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2,260 stories from Chicago Theater Beat

Review: Othello (Chicago Shakespeare Theatre, 2016) by Scotty Zacher

While not blatantly innovative, Chicago Shakes' 'Othello' subtly increases the play's relevance while staying true to the script. The tremendous cast excels in honoring Shakespeare's languag…

SOURCE: Chicago Theater Beat at 5:28pm on March 29, 2016

Review: 35MM " A Musical Exhibition (Circle Theatre) by Scotty Zacher

Though it wobbles in the beginning, 35MM is well worth watching. A snapshot into our minds and hearts, with the angst, passion and need for connection, the show is distinctive and emotional.…

SOURCE: Chicago Theater Beat at 3:20pm on March 29, 2016

Review: after all the terrible things i do (About Face Theatre) by Scotty Zacher

Director Andrew Volkoff shapes 'all the terrible things i do' into a compelling, provocative evening of theater. The production looks fantastic -b set designer Chelsea Warren's bookstore is …

SOURCE: Chicago Theater Beat at 6:58pm on March 28, 2016

Review: Christina, The Girl King (Cor Theatre) by Scotty Zacher

Queen Christina's story is a compelling one, and overall Cor Theatre's 'Christina, The Girl King' is worth the trip to Edgewater, especially as Toy Turner's performance alone makes the produ…

SOURCE: Chicago Theater Beat at 10:32pm on March 27, 2016

Review: The Bachelors (Cole Theatre) by Scotty Zacher

Cole Theatre's 'The Bachelors', a play penned by Caroline V. McGraw and given its world premiere with Cole Theatre, is billed as a dark comedy on misogyny. This new play paints the three me…

SOURCE: Chicago Theater Beat at 6:27pm on March 26, 2016

Review: Where Did We Sit on the Bus? (Teatro Vista) by Scotty Zacher

With Teatro Vista's 'Where Did We Sit on the Bus?', creator-performer Brian Quijada presents a show that is so timely and focused that it engenders a *must see* command from this reviewer. …

SOURCE: Chicago Theater Beat at 7:02pm on March 25, 2016

Review: Recent Tragic Events (Interrobang Theatre Project) by Scotty Zacher

Interrobang Theatre's *Recent Tragic Events* has a solid concept and thru-line - the search for love in many forms in the face of a frightening new reality. Instead, the gimmicks are plenty …

SOURCE: Chicago Theater Beat at 5:30pm on March 24, 2016

Review: Mai Dang Lao (Sideshow Theatre) by Scotty Zacher

Sideshow Theatre's 'Mai Dang Lao' is a sinister delight. The subject matter is unpleasant, sometimes shocking, but always realistic. Thanks to stellar work on everyone's part, this difficult…

SOURCE: Chicago Theater Beat at 1:57am on March 24, 2016

Review: Long Day's Journey Into Night (Court Theatre) by Scotty Zacher

In Court Theatre's revelatory staging of the 1912-set drama 'Long Day's Journey Into Night', David Auburn has helmed a definitive staging of an American masterpiece. Highly Recommended! (rea…

SOURCE: Chicago Theater Beat at 2:25am on March 23, 2016

Review: Richard III (The Gift Theatre) by Scotty Zacher

Despite numerous problems, several elements of this play do work nicely. The stylized, ritualistic beheadings, hauntings, and suffocation come off quite powerfully. And the cast finds some w…

SOURCE: Chicago Theater Beat at 10:28pm on March 22, 2016

Review: How to Explain the History of Communism to Mental Patients (Trap Door Theatre) by Scotty Zacher

Something is lost in the translation of Matei Visniec's *How to Explain Communism to Mental Patients*. Being truncated to just 70 minutes, the piece loses chances to become universal while …

SOURCE: Chicago Theater Beat at 5:46pm on March 22, 2016

Review: West Side Story (Paramount Theatre) by Scotty Zacher

In recent years, we've been treated to some fine stage productions of 'West Side Story', but this is the best I've seen. For newcomers to the musical, it's a must. And for the much larger gr…

SOURCE: Chicago Theater Beat at 7:04pm on March 21, 2016

Review: Zoyka's Apartment (Bluebird Arts) by Scotty Zacher

Bluebird Arts' *Zoyka's Apartment* does contain a few bright spots, but for the most part is a dubious classic that perhaps should have stayed in the vault. Zoyka's Apartment could pass as …

SOURCE: Chicago Theater Beat at 11:34pm on March 20, 2016

Review: Spring Series (Hubbard Street Dance Chicago, 2016) by Scotty Zacher

With Hubbard Street Dance Chicago's Spring Series, yoy permeates the night at every point and turn, as the dancers use their trademark artistic athleticism to pay tribute to their stunning c…

SOURCE: Chicago Theater Beat at 5:16pm on March 20, 2016

Review: Rolling (Jackalope Theatre) by Scotty Zacher

Directed by Nate Silver, Jackalope Theatre's *Rolling* is a briskly paced two-hour production that's a taut blend of tragedy and comedy. Calamity West's opus asks big questions about ethics …

SOURCE: Chicago Theater Beat at 6:43pm on March 18, 2016

Review: Rent (Theo Ubique Cabaret Theatre) by Scotty Zacher

With Jonathan Larson's "Rent", Theo Ubique and Director Scott Weinstein make choices that border on genius, emphasizing the play's cutting-edge themes and raunchy yet profound content in an …

SOURCE: Chicago Theater Beat at 2:31pm on March 18, 2016

Review: New Country (Fair Trade Productions) by Scotty Zacher

This is a piece that really snuck up on me - *New Country* is a very funny and frequently poetic look at the nature of aging, regret and dignity, and took me by complete surprise. Recommende…

SOURCE: Chicago Theater Beat at 7:10pm on March 17, 2016

Review: Interrogation (The Artistic Home) by Scotty Zacher

Though it had plenty of potential, Artistic Home's *Interrogation* Interrogation is a gratuitous, mean-spirited disappointment, with gaping plot holes, a dull framework and cliché after cli…

SOURCE: Chicago Theater Beat at 12:56am on March 17, 2016

Review: D.O.A. (Strawdog Theatre) by Scotty Zacher

Fans of film noirs from the '40's and early '50's will love this play. Elizabeth Lovelady's adaptation and direction of *D.O.A.* is fast-paced and true to the genre. And at an intermission-…

SOURCE: Chicago Theater Beat at 8:34pm on March 16, 2016

Review: In A Word (Strawdog Theatre) by Scotty Zacher

With Lauren Yee's *In A Word*, reality is bent to the point of fracturing by the loss of a child, words become nearly meaningless and incredibly meaningful in approximately equal measure. Di…

SOURCE: Chicago Theater Beat at 2:10am on March 16, 2016

Review: 42nd Street (Broadway in Chicago) by Scotty Zacher

Broadway in Chicago's *42nd Street* brims with a giddy celebration of song and dance, mixed with the power of believing in your dreams. Too bad the actors aren't getting paid the union salar…

SOURCE: Chicago Theater Beat at 10:07am on March 14, 2016

Review: Fugitive Songs (BoHo Theatre) by Scotty Zacher

Shows like BoHo Theatre's *Fugitive Songs* are a living, breathing reminder that everyone has a story worth telling. Each song is a self-contained jewel, with the facets and messiness of hum…

SOURCE: Chicago Theater Beat at 9:51pm on March 12, 2016

Review: Cocked (Victory Gardens Theater) by Scotty Zacher

Sarah Gubbins' new play "Cocked" deals with issues of racial violence, this time in modern-day Chicago through the eyes of an interracial lesbian couple. Cocked has good ideas " a great conc…

SOURCE: Chicago Theater Beat at 6:45pm on March 12, 2016

Review: Beautiful Autistic (Chicago Dramatists) by Scotty Zacher

Reviewer Keith Glab: Scott Woldman's *Beautiful Autistic* brims with humor that the cast is able to realize well. The play avoids clichés and doesn't offer up any easy answers to the proble…

SOURCE: Chicago Theater Beat at 12:18pm on March 12, 2016

Review: From These Fatal Loins (Ruckus Theater) by Scotty Zacher

*From These Fatal Loins* presents a clever concept that just doesn't follow through with clarity. What could have been a poignant exploration of the false ideals surrounding love too often d…

SOURCE: Chicago Theater Beat at 1:42am on March 12, 2016
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