DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,804 stories from Stage and Cinema

Theater Review: ONCE (Berkeley Playhouse) by Chuck Louden

Few musicals capture the intimacy of music-making quite like Once, and Berkeley Playhouse's new production reminds us why the show became a Broadway sensation in 2012, winning eight Tony Awa…

SOURCE: Stage and Cinema at 11:29am on March 6, 2026

Off-Broadway Review: BURNOUT PARADISE (Astor Place Theatre) by Paola Bellu

FULL SPEED AHEAD Pony Cam turns burnout, chaos, and cardio into delirious theater Dominic Weintraub, Claire Bird, Hugo Williams, William Strom Are you, perhaps, missing the wild energy of Bl…

SOURCE: Stage and Cinema at 3:00am on March 5, 2026

Theater Review: ALL MY SONS (Berkeley Rep) by Chuck Louden

A POSTWAR MORAL RECKONING INSIDE A FAMILY HOME Arthur Miller's classic still asks uncomfortable questions about responsibility and denial Jimmy Smits Berkeley Repertory Theatre is revivin…

SOURCE: Stage and Cinema at 1:45am on March 5, 2026

Concert Review: FROM MOZART TO MAHLER (Pacific Symphony) by Michael M. Landman-karny

INTIMACY AND ENORMITY: MOZART AND MAHLER IN COSTA MESA Mozart's Piano Concerto No. 23 in A major, K. 488, is a peculiar piece to a classical program. It omits oboes entirely, replacing them …

SOURCE: Stage and Cinema at 9:10pm on March 4, 2026

Theater Review: ALL MY SONS (Antaeus Theatre) by Judson Feder

THE POSTWAR AMERICAN NIGHTMARE STILL RESONATES A gripping Antaeus revival reminds us how easily communities excuse the unforgivable A successful small-town businessman, a distraught wife, a …

SOURCE: Stage and Cinema at 8:16pm on March 4, 2026

Theater Review: DESTROYING DAVID (Dezart Performs) by Jason Mannino

There is a profound beauty in watching something fragile survive. In Dezart Performs' breathtaking West Coast Premiere of Jason Odell Williams' Destroying David, that fragility is everywhere…

SOURCE: Stage and Cinema at 3:00am on March 4, 2026

Theater Review: MORNING, NOON, AND NIGHT (Shattered Globe at Theater Wit) by C.j. Fernandes

A POST-PANDEMIC RECKONING WITH ISOLATION AND MENTAL HEALTH A moving character study elevated by a nuanced central performance The oddest thing about Kirsten Greenidge's Morning, Noon, and Ni…

SOURCE: Stage and Cinema at 3:00am on March 4, 2026

Theater Review: HAMNET (Royal Shakespeare Company at Chicago Shakespeare Theater) by C.j. Fernandes

SHAKESPEARE'S NAME, SOMEONE ELSE'S STORY A generic weepie that gloms onto the prestige of Shakespeare while offering nothing of substance in return Rory Alexander and Kemi-Bo Jacobs as Willi…

SOURCE: Stage and Cinema at 12:34am on March 4, 2026

Theater Review: POT GIRLS (The Story Theater at The Raven) by C.j. Fernandes

A SMART, PLAYFUL SPIN ON A FEMINIST CLASSIC Paul Michael Thomson's witty homage to Top Girls is dazzling"if occasionally too clever for comfort Myah Bridgewater and Laney Rodriguez A world p…

SOURCE: Stage and Cinema at 12:04am on March 4, 2026

Theater Review: BARTLEBY (Fiasco Theater at The Old Globe) by Dan Zeff

A SCRIVENER WHO PREFERS NOT TO A minimalist Melville adaptation turns quiet resistance into compelling theater Andy Grotelueschen as The Lawyer and Michael Crane as Bartleby Fiasco Theater i…

SOURCE: Stage and Cinema at 11:40pm on March 3, 2026

Off-Broadway Review: CHINESE REPUBLICANS (Roundabout Theatre Company) by Paola Bellu

A POWER LUNCH WITH KNIVES UNDER THE TABLE Ambition, rivalry, and assimilation simmer in Alex Lin's sharp corporate comedy There are ordinary lunches, and then there are Chinese Republicans l…

SOURCE: Stage and Cinema at 10:43pm on March 3, 2026

Cabaret Review: JOHN PIZZARELLI TRIO (Album Release "Dear Mr. Bennett" at Birdland) by Rob Lester

A BENNETT SONGBOOK WITH PIZZARELLI SWING The singer-guitarist and his trio offer solid entertainment and a nostalgic stroll through a legend's songbook There may not be many things you can c…

SOURCE: Stage and Cinema at 10:23pm on March 3, 2026

Theater Review: GOD OF CARNAGE (South Coast Repertory in Costa Mesa) by Tony Frankel

CIVILITY CRUMBLES, BUT THE COMEDY NEVER BUILDS South Coast Rep's revival exposes how thin satire needs sharper direction to truly sting Melinda Page Hamilton and Kim Martin-Cotten The first …

SOURCE: Stage and Cinema at 2:56am on March 3, 2026

Theater Review: CHARGES (THE SUPPLICANTS) (North American Premiere at Theatre Y) by C.j. Fernandes

A CHORUS OF EXILE IN AN ARCHITECTURE OF ISOLATION Theatre Y's North American premiere immerses its audience in complicity and unease Makai Walker Before we get into the merits of Elfriede Je…

SOURCE: Stage and Cinema at 10:00pm on March 2, 2026

Off-Broadway Review: PETITE ROUGE (Company XIV at Théâtre XIV in Bushwick, Brooklyn) by Paola Bellu

A FAIRY TALE REBORN IN HEELS, CORSETS, AND CANDLELIGHT Little Red gets very bad " and very fabulous " in Company XIV's Petite Rouge PhillVonAwesome In its twentieth anniversary season, Compa…

SOURCE: Stage and Cinema at 2:01am on March 2, 2026

Dance Preview: STILL/HERE (Bill T. Jones/Arnie Zane Company on Tour at Royce Hall) by Tony Frankel

STILL HERE, STILL ESSENTIAL The tour of Bill T. Jones's landmark dance comes to Royce Hall with undiminished force The first time I saw Still/Here, it was at BAM. It was 1994, the year of St…

SOURCE: Stage and Cinema at 1:59am on March 2, 2026

Opera Review: AKHNATEN (LA Opera) by Michael M. Landman-karny

STILL THE PHARAOH-EST OF THEM ALL, AKHNATEN STUNS AT LA OPERA An intellectually rigorous, visually arresting production that embraces the opera's challenges rather than disguising them There…

SOURCE: Stage and Cinema at 11:21pm on March 1, 2026

Theater Review: FOURSOME (IAMA & Celebration at Atwater Village Theatre) by Nick McCall

FOR SOME, MAYBE " FOR OTHERS, A CHORE An exhausting exercise in enforced fun and emotional emptiness (Seated) Felix (Jimin Moon), Noah (Matthew Scott Montgomery, (on floor) Kobe (Calvin Seab…

SOURCE: Stage and Cinema at 1:00am on March 1, 2026

Theater Review: PARANORMAL ACTIVITY (North American Premiere Tour at American Conservatory Theater) by Chuck Louden

A.C.T. EMBRACES HORROR WITH A STYLISH, SUSPENSEFUL STAGE ADAPTATION A slow-burn ghost story elevated by design, atmosphere, and committed performances A.C.T. continues its 2025/26 season by …

SOURCE: Stage and Cinema at 3:33pm on February 28, 2026

Cabaret Review: OUR SINATRA: A MUSIC CELEBRATION (25th Anniversary Production at 54 Below) by Rob Lester

A SINATRA SONGBOOK REVUE RETURNS WITH STYLE, SWING, AND STAYING POWER The revue recalling the repertoire of "Ol' Blue Eyes" is a song-stuffed, sure-fire success (again) So, who doesn't love …

SOURCE: Stage and Cinema at 3:11pm on February 28, 2026

Theater Review: SOMEWHERE OVER THE BORDER (Cygnet Theatre Company) by Dan Zeff

A LATINO MUSICAL ODYSSEY INSPIRED BY IMMIGRATION AND THE WIZARD OF OZ A heartfelt journey centered on resilience, with fantasy touches along the way The Cygnet Theatre is presenting the loca…

SOURCE: Stage and Cinema at 11:41am on February 27, 2026

Off-Broadway Review: MEAT SUIT, OR THE SHITSHOW OF MOTHERHOOD (Second Stage Theater) by Paola Bellu

AFTER BIRTH Meat Suit is a carnival of motherhood that mistakes provocation for revelation Meat Suit, or the Shitshow of Motherhood, a Second Stage Theater production which opened last night…

SOURCE: Stage and Cinema at 1:59am on February 27, 2026

Theater Review: RICHARD III (A Noise Within) by Ernest Kearney

A GENDER-FLUID RICHARD III ROOTED IN HISTORY AND PERFORMANCE TRADITION A commanding central performance anchors a sharp, theatrically confident staging The Tragedy of Richard the Third, Will…

SOURCE: Stage and Cinema at 8:32pm on February 26, 2026

Theater Review: CLUE (Second North American Tour at the McCallum Theatre) by Jason Mannino

A BOARD GAME FAVORITE TURNS INTO A LIVE-ACTION FARCE OF MURDER AND MAYHEM A high-energy whodunit that entertains, even when the pacing wobbles The classic whodunit murder mystery game Clue l…

SOURCE: Stage and Cinema at 6:10pm on February 26, 2026

Theater Review: ZABEL IN EXILE (Boston Playwrights' Theatre) by Lynne Weiss

THE LIFE AND LEGACY OF ARMENIAN WRITER ZABEL YESSAYAN BROUGHT TO THE STAGE A reflective memory play balancing biography, imagination, and urgency In keeping with Boston Playwrights' Theatre'…

SOURCE: Stage and Cinema at 1:36pm on February 26, 2026
« Previous 25   Page 19 of 273   Next 25 »