DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Los Angeles Theater Review: DRY LAND (Echo Theatre Company at Atwater Village Theatre) by Tony Frankel

FRIENDSHIP AS A LIFE VEST For the lucky few who know confidence and fit in with no real problems, high school is a pleasant stepping stone from adolescence to adulthood. For many, the yea…

SOURCE: Stage and Cinema at 6:14am on April 14, 2016

Chicago Theater Review: CARLYLE (Goodman Theatre) by Lawrence Bommer

A STUDY IN SPITE BECOMES A PUERILE HISSY FIT The joke's on us in Thomas Bradshaw's 75-minute Carlyle. Goodman Theatre's premiere is agit-prop theater, a trifle that contains more guts and…

SOURCE: Stage and Cinema at 3:42pm on April 12, 2016

Chicago Theater Review: A NUMBER (Runcible Theatre Company at The Royal George Theatre) by Lawrence Bommer

CAN A CLONE HAVE AN IDENTITY CRISIS? We share 99% of our genetic material with every other human, 90% with each chimpanzee, and 30% with any bunch of lettuce. (Talk about "six degrees of sep…

SOURCE: Stage and Cinema at 4:40pm on April 11, 2016

Los Angeles Theater Review: CHILDREN OF EDEN (Cabrillo Music Theatre in Thousand Oaks) by Tony Frankel

FAR MORE EDENIC THAN I EXPECTED You would think that if Stephen Schwartz (composer/lyricist of Pippin and Wicked) wrote a musical with John Caird (adapter of Les Misérables and Can…

SOURCE: Stage and Cinema at 4:36pm on April 11, 2016

Chicago Theater Review: MARY PAGE MARLOWE (Steppenwolf Theatre Company) by Lawrence Bommer

PUZZLE PIECES OF A PERSON Snapshots from a family album, jump cuts from a movie, scattered entries from a constant journal"it's hard to get a fix on Mary Page Marlowe, a very different offer…

SOURCE: Stage and Cinema at 9:06pm on April 10, 2016

Los Angeles Theater Review: SISTER ACT (Musical Theatre West in Long Beach) by Tony Frankel

NUNBEARABLE Deloris, a  pushy, smart-alecky, malopropism-spouting black woman, is disguised as a nun as she awaits a court date to squeal against her gangster boyfriend. Her background…

SOURCE: Stage and Cinema at 5:30pm on April 10, 2016

Chicago Theater Review: HILLARY AND CLINTON (Victory Gardens Biograph Theater) by Lawrence Bommer

DON’T ASK, DON’T TELL, DON’T GO Lucas Hnath, a disconcertingly popular scribe, writes playful, pseudo-historical, and narrative-heavy dramas crammed with deliberately stilt…

SOURCE: Stage and Cinema at 4:21pm on April 9, 2016

Theater Review: RIVERDANCE (20th Anniversary Tour) by Lawrence Bommer

TWENTY YEARS OF HARD-HEELED HOOFING What Stomp delivered through percussive street-dancing, Forever Tango gave to Argentina’s national cooch dance, and A Chorus Line and 42nd Street…

SOURCE: Stage and Cinema at 8:32pm on April 6, 2016

Chicago Theater Review: MOSQUE ALERT (Silk Road Rising at the Historic Chicago Temple Building) by Lawrence Bommer

NOT IN MY DOWNTOWN Mosque Alert, an explosive world premiere, is seen"and felt"from all sides. Jamil Khoury's culture-clashing creation depicts a suburban showdown, a battle over whether to …

SOURCE: Stage and Cinema at 9:42pm on April 3, 2016

Regional Music Preview: TANGO SONG AND DANCE (Augustin Hadelich, Joyce Yang and Pablo Sainz-Villegas in La Jolla and Irvine) by Tony Frankel

NOT YOUR AVERAGE VIOLINIST; NOT YOUR AVERAGE TANGO Coming up on April 15 and 16, 2016, in Irvine and La Jolla, acclaimed violinist Augustin Hadelich will be joined by dazzling pianist Joyce …

SOURCE: Stage and Cinema at 10:08pm on March 31, 2016

Tour Theater & Film Preview: HISTORIA DE AMOR (Teatrocinema at REDCAT L.A. and MCA Chicago) by Frank Arthur

AMOR MEANS NEVER HAVING TO SAY YOU'RE SORRY Based on the graphic novel of the same name by French writer Régis Jauffret, Historia de Amor, which opens this Thursday, March 31 at REDCAT in L…

SOURCE: Stage and Cinema at 6:07am on March 30, 2016

Chicago Theater Review: THE LIFE OF GALILEO (Remy Bumppo at Greenhouse Theater Center) by Lawrence Bommer

DISRUPTION 1633 It's intriguing but frustrating that Bertolt Brecht refuses to dramatize the most potentially powerful moment in The Life of Galileo. (It's like presenting Romeo and Juliet w…

SOURCE: Stage and Cinema at 11:59pm on March 29, 2016

Off-Broadway Theater Review: THE EFFECT (Barrow Street Theatre) by Dmitry Zvonkov

THE EFFECT OF GREAT THEATER In Lucy Prebble's captivating two-act, The Effect, crisply directed by David Cromer, 20-somethings Connie (Susannah Flood) and Tristan (Carter Hudson) meet as tes…

SOURCE: Stage and Cinema at 8:36pm on March 28, 2016

San Diego Theater Review: THE ROCKY HORROR SHOW (Cygnet Theatre) by Milo Shapiro

GIVE YOURSELF OVER TO ABSOLUTE PLEASURE Those familiar with the movie version of The Rocky Horror Show may be shocked to find that there is no typo in the title of the stage version: Here, t…

SOURCE: Stage and Cinema at 7:25am on March 28, 2016

Los Angeles Theater Review: DREAMGIRLS (La Mirada Theatre & Valley Performing Arts Center) by Tony Frankel

KEEPING THE DREAM(GIRLS) ALIVE Dreamgirls opened on Broadway in 1981, won six Tony awards, and ran for nearly four years. Since then, the Michael Bennett musical has been revived, present…

SOURCE: Stage and Cinema at 7:25am on March 28, 2016

CD Review: THE GOLDEN APPLE (First Full-Length Recording on PS CLassics) by Frank Arthur

A GOLDEN RECORDING It only took 61 years, but, but PS Classics and the Lyric Stage in Irving, Texas have conspired to make legions of musical theater fans happier than the first time t…

SOURCE: Stage and Cinema at 8:07am on March 27, 2016

Los Angeles Theater Review: BROKEN FENCES (The Road on Magnolia in North Hollywood) by Jason Rohrer

FENCES THIS AIN’T We are taught that tolerance is a virtue, that common ground is not only findable but a state of mind. We are taught that our obligation is to our neighbor as much as…

SOURCE: Stage and Cinema at 1:32pm on March 26, 2016

National Tour Theater Review: MATILDA THE MUSICAL (Oriental Theatre in Chicago) by Lawrence Bommer

MIND OVER MUSIC Imagine Annie with psychokinetic powers, Nancy Drew as a mind-reader, or Cinderella acting as her own fairy godmother. Self-empowerment of the Mulan persuasion fuels this upb…

SOURCE: Stage and Cinema at 1:26pm on March 25, 2016

National Tour Theater Review: A GENTLEMAN'S GUIDE TO LOVE AND MURDER (Ahmanson) by Tony Frankel & Lawrence Bommer

KISSING KILLING COUSINS Serial killers can be fun. In the film Theatre of Blood Vincent Price sardonically played a Shakespearean actor, a hate-filled ham who doggedly "offs" the critics …

SOURCE: Stage and Cinema at 10:44pm on March 24, 2016

CD Review: MISIA (A New Musical on PS Classics) by Tony Frankel

ALMOST 70 YEARS AFTER IT WAS WRITTEN, PREVIOUSLY UNHEARD VERNON DUKE MUSIC IS ORCHESTRATED AND RECORDED For over half a century, record companies have given the studio treatment to long-s…

SOURCE: Stage and Cinema at 10:44pm on March 24, 2016

Los Angeles Dance Preview: EVIDENCE/A DANCE COMPANY (The Broad Stage in Santa Monica) by Frank Arthur

FOLLOW THE EVIDENCE WHEREVER IT LEADS Evidence, A Dance Company is recognized nationally and internationally for its fusion of African dance with contemporary choreography and storytellin…

SOURCE: Stage and Cinema at 10:44pm on March 24, 2016

Chicago Theater Review: AFTER ALL THE TERRIBLE THINGS I DO (About Face Theatre at Theater Wit) by Lawrence Bommer

BEATEN UP FOR COMING OUT Awesomely authentic, Chelsea M. Warren's setting for after all the terrible things I do isn't just a character in itself"it's a cast. This designer has perfectly con…

SOURCE: Stage and Cinema at 4:46pm on March 20, 2016

Chicago Theater Review: THE BACHELORS (Cole Theatre at Greenhouse Theatre) by Lawrence Bommer

BOYS WILL BE PIGS Stop the presses for a late-breaking alert: Men can be crude, drunk, womanizing wretches. This astonishing revelation fuels the bottom-feeding 75 minutes of Caroline M. McG…

SOURCE: Stage and Cinema at 4:46pm on March 20, 2016

Chicago Theater Review: THE MATCHMAKER (Goodman Theatre) by Lawrence Bommer

MISS MATCH MISMATCH Though it's usually the other way around, sometimes musicals actually improve on the sources that inspire them. Arguably, West Side Story is stronger stuff than Romeo and…

SOURCE: Stage and Cinema at 4:18pm on March 15, 2016

Los Angeles Theater Review: SLEUTH (Little Fish Theatre Company in San Pedro) by Jason Rohrer

YOU WANT THE SLEUTH..? The kind of intimate theater I saw Sunday is targeted for elimination by Actors’ Equity Association: Low-tech projects, produced of donated resources without …

SOURCE: Stage and Cinema at 10:33pm on March 14, 2016
« Previous 25   Page 172 of 264   Next 25 »