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15,330 stories from DC Metro Theater Arts

Review: 'Charlotte's Web' at Imagination Stage by Guest Author

reviewed by Sherrita Wilkins If you're on the lookout for an engaging, kid-friendly activity this holiday season, look no further than the classic tale of Charlotte's Web at Imagination Stag…

SOURCE: DC Metro Theater Arts at 10:35am on November 20, 2017☆⚑

Review: 'St Nicholas' at Quotidian Theatre Company by Molly Murchie

Make no mistake, St Nicholas at Quotidian Theatre Company is not a Christmas play. Conor McPherson's one-man-show starring Steve Beall and directed by Jack Sbarbori is a Gothic meditation on…

SOURCE: DC Metro Theater Arts at 8:23pm on November 19, 2017☆⚑

Review: 'What We're Up Against' at WP Theater by Deb Miller

Office politics, gender-based inequality in the workplace, and self-damning outbursts of flagrant misogyny fuel the flames of Theresa Rebeck's razor-sharp feminist comedy What We're Up Again…

SOURCE: DC Metro Theater Arts at 4:25pm on November 19, 2017☆⚑

Review: 'The Book of Merman' at DC Arts Center by Guest Author

Review by Jason Williams Playfully tagged as a less expensive alternative to The Book of Mormon, which it satirizes, The Book of Merman quickly moves beyond just being a parody of the aforem…

SOURCE: DC Metro Theater Arts at 3:58pm on November 19, 2017☆⚑

Review: 'The Lion King' at the Hippodrome Theatre by John Harding

The Lion King is epic. It is so full of throat-tightening spectacle and aural splendor that Baltimore's grand Hippodrome Theatre can appear at times like a modest host. With Julie Taymor's m…

SOURCE: DC Metro Theater Arts at 3:35pm on November 19, 2017☆⚑

Review: A Mini-Opera About Thomas Jefferson and Sally Hemings by Steve Cohen

The New York premiere of William Bolcom's composition, From the Diary of Sally Hemings, could not be more timely. With so much news focused on racial tensions, as well as the recent uproar o…

SOURCE: DC Metro Theater Arts at 2:52pm on November 19, 2017☆⚑

Review: 'The Ugly One' at Nu Sass Productions by John Stoltenberg

The gutsy woman-centric theater company Nu Sass is notable for producing works that feature women in major roles, onstage and off, typically in a tiny second-floor space on F Street that sea…

SOURCE: DC Metro Theater Arts at 6:33am on November 19, 2017☆⚑

Review: 'Annie' at Olney Theatre Center by Andra Abramson

The musical Annie is 40 years old this year, and thanks to the Olney Theatre Center's cheerful new production, a whole new generation of theater goers will get the chance to travel back in t…

SOURCE: DC Metro Theater Arts at 5:45pm on November 18, 2017☆⚑

Review: 'Nina Simone: Four Women' at Arena Stage by Robert Michael Oliver

After the Birmingham 16th Street Baptist Church bombing of 1963, Nina Simone turned her singing career toward the Civil Rights’ struggle. After a decade of singing mostly popular…

SOURCE: DC Metro Theater Arts at 12:32pm on November 18, 2017☆⚑

Review: 'The Love of the Nightingale' at The Catholic University of America by John Stoltenberg

A play from the 1980s about revenge for a rape, based on an ancient story from Greek mythology, comes alive in a student production as though it was about now. As though everything in it abo…

SOURCE: DC Metro Theater Arts at 11:54am on November 18, 2017☆⚑

Review: 'The Pillowman' at George Mason University by Chuck Leonard

Last night, the Mason Players opened another excellent student-directed play at George Mason University. Following strong performances of Deadman's Cell Phone and 1984 earlier this semester,…

SOURCE: DC Metro Theater Arts at 8:59pm on November 17, 2017☆⚑

Review: 'Every Brilliant Thing' at Arden Theatre Company by Tim Dunleavy

The list began after her first attempt. A list of everything brilliant about the world. Everything worth fighting for. If I were to make a list of every brilliant thing about the world, audi…

SOURCE: DC Metro Theater Arts at 3:34pm on November 17, 2017☆⚑

In the Moment: 'Crazy for You' at Signature Theatre by David Siegel

What a giddy, joyful afterimage of mouthwatering kinetic alchemy. Under the confident direction and chemistry-setter Mathew Gardiner, Signature Theatre has produced an irresistible The Gersh…

SOURCE: DC Metro Theater Arts at 10:20am on November 17, 2017☆⚑

Magic Time!: 'Republic For Which We Stand' at United States Capitol Visitor Center by John Stoltenberg

For anyone who is more than a little unnerved that President Trump might go off half-cocked and trigger a war"which he could do with as little thought as he puts into a tweet"this civic-mind…

SOURCE: DC Metro Theater Arts at 9:24am on November 17, 2017☆⚑

Interview: Submersive Productions Co-Artistic Directors Glenn Ricci and Ursula Marcum on 'H.T. Darling's Incredible Musaeum presents: The Treasure by Patricia Mitchell

In April of this year, I wrote: Submersive Productions has outdone itself with its new production, H.T. Darling's Incredible Musaeum presents: The Treasures of New Galapagos, Astonishing Acq…

SOURCE: DC Metro Theater Arts at 3:36am on November 17, 2017☆⚑

Review: 'The Fight' at The Storm Theatre Company in New York by Guest Author

Reviewed by Steve Weinstein Stephen Sondheim had it nearly right in his lyrics to "I'm Still Here." First, you're a legend, then you're camp, then you become an icon. As the Founding Mothers…

SOURCE: DC Metro Theater Arts at 1:26am on November 17, 2017☆⚑

Review: 'Annie' at the Walnut Street Theatre by Celeste Mann

The sun'll come out tomorrow Bet your bottom dollar that Tomorrow there'll be sun…. Those familiar lyrics seem fresher than ever in Walnut Street Theatre's new production of Annie. With it…

SOURCE: DC Metro Theater Arts at 9:37pm on November 16, 2017☆⚑

Review: 'Nothing to Lose (But our Chains)' at Woolly Mammoth Theatre Company by Robert Michael Oliver

When the Born Again have the opportunity to witness, they do it before their congregation, and everyone shouts “Hallelujah!” When the Stand Up Comics have that same opportunit…

SOURCE: DC Metro Theater Arts at 6:07pm on November 16, 2017☆⚑

Report: 'The Mousetrap,' 'A Woman of No Importance,' '42nd Street,' and 'Ink' in London by Richard Seff

A few weeks ago I found myself hankering to have a look at the London theater season, so I spent a day in the friendly skies of United Airlines to spend a week in which our own NY scene was …

SOURCE: DC Metro Theater Arts at 5:08pm on November 16, 2017☆⚑

Review: 'The Craftsman' at Lantern Theater Company by Deb Miller

Guilty or not guilty? And of what crime? An intriguing real-life episode from 20th-century Art History provides the basis for The Craftsman, Bruce Graham's latest world-premiere play commiss…

SOURCE: DC Metro Theater Arts at 2:18pm on November 16, 2017☆⚑

Review: 'Junk' at Lincoln Center Theater by Richard Seff

A junk bond is a high-yield, high-risk maturity in the financial markets, and a greedy group of investors bought them and enjoyed the 10-12 percent interest that was sent out semi-annually, …

SOURCE: DC Metro Theater Arts at 11:21am on November 16, 2017☆⚑

News: Capital Fringe Announces Venue Change and Application Details for the 2018 Capital Fringe Festival by Nicole Hertvik

Registration is now open for the 13th Annual Capital Fringe Festival. Those wishing to participate in the festival can apply from now through January 16th, 2018. The 2018 Capital Fringe Fest…

SOURCE: DC Metro Theater Arts at 10:29am on November 16, 2017☆⚑

Review: Pinchas Zukerman Performs Bach at The Baltimore Symphony Orchestra by Mike Bevel

We learned, shortly after 8 p.m., that half the Baltimore Symphony Orchestra was stuck on 495. Traffic unites people with weak social bonds; it gives us something communal to commiserate abo…

SOURCE: DC Metro Theater Arts at 9:13am on November 16, 2017☆⚑

Review: 'You Don't Know Jack' at Charm City Fringe Festival by Patricia Mitchell

MAP Underground, the 14 Karat Cabaret performance space in the basement of the Bromo Arts District's Maryland Art Place, was the perfect venue to meet "philosopher clown," Jack Golden. Befor…

SOURCE: DC Metro Theater Arts at 11:09pm on November 15, 2017☆⚑

Review: 'Crazy for You' at Signature Theater by Gina Dalfonzo

I have a perpetual soft spot for Crazy for You, which was the first show I ever saw on Broadway. What with George and Ira Gershwin songs, Tony-winning choreography by Susan Stroman, and the …

SOURCE: DC Metro Theater Arts at 12:58pm on November 15, 2017☆⚑
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