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6,591 stories from Stage and Cinema

Chicago Theater Review: THE SIGN IN SIDNEY BRUSTEIN'S WINDOW (Goodman Theatre) by Lawrence Bommer

LORRAINE HANSBERRY'S OTHER PLAY Written five years after Raisin in the Sun and just before her early death at 34, Lorraine Hansberry's last work is a challenging"as in problematic"play. The …

SOURCE: Stage and Cinema at 4:41pm on May 10, 2016

Chicago Theater Review: NICE WORK IF YOU CAN GET IT (Theatre at the Center in Munster, IN) by Lawrence Bommer

LET'S NOT CALL THE WHOLE THING OFF George Gershwin died no older than the equally immortal Mozart"and, well, we can't make or get enough of a Broadway blessing's too-brief talent for tunes. …

SOURCE: Stage and Cinema at 7:46pm on May 9, 2016

Chicago Opera Review: LA CALISTO (Haymarket Opera) by Barnaby Hughes

THE GODS MUST BE ARE CRAZY! It's not often that one gets to see the same opera twice, especially when the opera in question is a delightful rarity like Francesco Cavalli's La Calisto, which …

SOURCE: Stage and Cinema at 6:12am on May 9, 2016

Chicago Theater Review: LITTLE SHOP OF HORRORS (American Blues Theater) by Lawrence Bommer

 A HUGE HIT IN AMERICAN BLUE’S LITTLE SHOP American Blues Theatre seldom does musicals (the last was the wonderful Hank Williams: Lost Highway). Happily, their current triumphLittle…

SOURCE: Stage and Cinema at 9:55am on May 8, 2016

Los Angeles Theater Preview: A GENTLE REMINDER: MISS COCO PERU'S GUIDE TO A SOMEWHAT HAPPY LIFE (Renberg Theatre) by Tony Frankel

MAKE SOMEONE SOMEWHAT HAPPY At the risk of repeating myself — oh, wait — I am repeating myself, but it bears repeating. I wrote about the great Coco Peru when she appeared in Mis…

SOURCE: Stage and Cinema at 12:26pm on May 4, 2016

Chicago Theater Review: ONCE IN A LIFETIME (Strawdog Theatre Company) by Lawrence Bommer

A CRASH COUSE IN 'LA LA LAND' LUNACY Once in a Lifetime, the first triumph of George S Kaufman and Moss Hart (You Can't Take It With You, The Man Who Came to Dinner, The Royal Family), is a …

SOURCE: Stage and Cinema at 2:23pm on May 3, 2016

Chicago Opera Review: THE KING AND I (Lyric Opera) by Barnaby Hughes

A ROYAL PRODUCTION The King and I is a rather curious bundle of contradictions and opposites. First, it's based on a true story, but plays out more like a fairy tale. In fact, it doesn't see…

SOURCE: Stage and Cinema at 2:13pm on May 3, 2016

Los Angeles Theater Review: THE BOY FROM OZ (Celebration Theater) by Paul Birchall

A FRIEND OF DOROTHY’S What makes this boisterous jukebox musical about the life of late music and stage legend Peter Allen (whose songs make up the show's core) so winning, is the comb…

SOURCE: Stage and Cinema at 10:53am on May 2, 2016

Off-Off-Broadway Theater Review: ORPHEUS DESCENDING (Provincetown Tennessee Williams Festival at St John's Lutheran Church) by Dmitry Zvonkov

WILLIAMS ASCENDING Irene Glezos delivers a lovely, stirring performance as Lady in Austin Pendleton's staging of Tennessee Williams' masterpiece Orpheus Descending. A force of nature, Lady s…

SOURCE: Stage and Cinema at 7:52pm on May 1, 2016

Chicago Theater Review: A RED LINE RUNS THROUGH IT (The Second City e.t.c.'s 40th Revue at Piper's Alley) by Lawrence Bommer

SCATTERSHOT SPOOFERY THROWS A LARGE NET OVER A LITTLE SATIRE Alluding to the elevated Chicago subway that courses through the North Side, A Red Line Runs Through It proves a theme as much…

SOURCE: Stage and Cinema at 3:56pm on April 30, 2016

Los Angeles Theater Preview: CAROUSEL (UCLA) by Frank Arthur

COME RIDE THE CAROUSEL It’s sad, really, that a town crammed with some of the best musical artists in the country has so few musicals produced. And when they are, for the most part,…

SOURCE: Stage and Cinema at 6:19pm on April 29, 2016

Los Angeles Theater Preview: GROUNDLINGS ACTION PLAYSET (The Groundlings Theatre) by Tony Frankel

NOW IS THE TIME FOR ACTION For almost 40 years, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang (and creating …

SOURCE: Stage and Cinema at 4:55pm on April 29, 2016

Los Angeles Theater Review: FIDDLER ON THE ROOF (Norris Center in Rolling Hills Estates) by Tony Frankel

FINDING THE HEARTBEAT OF FIDDLER "To Life" indeed. There's a ton of it, not to mention heartbreak and wisdom, in the 1964 Stein/Harnick/Bock musical triumph, Fiddler on the Roof, now receivi…

SOURCE: Stage and Cinema at 12:16am on April 26, 2016

Chicago Theater Review: IN THE HEAT OF THE NIGHT (Shattered Globe Theatre at Theater Wit) by Lawrence Bommer

IN THE HEAT OF THE STORY "They call me Mister Tibbs." That's the signature catchphrase from the celebrated 1967 film starring Sidney Poitier the first African-American male Oscar winner) …

SOURCE: Stage and Cinema at 12:16am on April 26, 2016

Los Angeles Theater Review: STAGE KISS (Geffen) by Tony Frankel

KISS OFF A backstage comedy with more personalities than Sybil, Sarah Ruhl’s preposterous — and in some ways pretentious — 2011 play was apparently given a boffo treatme…

SOURCE: Stage and Cinema at 6:39pm on April 24, 2016

Chicago Theater Review: A SPLINTERED SOUL (ARLA Productions at Stage 773) by Lawrence Bommer

NEVER SAY "NEVER AGAIN" Survivor guilt is supposedly small-scale suffering, compared to the agonies of those who never get the luxury of remorse. It's a tricky feat to accommodate near evil.…

SOURCE: Stage and Cinema at 6:39pm on April 24, 2016

Chicago Theater Review: A MIDSUMMER NIGHT'S DREAM (Polarity Ensemble Theatre at Greenhouse) by Lawrence Bommer

A DOO-WOP DREAM He's going strong for a guy who died 400 years ago today. This, of course, is easily William Shakespeare's most popular comedy, if only because it delivers some magical goods…

SOURCE: Stage and Cinema at 4:37pm on April 23, 2016

Chicago Theater Review: THE PRODUCERS (Mercury Theater Chicago) by Lawrence Bommer

PRODUCES MORE LAUGHS PER MINUTE THAN ANY OTHER MUSICAL It's always springtime for Mel Brooks, who really does write musicals the way they used to. Even before Young Frankenstein, his 2001…

SOURCE: Stage and Cinema at 2:19pm on April 22, 2016

Chicago Theater Review: EVITA (Marriott Theatre) by Lawrence Bommer

AND EVITA KEEPS ROLLING IN That great balcony scene is back. No, not R&J. It's the one with Eva Duarte Perón's valedictory aria "Don't Cry For Me, Argentina.” As this princes…

SOURCE: Stage and Cinema at 6:54pm on April 21, 2016

Los Angeles Theater Preview: I ONLY HAVE EYES FOR YOU " THE LIFE AND LYRICS OF AL DUBIN (Ricardo Montalban Theatre in Hollywood) by Tony Frankel

INDEED I DUBIN He wrote the lyrics to the songs that kept the world singing through some of the darkest times in human history: The Great Depression and WWII. But as with most songwriters wh…

SOURCE: Stage and Cinema at 10:15am on April 21, 2016

Theater Review: BULLETS OVER BROADWAY (National Tour at PrivateBank Theatre in Chicago) by Lawrence Bommer

AS FUNNY AS A PUNCH ON THE JAW Call it a comic "war of the worlds." It's the tabloid-trashy tale of a Broadway show that is literally "under the gun." As the title suggests, Woody Allen and …

SOURCE: Stage and Cinema at 7:29pm on April 20, 2016

Chicago Theater Review: DON'T MAKE ME OVER (IN TRIBUTE TO DIONNE WARWICK) (Black Ensemble) by Lawrence Bommer

DON’T WALK ON BY THIS SHOW "You won't get a career from singing: Singing will give you a career." That was all the encouragement that Dionne Warwick needed to make it big over 54 years…

SOURCE: Stage and Cinema at 8:35pm on April 19, 2016

Tour Theater Review: KINKY BOOTS (National Tour at Pantages Hollywood) by Paul Birchall

BOOTS GOT MY KINKS OUT Another bus-and-truck tour of Harvey Fierstein and Cyndi Lauper's Tony Award-festooned musical has "sashayed and shanted" its way back into Los Angeles at the Ho…

SOURCE: Stage and Cinema at 8:35pm on April 19, 2016

Chicago Theater Review: DREAMGIRLS (Porchlight Music Theatre at Stage 773) by Lawrence Bommer

AND I AM TELLING YOU — YOU ARE GOING I never saw the two touring revivals of the Tony-honored Dreamgirls that played Chicago's old Shubert Theatre. But, like Marriott Theatre's rivetin…

SOURCE: Stage and Cinema at 5:33pm on April 16, 2016

Chicago Theater Review: OTHELLO: THE REMIX 2016 (Chicago Shakespeare Theater) by Lawrence Bommer

A GREEN-EYED RAP ROMP ADDS MOOR TO THE MIX Before Othello: The Remix it was only Shakespeare's comedies that received the Q brothers' trademark, rap-happy revision"Funk It Up About Not…

SOURCE: Stage and Cinema at 3:38pm on April 15, 2016
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