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6,591 stories from Stage and Cinema

Regional Dance Preview: TANIA PÉREZ-SALAS COMPAÑIA DE DANZA (Ahmanson Theatre) by Frank Arthur

AN ABUNDANCE OF DANZA In 1994, Tania Pérez-Salas founded Compañía de Danza in Mexico City. Since then, her company has become unrivaled in the arena of Mexican contemporary dance, and…

SOURCE: Stage and Cinema at 1:43pm on May 13, 2015

Chicago Theater Review: THE LITTLE FOXES (Goodman Theatre) by Lawrence Bommer

DIRTY DOINGS IN DIXIE In a way The Little Foxes is a complete complement to Margaret Mitchell's antebellum revisionism in Gone With The Wind (which appeared the same year as Lillian Hellman'…

SOURCE: Stage and Cinema at 2:09pm on May 12, 2015

Los Angeles Theater Preview: BRIGADOON (Musical Theatre West in Long Beach) by Frank Arthur

MUSICALS LIKE THIS OCCUR ONCE EVERY 100 YEARS In 1947, when Brigadoon confirmed the mutual genius of Alan Jay Lerner and Frederick Loewe, timing was everything: A second global conflict h…

SOURCE: Stage and Cinema at 11:40am on May 12, 2015

Los Angeles Theater Review: OUR LADY OF 121ST STREET (Victory Theatre in Burbank) by Tony Frankel

IN HARLEM'S WAY We never meet the titular Our Lady of 121st Street, a no-nonsense New York nun who had a profound effect on the characters in Stephen Adly Guirgis's 2003 play. Nor do we meet…

SOURCE: Stage and Cinema at 5:48pm on May 11, 2015

Off-Broadway Theater Review: ONE HAND CLAPPING (Brits Off Broadway Festival at 59E59 Theaters) by Dmitry Zvonkov

THE SOUND OF ONE HAND CLAPPING In Lucia Cox's play One Hand Clapping, which she adapts from the 1961 Anthony Burgess novel and brings as director to 59E59 Theaters as part of their Brits Off…

SOURCE: Stage and Cinema at 5:55pm on May 10, 2015

Los Angeles Theater Review: THE WOODSMAN (Coeurage Theatre Company) by Jason Rohrer

LUMBER Workshopped once onstage in 2000, Stephen Fechter’s The Woodsman had its play form set aside while Fechter and director Nicole Kassell turned it into a screenplay that won the 2…

SOURCE: Stage and Cinema at 4:23pm on May 9, 2015

Chicago Dance Review: UP & DOWN (Eifman Ballet of St. Petersburg at Auditorium Theatre) by Lawrence Bommer

DISTURBED DANCES Two years ago Boris Eifman brought his all-absorbing story recital Rodin to the Auditorium Theatre. It delighted audiences with its stream of 1,000-word pictures: The vibran…

SOURCE: Stage and Cinema at 3:19pm on May 9, 2015

Regional Dance Preview: MARK MORRIS'S DIDO AND AENEAS (Irvine Barclay Theatre) by Frank Arthur

TWO GREAT ART FORMS IN ONE Dido and Aeneas is a Greek myth of grand proportions, perfect for adaptation into an opera. English Baroque composer Henry Purcell and librettist Nahum Tate did ju…

SOURCE: Stage and Cinema at 8:56pm on May 7, 2015

Chicago Theater Review: THE PROJECT(S) (American Theater Company) by Lawrence Bommer

THE ONCE AND FALLEN DREAM It's a continuing crisis seen from the inside out, fleshed out with warmth and truth. In The Project(s), American Theater Company artistic director PJ Paparelli …

SOURCE: Stage and Cinema at 3:56pm on May 6, 2015

Chicago Theater Review: RING OF FIRE: THE MUSIC OF JOHNNY CASH (Mercury Theater Chicago) by Lawrence Bommer

BLACK IS BACK The "Man in Black" is back. Actually, it's more like a non sci-fi "Men in Black": It takes both Kent M. Lewis and Michael Monroe Goodman to play, respectively, the mature and y…

SOURCE: Stage and Cinema at 1:40pm on May 5, 2015

Los Angeles Theater Review: IMMEDIATE FAMILY (Mark Taper Forum) by Tony Frankel

COMMERCIAL WITHOUT COMMERCIALS Imagine if the '70s sitcom Good Times did not hit TV until 2007. Now imagine a 3-episode arc about the coming out of a black man who brings his white boyfriend…

SOURCE: Stage and Cinema at 9:44pm on May 4, 2015

Off-Off-Broadway Theater Review: DORUNTINE (Blessed Unrest and Teatri ODA at The Interart Theatre) by Dmitry Zvonkov

ALBANIAN/AMERICAN STORYTELLING As my Albanian friend put it: "The legend of Doruntine is the very core around which the Albanians' national code of morals is organized (say those who believe…

SOURCE: Stage and Cinema at 10:24pm on May 1, 2015

Chicago Theater Review: SIDE MAN (American Blues Theater at Greenhouse Theater Center) by Lawrence Bommer

BLUES IN THE NIGHT Side Man is a superb title. It fits the story/situation splendidly. Warren Leight's 1999 Tony-winning memory play is narrated by a son named Clifford, its subject his jazz…

SOURCE: Stage and Cinema at 1:44pm on May 1, 2015

Chicago Theater Review: SENSE AND SENSIBILITY (Chicago Shakespeare Theater) by Lawrence Bommer

PRUDENCE AND PASSION Offhand, sense and sensibility hardly seem antonyms. As the Brits say, it's a distinction without a difference. But in Jane Austen's 1811 novel of the same name (her fir…

SOURCE: Stage and Cinema at 5:53pm on April 30, 2015

Chicago Theater Review: THREE SISTERS (The Hypocrites at The Den Theatre) by Barnaby Hughes

SISTERS AND SOLDIERS Following their rather loose and unconventional takes on Greek tragedy and Gilbert and Sullivan, The Hypocrites return to a more classic approach with Anton Chekhov's Th…

SOURCE: Stage and Cinema at 2:51pm on April 27, 2015

Chicago Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Porchlight at Stage 773) by Lawrence Bommer

ANCIENT LAUGHS TIMES TEN An irresistible mix of Roman "new comedy," commedia dell'arte, and vaudeville, A Funny Thing Happened on the Way to the Forum rivals The Producers as the funniest mu…

SOURCE: Stage and Cinema at 12:15pm on April 25, 2015

Chicago Theater Review: ALL'S WELL THAT ENDS WELL (Stage Left Theatre at Theater Wit) by Lawrence Bommer

AN OFFER HE CAN'T REFUSE It's easy to dislike this alleged 511-year-old comedy. All's Well That Ends Well (originally Love's Labors Won) is the wrong title: It should be "The End Justifies T…

SOURCE: Stage and Cinema at 2:09pm on April 24, 2015

Los Angeles Theater Preview: GUS'S FASHIONS & SHOES (Vs. Theatre Company) by Frank Arthur

THE LATEST FASHION Since its founding in 2004, Vs. Theatre Company has upped the ante for storefront theater in Los Angeles, offering both original works and LA premieres with the kind of lo…

SOURCE: Stage and Cinema at 2:50am on April 24, 2015

Chicago Theater Review: LADY WINDERMERE'S FAN (Dead Writers Theatre Collective at Stage 773) by Lawrence Bommer

OSCAR PLEADS FOR MERCY "We are all of us lying in the gutter–but some of us are staring at the stars." This fusion of original sin and the saving power of grace fuels the artful ambiva…

SOURCE: Stage and Cinema at 2:20am on April 24, 2015

Chicago Theater Review: THE BLOODHOUND LAW (City Lit) by Lawrence Bommer

CHICAGO'S CIVIL WAR A grand dream is now completed. Over the last five years City Lit has delivered five old and new works to mark the Sesquicentennial of the Civil War, now finished with th…

SOURCE: Stage and Cinema at 12:02pm on April 22, 2015

L. A. Dance Preview: AMERICAN CONTEMPORARY BALLET 2015 (Gensler and Farmers and Merchants Bank in downtown) by Tony Frankel

GO FACE THE MUSIC+DANCE Assuredly, Artistic Director Lincoln Jones' American Contemporary Ballet (ACB) has become the go-to organization for thrilling dance in Los Angeles. Along with his mu…

SOURCE: Stage and Cinema at 6:16pm on April 20, 2015

Chicago Theater Review: SOUNDS SO SWEET (Black Ensemble Theater) by Lawrence Bommer

MUSICAL MEASURES Grandstine, the beloved Mississippi matriarch of the Harris clan, has died and gone to her reward. Her many loved ones return to their roots for a "going to heaven" sendoff …

SOURCE: Stage and Cinema at 12:11pm on April 20, 2015

Chicago Theater Review: RED HANDED OTTER (A Red Orchid Theatre in Old Town) by Lawrence Bommer

THE CONTINUUM OF LOVE Ethan Lipton is a magic maker who's mastered the art of intertwining characters. The five lost and found souls in his 2012 offering Red Handed Otter are security-…

SOURCE: Stage and Cinema at 11:55am on April 19, 2015

Chicago Theater Review: SOUL BROTHER, WHERE ART THOU? (The Second City e.t.c.) by Lawrence Bommer

HIPSTER HUMOR ON A ROLL The title of Second City e.t.c.'s 39th revue, Soul Brother, Where Art Thou?, is more wordplay than revelation. They know very well where to find their very spec…

SOURCE: Stage and Cinema at 12:24pm on April 18, 2015

Chicago Theater Review: ANYTHING GOES (Marriott) by Lawrence Bommer

SHTICK ON A SHIP R.M.S. Titanic was not unsinkable but the S.S. American really is. It's been sailing strong since 1934 as Cole Porter's biggest hit before Kiss Me Kate. It may have jetti…

SOURCE: Stage and Cinema at 11:54am on April 16, 2015
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