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6,591 stories from Stage and Cinema

Los Angeles Theater Preview: SONDHEIM UNSCRIPTED (Impro Theatre at the Falcon in Burbank) by Tony Frankel

COMEDY TONIGHT More like side-splitting by side-splitting by Sondheim, Impro Theatre–the masters of long-form improvisations in the style of famous authors and genres–are gearing…

SOURCE: Stage and Cinema at 5:32pm on August 20, 2015

Chicago Theater Review: SOUTH PACIFIC (Light Opera Works in Evanston) by Lawrence Bommer

NO MAN IS AN ISLAND Whenever it's revived, it's hard to imagine a more necessary musical than this 1949 Pulitzer Prize winner. Seventy years after the Japanese surrender, it remains a healin…

SOURCE: Stage and Cinema at 8:36pm on August 17, 2015

Los Angeles Theater Review: LUKA'S ROOM (Rogue Machine Theatre) by Jason Rohrer

DISILLUSION ON DEMAND In Rob Mersola’s Luka’s Room, Nick Marini plays a blithe, typical, technology-addicted college sophomore who has a rough summer after his father stops payin…

SOURCE: Stage and Cinema at 3:49pm on August 15, 2015

Los Angeles Cabaret Review: AN EVENING OF CLASSIC BROADWAY (Rockwell Table & Stage) by Tony Frankel

GREAT, BUT NOT ALWAYS CLASSIC According to TimeOut London, the term "cabaret" represents an overlapping group of constantly mutating forms of performance that can’t be pinned down"an a…

SOURCE: Stage and Cinema at 7:38pm on August 14, 2015

Los Angeles Dance Preview: THE SEASONS (American Contemporary Ballet premiere at the Farmers and Merchants Bank in downtown) by Tony Frankel

TIS THE SEASONS Not unlike Timothy Leary and LSD, I have been turning people on to ACB for similar reasons. In an increasingly complicated world, one needs a stimulant to reinforce a sense o…

SOURCE: Stage and Cinema at 6:28pm on August 14, 2015

San Diego Theater Review: UP HERE (La Jolla Playhouse in La Jolla) by Tony Frankel

THERE’S NOTHING GOING ON UP HERE It’s an idea whose time has already come this summer, and with far superior results. In fact, the character of Lindsay, a t-shirt designer who ha…

SOURCE: Stage and Cinema at 6:56am on August 11, 2015

San Diego Theater Review: BASKERVILLE: A SHERLOCK HOLMES MYSTERY (The Old Globe) by Tony Frankel

YOU CAN GO HOLMES AGAIN It turns out that you can teach an old dog new tricks, proven by The Old Globe's contemporary stage-spoof treatment of the 1901 Sherlock Holmes classic novel The Houn…

SOURCE: Stage and Cinema at 7:46pm on August 10, 2015

Los Angeles Theater Preview: MUCH ADO ABOUT NOTHING (Independent Shakespeare Co.) by Frank Arthur

AND NOW, WITH FURTHER ADO… Not only is it one of my favorite Shakespeare plays, but Much Ado About Nothing contains a favorite character: Dogberry. This bumbling constable arrives much lat…

SOURCE: Stage and Cinema at 9:41am on August 9, 2015

Los Angeles Theater Review: REPLICA (Urban Theatre Movement at Asylum Lab) by Jason Rohrer

REAL THING I hate it when people talk about the need to "support" a good cause. Guilt is simply bad salesmanship. It kills it for me. It killed Save-the-Whales, and it sure didn’t work…

SOURCE: Stage and Cinema at 9:41am on August 9, 2015

Los Angeles Theater Preview: GROUNDLINGS RED LIGHT DISTRICT (The Groundlings Theatre) by Frank Arthur

THE FUTURE LOOKS LIGHT For almost 40 years, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang. Performers showca…

SOURCE: Stage and Cinema at 6:42pm on August 8, 2015

Chicago Theater Review: THE BOY FROM OZ (Pride Films and Plays at Stage 773) by Lawrence Bommer

RISING UP FROM DOWN UNDER 23 years ago, mega-entertainer Peter Allen died of AIDS. But The Boy from Oz is the story of a survivor. The self-made star refused to be stifled by the Australian …

SOURCE: Stage and Cinema at 6:42pm on August 8, 2015

Tour Theater Review: KURIOS (Cirque du Soleil) by Lawrence Bommer

CIRQUE DU FIN DE SIÈCLE This is a snazzy and pizzazz-packed blast from the past: Kurios: Cabinet of Curiosities draws its whimsical magic from the "steampunk" style that melds Victoria…

SOURCE: Stage and Cinema at 4:41pm on August 7, 2015

Chicago Theater Review: SUBURBIA (Level 11 Productions at the Athenaeum Theatre) by Lawrence Bommer

THE NEW DEAD-END KIDS It’s easy to hate the surly slackers in subUrbia, Eric Bogosian’s slice of strife. In this 1994 play, they infest the parking lot of a 7-Eleven–now ch…

SOURCE: Stage and Cinema at 7:50am on August 4, 2015

Los Angeles Theater Review: ALWAYS…PATSY CLINE (Sierra Madre Playhouse) by Tony Frankel

A FINE CLINE Patsy Cline couldn't be more fondly or accurately recalled than by Cori Cable Kidder in Robert Marra's production of Always…Patsy Cline, the oft-produced 1990 paean to the …

SOURCE: Stage and Cinema at 3:45am on August 3, 2015

Los Angeles Theater Review: MONTY PYTHON'S SPAMALOT (Hollywood Bowl) by Tony Frankel

THE HOLY GRAIL OF SILLINESS It's been 40 years since the release of the landmark comedy film Monty Python and the Holy Grail and 33 years since the British sketch comedy troupe recorde…

SOURCE: Stage and Cinema at 9:47pm on August 1, 2015

San Francisco Theater Review: COMPANY (San Francisco Playhouse at the Kensington Park Hotel) by Milo Shapiro

IN GOOD COMPANY In a world of musicals that are filled with catchy harmonies and melodies that stick in your mind, Stephen Sondheim's songs have frequently been the rebels.  Sondheim is n…

SOURCE: Stage and Cinema at 5:05pm on August 1, 2015

Los Angeles Theater Review: BENT (Mark Taper Forum) by Tony Frankel

DACHAU DELIVERANCE TO THE MAX More than six million Jews were slaughtered by Nazis. When Martin Sherman wrote Bent in 1979, the yellow star that emblazoned the clothing of Jews was well-know…

SOURCE: Stage and Cinema at 10:38am on August 1, 2015

Los Angeles Theater Review: GIRLFRIEND (Kirk Douglas Theatre in Culver City) by Tony Frankel

GIRLFRIEND, PLEASE! While it's being sold as a rock musical, Todd Almond's gay two-hander is really a play; the songs from Matthew Sweet's 1991 breakout album Girlfriend are indiscrimi…

SOURCE: Stage and Cinema at 6:43am on July 28, 2015

Chicago Theater Review: 15 BREATHS (About Face Youth Theatre Ensemble) by Lawrence Bommer

STILL BREATHING 15 years ago a new show called First Breath launched the About Face Youth Theatre Ensemble. Appropriately, the current showcase 15 Breaths is presented by the next gene…

SOURCE: Stage and Cinema at 8:55pm on July 25, 2015

Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at GTC in Burbank) by Jason Rohrer

SUCCESS You have had at least one dream in which the universe of potential joy is realized in a moment. The moment is ethereal and tangible, in the way of dreams. For me this dream is always…

SOURCE: Stage and Cinema at 5:31pm on July 25, 2015

Off-Broadway Theater Review: THREESOME (59E59) by Dmitry Zvonkov

MÉNAGE À TWADDLE At the conclusion of Yussef El Guindi's new play Threesome it isn't unreasonable to ask oneself the following question: What does the semi-comic attempt of three you…

SOURCE: Stage and Cinema at 7:16am on July 24, 2015

San Diego Theater Review: KISS ME, KATE (Old Globe) by Tony Frankel

A FULL-ON KISS Everything is so dang perfect about the construction of Kiss Me, Kate that it's doubly amazing when a revival comes along to match that perfection. With some of the most boffo…

SOURCE: Stage and Cinema at 7:16am on July 24, 2015

Los Angeles Theater Review: ASTRO BOY AND THE GOD OF COMICS (Sacred Fools) by Jason Rohrer

SYNTHETICS AND STRUCTURE Excelling at stage picture, Jaime Robledo sets a lot of toys in motion in Sacred Fools’ latest offering, recently extended into August. Robledo’s dire…

SOURCE: Stage and Cinema at 3:51pm on July 21, 2015

Chicago Theater Review: BETTE, LIVE AT THE CONTINENTAL BATHS (Hell in a Handbag Productions) by Lawrence Bommer

DIVA TO THE TOWEL SET In this summer fluff title tells all–Bette, Live at the Continental Baths (in Chicago, upstairs at Mary's Attic). This uncredited concoction by Hell in a Handbag …

SOURCE: Stage and Cinema at 5:30pm on July 20, 2015

Chicago Theater Review: THE WINTER'S TALE (First Folio Theatre in Oakbrook) by Lawrence Bommer

TIME HEALS ALL PLOTS Shakespeare's strange romance, which begins with gratuitous jealousy and ends with gratuitous forgiveness, is best treated as a fairy tale for grownups: A virtuous queen…

SOURCE: Stage and Cinema at 9:19pm on July 16, 2015
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