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35,686 stories from The Guardian

Compositor E review " traumatised typesetter leaves inky fingerprints all over Shakespeare by Arifa Akbar

Omnibus Theatre, LondonCharlie Dupré's Bruntwood prize longlisted play asks thoughtful questions about who gets to shape history, but lacks a level of intrigue and emotional depth to addres…

SOURCE: The Guardian at 10:33am on September 24, 2023

Every Brilliant Thing review " reasons to be cheerful by Clare Brennan

Theatre by the Lake, KeswickThe audience takes on a supporting role to Andrew Turner's solo turn in this moving paean to what makes life worth living This is not a play, but it is playful; i…

SOURCE: The Guardian at 8:25am on September 24, 2023

The week in theatre: Pygmalion; King Stakh's Wild Hunt; It's Headed Straight Towards Us " review by Kate Kellaway

Old Vic; Barbican; Park theatre, LondonPatsy Ferran and Bertie Carvel are delightfully word-perfect in Richard Jones's first-rate Shaw revival; Belarus Free Theatre fuse fairytale and realit…

SOURCE: The Guardian at 6:13am on September 24, 2023

Ballet v machismo: the male Latin American dancers challenging old-fashioned ideas of manhood by Naomi Larsson Piñeda

From Cuba to Peru and beyond, Santiago Barreiro captures the dancers who have upended their countries' ideas of masculinity while pursuing their dreams When he was just eight years old, Robe…

SOURCE: The Guardian at 5:07am on September 24, 2023

Adrian Edmondson: 'I've won more prizes for vegetables than I have for comedy' by Tim Lewis

The Young Ones star on butting brick walls, the real reason he took a role in Star Wars and how he and his wife, Jennifer Saunders, split the gardening Adrian Edmondson is a 66-year-old acto…

SOURCE: The Guardian at 5:07am on September 24, 2023

'There are dozens of Russell Brands': female comedians say abuse is rife by Nadia Khomami Arts and Culture Correspondent

Many women working in industry say allegations only scratch the surface of its culture of misogyny "When I was 18 I had an incident with a powerful male comedian in his 30s," says Lucy (name…

SOURCE: The Guardian at 10:37am on September 22, 2023

Boys from the Blackstuff review " powerful portrayals of working-class pride by Mark Fisher

Royal Court, LiverpoolJames Graham's funny and violent TV adaptation belies a sensitive study of male mental health, as right-wing economics hits a group of road layers' lives The emotional …

SOURCE: The Guardian at 10:37am on September 22, 2023

English National Ballet: Our Voices review " an apocalyptic maelstrom of movement by Lyndsey Winship

Sadler's Wells, LondonDancers in flight exist in a different realm in an absorbing Les Noces, reimagined as a sequel to The Rite of Spring, in this triple bill from a company really pushing …

SOURCE: The Guardian at 9:33am on September 22, 2023

'I think it's a new artform': Chris Fonseca, the man bringing Deaf dance to the mainstream by Sasha Mistlin

With his primetime TV appearances, West End shows, tours and plans for a film, choreographer Chris Fonseca is using music and dance to explore his identity. But he rejects tokenism, and 'it'…

SOURCE: The Guardian at 9:33am on September 22, 2023

Vanya review " Andrew Scott excels in one-man Chekhov by Arifa Akbar

Duke of York's theatre, LondonThe actor gives thrillingly virtuoso performances as multiple characters in an entertaining reimagining but he cannot penetrate any one part deeply enough for t…

SOURCE: The Guardian at 6:13am on September 22, 2023

Play with cast of disabled and autistic actors to open at London's Royal Court by Harriet Sherwood Arts and Culture Correspondent

Imposter 22 will run for three weeks at renowned Sloane Square theatre and comes after series of workshops A play performed by a professional cast of learning disabled and autistic actors is…

SOURCE: The Guardian at 5:07am on September 22, 2023

The White Factory review " Holocaust drama raises troubling questions about today's tyrants by Mark Lawson

Marylebone theatre, LondonSet in a Polish ghetto, Dmitry Glukhovsky's superb play explores the terrible choices made by people under occupation Only the hardest heart would not feel advance …

SOURCE: The Guardian at 7:25pm on September 21, 2023

Mlima's Tale review " haunted by the elephant who would not forget by Kate Wyver

Kiln theatre, LondonIra Mandela Siobhan plays a pachyderm in Lynn Nottage's indictment of the ivory trade, leaving traces on those who murdered him and sold his tusks The gargantuan tusks ar…

SOURCE: The Guardian at 7:25pm on September 21, 2023

John Wilson: Oklahoma! review | Andrew Clements's classical album of the week by Andrew Clements

Hackmann/Boggess/Sinfonia of London/Wilson(Chandos, two CDs)John Wilson's scrupulously prepared recording gives us exactly what the audience would have heard on the musical's opening night i…

SOURCE: The Guardian at 11:03am on September 21, 2023

The Real & Imagined History of the Elephant Man review " vigorous call for inclusivity by Mark Fisher

Nottingham PlayhouseWith excellent performances, Tom Wright's play about the man who became a Victorian freakshow attraction is an at times uneasy mix of circus and polemic Entrances don't g…

SOURCE: The Guardian at 8:49am on September 21, 2023

Metamorphosis review " Lemn Sissay adaptation is more poetic than dramatic by Mark Fisher

Curve, LeicesterThis staging of Kafka's story is physically exciting, even tireless, but it hits an early peak of terror then has nowhere to go for two hours It is linguistically playful, po…

SOURCE: The Guardian at 5:33am on September 21, 2023

Pygmalion review " Patsy Ferran and Bertie Carvel don't find play's heart by Arifa Akbar

Old Vic theatre, LondonThis Shaw revival has wonderful moments but there is little spark between Eliza Doolittle and Henry Higgins In its preface, George Bernard Shaw claimed the success of …

SOURCE: The Guardian at 8:43am on September 20, 2023

Marina Abramović has broken a 255-year-old glass ceiling. Why did it take so long? by Hannah Jane Parkinson

The Serbian performance artist is the first woman to have a solo show in the Royal Academy's main galleries " a telling indictment of the hurdles faced by female artists today At the Royal A…

SOURCE: The Guardian at 7:37am on September 20, 2023

Eliza Clark's BookTok sensation Boy Parts becomes a one-woman show by Natasha Tripney

Aimée Kelly will star in adaptation of the 2020 novel about an artist who takes explicit photographs of young men Eliza Clark's 2020 debut novel Boy Parts, a brutal artworld satire-cum-thri…

SOURCE: The Guardian at 5:25am on September 20, 2023

After Amadeus: Brian Cox as Bach is theatre's latest orchestral manoeuvre by Michael Billington

Oliver Cotton's The Score, a new drama about Bach's confrontation with Frederick II, continues a rich tradition of plays about great composers You wait decades for a play about Johann Sebast…

SOURCE: The Guardian at 3:13am on September 20, 2023

Oscar-nominated romance Cold War to have major London stage adaptation by Ben Beaumont-thomas

Elvis Costello songs to feature in play by Girl from the North Country's Conor McPherson, directed by Rupert Goold at Almeida theatre London's Almeida theatre has announced a stage adaptatio…

SOURCE: The Guardian at 2:13am on September 20, 2023

'Why don't we know more of her? It's upsetting': dance genius Bronislava Nijinska by Lyndsey Winship

Created 100 years ago, Nijinska's ballet Les Noces is a feminist masterpiece. Andrea Miller, who has choreographed a new version using Stravinsky's music and art by Phyllida Barlow, hails a …

SOURCE: The Guardian at 4:25pm on September 19, 2023

The brave victims of Russell Brand's misogyny deserve full support. This time, let's get it right | Marina Hyde by Marina Hyde

The new claims made me think about the media's treatment of the woman he so famously humiliated on Radio 2. I hope we all know better now Contemplating the notion of crossing the line, Russe…

SOURCE: The Guardian at 8:49am on September 19, 2023

Anthropology review " clever AI missing-person mystery by Mark Lawson

Hampstead theatre, LondonLauren Gunderson's smart play finds a software engineer creating a digital version of a sister who has disappeared While screenwriters strike, partly over the threa…

SOURCE: The Guardian at 8:49am on September 19, 2023

Rebecca review " Mrs Danvers steals the show in Du Maurier musical by Arifa Akbar

Charing Cross theatre, LondonAmong polished performances, Kara Lane's creepily obsessed housekeeper proves a powerful force This musical adaptation of Daphne du Maurier's novel became a mamm…

SOURCE: The Guardian at 6:43pm on September 18, 2023
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