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6,591 stories from Stage and Cinema

Chicago Theater Review: I AM MY OWN WIFE (About Face Theatre at Theater Wit) by Lawrence Bommer

CLOCKS ARE COLD COMFORT Call it the ultimate disruption of sexual security/certainty, a double life lived, as La Cage put it, "at an angle." As the title suggests, I Am My Own Wife is a subv…

SOURCE: Stage and Cinema at 1:19pm on November 11, 2016

Theater Review: ANNIE (National Tour) by Lawrence Bommer

SO"JUST EXACTLY WHEN WILL THE SUN COME UP? (Hint: 2020) The first Christmas special came early this year: Martin Charnin and Charles Strouse's industrial-strength 1977 heart-warmer, Annie. R…

SOURCE: Stage and Cinema at 12:40pm on November 10, 2016

Los Angeles Theater Preview: THE BOYS FROM SYRACUSE (Musical Theatre West in Long Beach) by Tony Frankel

BOYS WILL BE BOYS Musical Theatre West's (MTW) Reiner Reading Series begins its 2016-17 season with a musical from the beginning of the second decade of the Broadway Musical's Golden A…

SOURCE: Stage and Cinema at 2:03am on November 10, 2016

Los Angeles Theater Review: URINETOWN: THE MUSICAL (Coeurage Theatre in North Hollywood) by Jason Rohrer

AGITPOOP When Urinetown opened up Off-Broadway in 2001, then splashed all over Broadway just after 9/11, the show was hailed as a Brechtian revamp of musical theater. About an overpopulat…

SOURCE: Stage and Cinema at 7:34pm on November 9, 2016

Chicago Theater Review: END OF THE RAINBOW (Porchlight Music Theatre at Stage 773) by Lawrence Bommer

THE LEGEND THAT GOT AWAY No, this show isn't how fans want to remember Judy Garland at the bittersweet end. End of the Rainbow, Peter Quilter's sardonic salute to a star on the skids, is a s…

SOURCE: Stage and Cinema at 2:25pm on November 8, 2016

Chicago Theater Review: THE LITTLE FLOWER OF EAST ORANGE (Eclipse Theatre Company) by Lawrence Bommer

A MOVING PORTRAIT OF A SMALLER SAINT A show doesn't"can't"get truer or richer than this current 140-minute gem at the Athenaeum Theatre. Perfectly concluding an all-Stephen Adly Guirgis seas…

SOURCE: Stage and Cinema at 8:48pm on November 7, 2016

Los Angeles Theater Review: HANSEL & GRETEL BLUEGRASS (24th Street Theatre) by Jason Rohrer

FAIRY TALE THEATER Debbie Devine and Jay McAdams are a theater couple. They’ve been putting up shows for a long time. If you and your love dream of having your own space and staging yo…

SOURCE: Stage and Cinema at 6:05pm on November 7, 2016

Chicago Opera Review: THE FAIRY QUEEN (Chicago Opera Theater at the Studebaker Theater) by Lawrence Bommer

BAROQUE AND BURLESQUE"A TOXIC MIX What happens when a so-called revival needs resuscitation? That's the D.O.A. problem with this perverse collaboration between Chicago Opera Theater and Cult…

SOURCE: Stage and Cinema at 12:48pm on November 6, 2016

Theater Review: FUN HOME (National Tour) by Lawrence Bommer

LEARNING TO LOVE FROM WHAT DAD DIDN'T DO Dedicated memory-mongering, the 2013 chamber musical Fun Home–based on Alison Bechdel's 2006 semiautobiographical graphic novel–is a wort…

SOURCE: Stage and Cinema at 2:07pm on November 4, 2016

Theater Review: HEDWIG AND THE ANGRY INCH (National Tour) by Tony Frankel

THE WINNER BY AN INCH Not long into its original run at Jane Street Theatre Off-Broadway in 1998, a cult following had already been firmly entrenched for Hedwig and the Angry Inch. It was th…

SOURCE: Stage and Cinema at 10:14pm on November 3, 2016

Chicago Theater Review: SINGIN' IN THE RAIN (Marriott Theatre in Lincolnshire) by Lawrence Bommer

PERFECT PRECIPITATION Of all the legendary Oscar-winning films destined to become stage musicals (42nd Street, Grand Hotel, Fame), Singin' in the Rain, the 1952 MGM movie musical starring Ge…

SOURCE: Stage and Cinema at 12:37pm on November 3, 2016

Los Angeles Theater Review: UNBOUND (IAMA Theater Company at the Hudson Theatre) by Paul Birchall

UNBOUND FOR GLORY It takes talent to juggle political activism, sexual tension, and a highly suspenseful thriller plot, but playwright D.G. Watson has done it. His compelling drama hits an a…

SOURCE: Stage and Cinema at 4:18pm on November 2, 2016

Chicago Music Review: DÍA DE LOS MUERTOS: THE DANCE OF LIFE AND DEATH (Chicago Sinfonietta) by Lawrence Bommer

ADDING DEATH TO LIFE, CHICAGO SINFONIETTA CREATES A GREATER WHOLE Halloween night at Chicago's Orchestra Hall: This year it meant alternately sinister or soaring sounds worthy of its title D…

SOURCE: Stage and Cinema at 3:36pm on November 1, 2016

Los Angeles Theater Review: VICUÑA (Kirk Douglas Theatre in Culver City) by Jason Rohrer

TWO HOURS HATE While getting fitted for a hundred-thousand dollar suit, a gross presidential-candidate billionaire argues politics with his immigrant tailor. Several monologues inform the bi…

SOURCE: Stage and Cinema at 2:40pm on October 31, 2016

Chicago Dance Review: GIORDANO DANCE CHICAGO (Fall Engagement at the Harris Theater) by Lawrence Bommer

A TILT-A-WHIRL AT THE HARRIS THEATER FUNHOUSE The big news from this weekend's two-night showcase for the jazz-stepping Giordano Dance Chicago is the world premiere of Peter Chu's roiling ne…

SOURCE: Stage and Cinema at 2:53pm on October 29, 2016

Los Angeles Theater Review: MEMPHIS (Musical Theatre West in Long Beach) by Tony Frankel

MEMPHIS SOARS The most entertaining musical of the year is not a great musical. Here is a show with a predictable, synthetic feeling book and 19 songs which only emulate the m…

SOURCE: Stage and Cinema at 2:59am on October 27, 2016

Los Angeles Music Preview: LAGRIME DI SAN PIETRO [TEARS OF ST. PETER] (Los Angeles Master Chorale at Walt Disney Concert Hall) by Tony Frankel

BRING ON THE TEARS Orlande de Lassus, Europe's most famous musician during his lifetime, created nothing finer than the Lagrime di San Pietro, (Tears of St. Peter) a collection of twenty spi…

SOURCE: Stage and Cinema at 2:10am on October 27, 2016

Chicago Theater Review: LONGER! LOUDER! WAGNER! THE SECOND CITY WAGNER COMPANION (The Second City and Lyric Opera) by Barnaby Hughes

MAKING FUN OF OPERA FUN AGAIN This mostly satirical Lyric Opera/Second City co-production contains little irony apart from the title. For while it definitely IS about Wagner, it most certain…

SOURCE: Stage and Cinema at 1:24am on October 27, 2016

Chicago Theater Review: GROUNDED (Buena Stage @ Pride Arts Center) by Lawrence Bommer

COMMUTING TO KILL In The Right Stuff Tom Wolfe described a huge "sea change" when the space race went from fighter test pilots to astronauts. In the 1920s through 1950s, high-altitude record…

SOURCE: Stage and Cinema at 3:57pm on October 23, 2016

Los Angeles Theater Review: BLUEBERRY TOAST (The Echo Theater Company in Atwater Village) by Jason Rohrer

INCONVENIENT TRUTH A show as good as Blueberry Toast should be a city-wide phenomenon but it’s going up in Atwater Village, so not a lot of people from the West Side are going to see i…

SOURCE: Stage and Cinema at 1:38pm on October 22, 2016

Los Angeles Theater Review: THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE: REVISITED (Davidson/Valenti Theatre in Hollywood) by Tony Frankel

STILL SEARCHING Is there life after Lily Tomlin? Producer Jon Imparato is attempting to find out: under his auspice, the Los Angeles LGBT Center is reviving The Search for Signs of Intellige…

SOURCE: Stage and Cinema at 2:59am on October 21, 2016

Los Angeles Cabaret Review: AN EVENING WITH KELLI O'HARA (Valley Performing Arts Center in Northridge) by Tony Frankel

O’HARA SALON Broadway icon Kelli O'Hara ventured far west of the Great White Way Friday night to perform Broadway favorites and a few originals to a well-sold house at V…

SOURCE: Stage and Cinema at 2:06am on October 21, 2016

Chicago Theater Review: HAMILTON (PrivateBank Theatre) by Lawrence Bommer

OUR FUNKY FOUNDING FATHERS A hip-hop Alexander Hamilton? A beat-box Father of His Country? A jumping James Madison and a jiveass Jefferson who disses bigtime in a poetry slam? The ten-dollar…

SOURCE: Stage and Cinema at 2:19pm on October 20, 2016

Los Angeles Theater Review: DELUSION: HIS CRIMSON QUEEN (An Interactive Play) by Tony Frankel

DEFICIENT DRAMA DILUTES DELUSION In 2011, writer/director Jon Braver created Delusion, a new kind of haunted house. In the ensuing years (except last year, 2015, which was dark), with a diff…

SOURCE: Stage and Cinema at 2:26am on October 19, 2016

Chicago Dance Review: ROMEO AND JULIET (The Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

A POLITICAL PROKOFIEV BRINGS R & J CLOSER TO HOME It's been over two years since its Joffrey Ballet"and U.S.–premiere. The Chicago troupe's updated version of Prokofiev's Romeo …

SOURCE: Stage and Cinema at 11:33pm on October 16, 2016
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