yoruba landscape by Mark Fisher

Crucible, SheffieldThe supernatural is all-encompassing in Oladipo Agboluaje's reframing of Shakespeare's power play in 19th-century west Africa Every time the court historian turns up, he h…

SOURCE: The Guardian at 7:36pm on February 4, 2026

'We didn't make it for a white audience': how black theatre took centre stage in Australia by Dee Jefferson

In the last five years, African diaspora theatre has swept from the fringes on to the country's main stages " fuelled by artists like Zindzi Okenyo Get our weekend culture and lifestyle emai…

SOURCE: The Guardian at 2:06pm on February 4, 2026

Men Behaving Badly: The Play review " boorish flatmates prattle like it's 1999 by Mark Lawson

Barn theatre, CirencesterSimon Nye brings back the characters from his hit TV series for a misconceived comedy set on millennium eve In a nervy theatre economy, with familiar material most l…

SOURCE: The Guardian at 6:31pm on February 3, 2026

Maggots review " tragic tale of a death undiscovered for more than a year by Arifa Akbar

Bush theatre, London Farah Najib's play tells the story of an isolated woman who dies at home and considers the community's responsibility The opening quote to Farah Najib's drama tells us t…

SOURCE: The Guardian at 2:06pm on February 3, 2026

Paul Elliott obituary by Michael Coveney

Prolific and successful producer of star-laden pantomimes, musicals and West End shows The ebullient and engaging West End producer Paul Elliott, who has died aged 84, was one of a group of …

SOURCE: The Guardian at 2:06pm on February 3, 2026

The Rat Trap review " teenage Noël Coward's jaundiced marital portrait by David Jays

Park theatre, LondonBill Rosenfield reimagines the playwright's early work about the souring relationship between newlywed artists Hell is other people " especially if you're married to them…

SOURCE: The Guardian at 7:31am on February 3, 2026

'It's a fun cocktail!': the Wooster Group's head-spinning blend of high and low art by Mark Fisher

In wonderfully bewildering shows, New York's venerable avant garde theatre company mash together everything from baroque opera to sci-fi B-movies. Their next trick? A seance-style tribute to…

SOURCE: The Guardian at 5:18am on February 3, 2026

Bridget Christie: Jacket Potato Pizza review " how menopause set the standup free by Brian Logan

Bristol BeaconIf the comic's political fervour is dialled down, there is much to enjoy in a show delivered with flair and 10-ton sarcasm Inner peace and contentment are not always gifts to t…

SOURCE: The Guardian at 3:12am on February 3, 2026

'I was on stage and she started kicking!': Lucie Jones on Les Mis, performing pregnant and defying gravity at Glastonbury by Interview By Chris Wiegand

After playing Elphaba in Wicked, packing out a tent at Worthy Farm and returning to Les Misérables, the star is headlining the Palladium with songs that sum up her life Congratulations on y…

SOURCE: The Guardian at 9:31am on February 2, 2026

American Psycho review " yuppies making a killing offers a chilling origin story for our corrupt times by Arifa Akbar

Almeida theatre, LondonIn a bloody, brilliant, full circle Rupert Goold bows out as artistic director of the Almeida with a timely revival of the musical he first staged here in 2013 The ter…

SOURCE: The Guardian at 8:18pm on February 1, 2026

My Brother's a Genius review " neurodivergent twins' dreams take flight in poetry, grime and dance by Arifa Akbar

Playhouse, SheffieldTwo siblings growing up in a high-rise search for escape and liberation in this idiosyncratic and infectious drama with a beautiful script by Debris Stevenson Debris Stev…

SOURCE: The Guardian at 12:42pm on February 1, 2026

Stephen K Amos: Now We're Talking! review " convivial good fun keeps the laughter flowing by Brian Logan

Leicester Square theatre, LondonThe veteran standup deconstructs the science of laughter before scrolling back to his youth and a 1970s brought pungently back to life 'We're here, folks, to …

SOURCE: The Guardian at 8:31am on February 1, 2026

Private Lives review " fizzing chemistry boils over into something more ugly in Noël Coward revival by Catherine Love

Hope Mill theatre, ManchesterAmy Gavin's production amps up the dangerous dance of desire and violence between these troubled ex-spouses but loses the delicate balance between comedy and mal…

SOURCE: The Guardian at 7:24am on February 1, 2026

The best theatre to stream this month: big and bold Bacchae ushers in new era at the National by Chris Wiegand

Nima Taleghani's debut play brings a raucous Greek chorus to the Olivier theatre, while Judi Dench has an enchanting Twelfth Night reunion The National Theatre's new artistic director, Indhu…

SOURCE: The Guardian at 6:18am on February 1, 2026

Ockham's Razor: Collaborator review " roll up for a real circus power couple by Lyndsey Winship

The Place, LondonCharlotte Mooney and Alex Harvey deliver a mesmerising and intimate ode to their performing lives together Charlotte Mooney and Alex Harvey fell in love 24 years ago when th…

SOURCE: The Guardian at 7:06am on January 31, 2026

The Tempest review " Tim Crouch's high-concept treatment roughs up the magic by Arifa Akbar

Sam Wanamaker Playhouse, London Some spells are cast by this show, in which the director stars as Prospero, but it wearingly replays the same tricks The Tempest seems like the perfect Shakes…

SOURCE: The Guardian at 11:18am on January 30, 2026

Ballad Lines review " heartbreaking, full-throated folk music for the ages by Emma John

Southwark Playhouse Borough, LondonComposer Finn Anderson and director Tania Azevedo have created a powerful generational journey through the history of Appalachian song Much of the music of…

SOURCE: The Guardian at 8:06am on January 30, 2026
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