10 Million Miles<br> Reviewed by ADAM R. PERLMAN
10 Million Miles is a queasy mixture of compromised values and aesthetics -- part romance, part road trip, all artificial.
10 Million Miles is a queasy mixture of compromised values and aesthetics -- part romance, part road trip, all artificial.
Kari Floren's play has heart and dramatizes a situation that many may find all too familiar. The interesting content makes up for the uneven craft.
In this small, predictable musical, a couple of characters teeter on the brink of being interesting, but as members of a therapy group, they seem almost standard issue. The same might be sai…
Instead of feeling like an original theatrical experience, it comes across more as a rock concert with a public-service message.
Though actor-playwright John Kuntz's darkly comic gay thriller is a thoroughly entertaining jaunt, it never quite packs the wallop it promises to deliver.
Four Chicks in a Car Bitchin' would have been a more descriptive title for Anastasia Traina's new play, in which a quartet of actors runs the gamut from sitcom to soap opera in this unrelent…
The results are often super but not always. While Short exuded joie de vivre, Feinstein's appeal, when he gets up from the piano, is an irresistible urge to please.
Tom Diriwachter's script shows a fine ear for the way men communicate with each other in small groups. Director Jason Grant elicits authentic, naturalistic performances from the cast and han…
The sheer chemistry and professionalism of the ensemble guarantee that these characters, however slappable they may be, are never boring.
It's one of those plays in which you marvel at the actors pole-vaulting themselves above low-bar material.
Knowledge of the horrors of the Vietnam War do not match artistic expertise in Judi L. Komacki's ill-conceived play.
At first you may find the differences between Frederick Weller and Ron Livingston distracting, but their sharp distinctions light the dramatic fireworks exploding later on in Neil LaBute's l…
Now in The Drowsy Chaperone, the Laugh-In veteran has had a ball being herself.
All of the plays find a path worth taking to their respective destinations, whether or not they arrive.
The ensemble admirably captures the blithe irreverence of Kaufman and Hart's writing.
We're left contemplating a lot of violent scenes and graphic language, wondering if these boys will ever grow up.
The cast is spirited all around in this moveable feast of a production.
Horizon meticulously obeys that most basic and yet oft-overlooked command of musical theatre writing: Suit the music to the moment.
The Mint Theater has yet again unearthed theatrical gold: St. John Hankin's The Return of the Prodigal is an insightful and disturbing comedy. But removing it from its British setting blunts…
Veteran actors, including understudies and stand-bys for Inherit the Wind, Grey Gardens, and Frost/Nixon, on the challenges of subbing for top names.
This latest stage adaptation is by Stuart Vaughan and Marie Kreutziger, and as presented by the New Globe Theatre and directed by Vaughan, it is pleasingly straightforward if not overly exci…
This stunning production of Garcia Lorca's searing play about class, caste, and oppression is a multicultural, multiracial triumph.
While Crazy Mary may not be perfect, it does offer a tour de force performance from Kristine Nielsen and yet another chapter in A.R. Gurney's thoughtful examination of a segment of American …
Howard Barker's extraordinary analysis of inflammatory art within a conservative society gets a sterling staging from QED Productions.
Fritz and Froyim, with its fresh approach to an enduring message, is a musical piece of much promise.