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6,804 stories from Stage and Cinema

Off-Broadway Review: IVANOV (New American Ensemble at West End Theater) by Paola Bellu

CHEKHOV BEFORE THE MASTERPIECES A lean, lucid revival reveals Ivanov as an early, electric study of burnout, longing, and emotional paralysis Zachary Desmond, Paul Niebank, Casey Worthington…

SOURCE: Stage and Cinema at 11:00pm on March 26, 2026

Theater Review: BEETLEJUICE (North American Tour at McCallum Theatre) by Jason Mannino

SAY HIS NAME"AND HOLD ON A neon-charged national tour delivers irreverent spectacle, sharp performances, and just enough heart to make the afterlife feel alive Any doubts that the Netherworl…

SOURCE: Stage and Cinema at 9:35pm on March 26, 2026

THE WORLD OF FILM AND THEATRE by Jake Mercer

Film and theater are two art forms that play a significant role in the meaning of human existence. For centuries, these two forms have shaped our thoughts, emotions, and worldview. Although …

SOURCE: Stage and Cinema at 3:00am on March 26, 2026

Off-Broadway Review: PUBLIC CHARGE (The Public) by Gregory Fletcher

FROM SANTO DOMINGO TO STATE DEPARTMENT An ambitious portrait of Julissa Reynoso's rise spans continents, though its cool staging keeps emotion at a distance At The Public Theater, the world …

SOURCE: Stage and Cinema at 9:59pm on March 25, 2026

Theater Review: KIM'S CONVENIENCE (Ahmanson) by Tony Frankel

A SMALL SHOP WITH A BIG HEART A delightful, tender surprise arrives at the Ahmanson"and quietly wins you over Sometimes the most unassuming shows sneak up and steal your heart. Kim's Conveni…

SOURCE: Stage and Cinema at 4:25pm on March 25, 2026

Cabaret Review: SHOW UP (Matthew Morrison at The Plaza Theatre in Palm Springs) by Jason Mannino

There is a specific kind of magic that happens in a historic venue like the Plaza Theatre, but this past Sunday, the most compelling magic wasn't the stagecraft"it was the heart and authenti…

SOURCE: Stage and Cinema at 2:59am on March 25, 2026

Cabaret Review: DREAM THE IMPOSSIBLE DREAM (LEO: Letztes Erfreuliches Operntheater in Vienna) by Lynne Weiss

LOVE LANGUAGES A cabaret performance in Vienna's smallest opera house In Vienna, there's the Staatsoper (very large, very elegant, very impressive, opened in 1869) and the Volksoper (not qui…

SOURCE: Stage and Cinema at 9:36pm on March 24, 2026

Theater Review: YOU CAN'T TAKE IT WITH YOU (Morgan-Wixon Theatre in Santa Monica) by Tony Frankel

BIG CAST, BIG LAUGHS, BIG HEART A  joyful Morgan-Wixson production proves this classic still delivers the goods Community theatre rarely aims this big"or lands this charmingly. The Morgan…

SOURCE: Stage and Cinema at 7:30am on March 24, 2026

Off-Broadway Review: ANTIGONE IN ANALYSIS (Peculiar Works Project at La MaMa) by Alex Simmons

A FEMINIST REFRAME Peculiar Works Project's ambitious reimagining offers striking ideas but struggles to make its case with uneven execution Alessandra Lopez There's an ancient folktale of a…

SOURCE: Stage and Cinema at 6:49am on March 24, 2026

Theater Review: THE CUTTLEFISH, OR THE HYRCANIAN WORLDVIEW (Trap Door Theatre) by C.j. Fernandes

PHILOSOPHY, FARCE, AND ART UNDER SIEGE Witkiewicz's dense, absurdist text sparks to life" until unnecessary asides break the spell Gus Thomas and Venice Averyheart Theatre does not get much …

SOURCE: Stage and Cinema at 5:48am on March 24, 2026

WHY IS IT IMPORTANT TO GO TO THE THEATER? by Daniel Reeves

Nowadays, we live in a world where everyone spends more and more time looking at their phones, and as a result, we are increasingly moving away from live and personal experiences. Theater is…

SOURCE: Stage and Cinema at 3:00am on March 24, 2026

Theater Interview: RICHARD CHANG (张德胜) (Playwright and Performer of "Ai Yah Goy Vey!") by Caroline Cao

Playwright-Performer Richard Chang Turns Reductionism Into Multiculturalism Years ago, while riding the subway, playwright Richard Chang witnessed passengers snickering at a Chinese battery …

SOURCE: Stage and Cinema at 8:29am on March 23, 2026

Theater Review: GODS & MONSTERS (New Conservatory Theatre Center) by Chuck Louden

OLD HOLLYWOOD, QUEER LONELINESS, AND A LEGEND'S FINAL ACT A well-acted and atmospheric production brings James Whale's twilight years to vivid life Jason M. Blackwell, Donald Currie, Francin…

SOURCE: Stage and Cinema at 7:39am on March 22, 2026

Theater Review: SEX, LIES AND HAROLD PINTER by Ernest Kearney

CIVILITY ON THE BRINK OF CHAOS Jack Heller's polished production reveals Pinter's menace, even if it could use a bit more disorder First, a joke: "How many Harold Pinters does it take to cha…

SOURCE: Stage and Cinema at 2:54pm on March 21, 2026

Theater Review: THE COLOR PURPLE (Zephyr Theatre) by Nick McCall

CAN ANYONE SAVE THIS MUSICAL? A committed cast and strong vocals can't overcome a rushed, softened adaptation that drains the story's power In their mission statement, Chromolume Theatre is …

SOURCE: Stage and Cinema at 5:51pm on March 20, 2026

Theater Review: WHITE ROOSTER (Lookingglass Theatre) by C.j. Fernandes

FOLKLORE, GHOSTS, AND THE WEIGHT OF THE DEAD Matthew C. Yee's wildly ambitious world premiere dazzles, even as its larger shape remains elusive Death, and coming to terms with it, have been …

SOURCE: Stage and Cinema at 2:52am on March 20, 2026

Theater Review: MONTE CRISTO (The York Theatre) by Gregory Fletcher

A HANDSOME, AMBITIOUS REVENGE MUSICAL TAKES SHAPE Strong design and performances elevate Dumas' tale, even as tonal shifts occasionally blur its focus The York Theatre's ambitious world prem…

SOURCE: Stage and Cinema at 2:51am on March 20, 2026

Theater Review: THE BEST BOARDING HOUSE IN DELAWARE (Electric Lodge) by Tony Frankel

HOME IS WHERE THE HORROR IS A boarding house of quiet menace and killer detail Writer/director Marja-Lewis Ryan is back, and her latest show arrives at The Electric Lodge in Venice with a ki…

SOURCE: Stage and Cinema at 5:00pm on March 19, 2026

Cabaret Review: "THE WIZARD AND I" ALBUM RELEASE CONCERT (Liz Callaway Sings Schwartz [& Sondheim] at 54 Below) by Rob Lester

TWO STEVES WITH LOVE, TWO TRIBUTES, ONE SUPREMELY SATISFYING WEEK From Schwartz to Sondheim, Callaway revisits rich collaborations with warmth, wit, and deeply felt interpretation Once upon …

SOURCE: Stage and Cinema at 12:13pm on March 19, 2026

Off-Broadway Review: ABOUT TIME (Marjorie R. Dean Little Theater) by Rob Lester

GETTING OLDER NEVER SOUNDED SO GOOD A richly satisfying Maltby and Shire revue finds warmth, wit, and wisdom in growing older Lynne Wintersteller, Sally Wilfert, Allyson Kaye Daniel While it…

SOURCE: Stage and Cinema at 2:59am on March 19, 2026

Theater Review: CHICAGO (Desert Theatricals) by Jason Mannino

CHICAGO IS EVEN HOTTER IN THE DESERT Desert Theatricals just wrapped up their run of Chicago at the Rancho Mirage Amphitheater, and if you weren't there this past weekend, you truly missed o…

SOURCE: Stage and Cinema at 2:50am on March 19, 2026

Cabaret Review: LORNA LUFT (In Residence at The Laurie Beechman Theatre) by Rob Lester

LORNA LUFT LETS LOOSE LUSTILY AND WITH LOVE A veteran performer pushes through rough patches with grit, gratitude, and plenty of show-biz heart There's plenty of energy and goodwill going ba…

SOURCE: Stage and Cinema at 5:05pm on March 18, 2026

Dance Review: BALANCHINE: TWIN MASTERPIECES (American Contemporary Ballet) by Nick McCall

BAD MOOD? BALANCHINE WILL FIX THAT American Contemporary Ballet's twin masterpieces turn live strings into a reset button for the soul Two string duos. Two ballets. Both pairs similar in str…

SOURCE: Stage and Cinema at 2:50am on March 18, 2026

Opera Review: MADAMA BUTTERFLY (Lyric Opera) by Barnaby Hughes

A REIMAGINED BUTTERFLY WHERE REALITY MEETS FANTASY What is it about Giacomo Puccini's Madama Butterfly (1904) that lures audiences back year after year, especially in the United States? Mada…

SOURCE: Stage and Cinema at 8:00pm on March 17, 2026

Theater Review: SUNSET BLVD. (Palm Canyon Theatre) by Stan Jenson

READY FOR HER CLOSE-UP IN PALM SPRINGS Palm Canyon Theatre's Sunset Blvd. finds a commanding Norma Desmond and a powerful ensemble Se Layne Although Andrew Lloyd Webber turned Billy Wilder's…

SOURCE: Stage and Cinema at 5:20am on March 17, 2026
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