DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
6,591 stories from Stage and Cinema

Los Angeles Theater Review: LATE COMPANY (Theatre 40 in Beverly Hills) by Tony Frankel

GUESS WHO’S NOT COMING TO DINNER? At first, we have no idea why a well-to-do couple has invited another couple and their son over for dinner. The hostess Debora (Ann Hearn) is on edge …

SOURCE: Stage and Cinema at 5:55pm on January 26, 2017

Regional Theater Preview: MOBY DICK (Lookingglass Theatre at South Coast Repertory in Costa Mesa) by Tony Frankel

A WHALE OF A PRODUCTION Moby Dick, Herman Melville's 1851 whale of a tale (or tale of a whale), is as unsinkable as its title cetacean. It's never been more so than in Lookingglass Theatre C…

SOURCE: Stage and Cinema at 7:24pm on January 25, 2017

Los Angeles Concert Feature: ALAN CUMMING SINGS SAPPY SONGS (Disney Hall) by Tony Frankel

CUMMING AND SAPPY Yes, Disney Hall is a large venue for a cabaret act, but you can expect Tony Award-winning actor Alan Cumming to turn the venue into the most intimate hotspot when he prese…

SOURCE: Stage and Cinema at 9:15pm on January 24, 2017

San Diego Theater Review: BAD JEWS (Cygnet Theatre) by Milo Shapiro

BAD JEWS MAKES FOR GOOD THEATRE, BUT OY SUCH AGITA There's an old joke: "What do you get if you put three Jews in the same room?  Four opinions." In Joshua Harmon's Bad Jews, the joke is …

SOURCE: Stage and Cinema at 7:04pm on January 24, 2017

Los Angeles Music Preview: LANG LANG (Solo Recital at Disney Hall) by Frank Arthur

LANG LANG RETURNS TO DISNEY HALL The first time I saw Chinese pianist Lang Lang perform live was at Disney Hall, and I must admit I was somewhat taken aback. For years, I had heard about …

SOURCE: Stage and Cinema at 5:55pm on January 24, 2017

Chicago Theater Review: GLORIA (Goodman Theatre) by Lawrence Bommer

SPOILER ALERT: THE PLAYWRIGHT DID IT Here's the warning issued to the press on Monday night. It's about critiquing Goodman Theatre's imported New York staging of Gloria: "In the hopes of mai…

SOURCE: Stage and Cinema at 2:35pm on January 24, 2017

Cabaret Review: JERRY HERMAN: THE BROADWAY LEGACY CONCERT (Samueli Theater at SCFTA) by Tony Frankel

JERRY HERMAN’S LEGACY ISN’T IN JEOPARDY, BUT TRIBUTE CONCERTS ARE With an evening of Jerry Herman tunes sung by Broadway powerhouses Ron Raines, Karen Morrow, Debbie Gravit…

SOURCE: Stage and Cinema at 2:44am on January 21, 2017

Chicago Theater Review: THE TEMPERAMENTALS (About Face Theatre at Theater Wit) by Lawrence Bommer

ANOTHER BAND OF BROTHERS At a certain "tipping point" in the mid-20th century, passing for straight became one lie too many. A generation before the Stonewall riots, a generation after Henry…

SOURCE: Stage and Cinema at 8:15pm on January 20, 2017

Chicago Theater Review: A DISAPPEARING NUMBER (TimeLine Theatre Company) by Lawrence Bommer

THE PURITY OF INFINITY Mathematics can be maddening. Unless reflected in music (as in Bach), the "numbers game" feels stuck in a seemingly sterile realm of abstract entities, perfect in thei…

SOURCE: Stage and Cinema at 8:29pm on January 19, 2017

Chicago Music Review: MARTIN LUTHER KING TRIBUTE CONCERT (Chicago Sinfonietta) by Lawrence Bommer

A CONSECRATION AND A CONCERT FIT FOR A KING Chicago Sinfonietta's annual concert to commemorate Martin Luther King"now in its fourth decade"held more relevance and righteousness than usual, …

SOURCE: Stage and Cinema at 12:51pm on January 17, 2017

Chicago Theater Review: PRISCILLA, QUEEN OF THE DESERT (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

THE HERO JOURNEY OF A DRAG QUEEN Priscilla, Queen of the Desert is, of course, a much-loved 1994 "staying out" film from seemingly straight Australia. It spins the peripatetic tale of thr…

SOURCE: Stage and Cinema at 4:02pm on January 16, 2017

Chicago Theater Review: EURYDICE (Promethean Theatre Ensemble at Athenaeum Theatre) by Lawrence Bommer

LEARNING TO BE DEAD Orpheus usually gets top billing in the classical Greek legend. He is of course the master of music who literally goes to Hell to retrieve his beloved Eurydice, abducted …

SOURCE: Stage and Cinema at 11:52am on January 15, 2017

Chicago Theater Review: WHAT OF THE NIGHT? (Cor Theater and Stage Left Theatre at Theater Wit) by Lawrence Bommer

WHAT OF OUR SUFFERING IN THE NIGHT? Ambition should be made of smarter stuff. Nearly three hours of unfocused agitation, What of the Night? begs its own incoherent question. It's not the …

SOURCE: Stage and Cinema at 3:14pm on January 13, 2017

Chicago Theater Review: HER AMERICA (Greenhouse Theater Center) by Lawrence Bommer

CATHARSIS IN A BASEMENT It's not easy for actors to lose control without losing the role as well. A master of concentrated dread and systematic despair, Kate Buddeke haunts this solo show. S…

SOURCE: Stage and Cinema at 2:06pm on January 12, 2017

Chicago Theater Review: THE SUNDIAL (City Lit) by Lawrence Bommer

A VERY DISPENSABLE DOOM Famed for her sardonic 1948 short story "The Lottery" and the scary novels We Have Always Lived in the Castle and The Haunting of Hill House, Shirley Jackson was a Go…

SOURCE: Stage and Cinema at 12:58pm on January 11, 2017

Tour Review: TORUK " THE FIRST FLIGHT (Cirque du Soleil, North American Tour) by Tony Frankel

JAMES CAMERON MEETS CIRQUE DU SOLEIL Cirque du Soleil writes a new chapter in make-believe with Toruk " The First Flight, a not so typical two-hour fantasy inspired by (but not based on) Jam…

SOURCE: Stage and Cinema at 3:02am on January 9, 2017

Los Angeles Cabaret Review: A NIGHT AT THE STORK CLUB (Three Clubs Lounge in Hollywood) by Tony Frankel

A SALUTE TO GREAT SONGS AND A GREAT CLUB Any excuse to expose selections from the Great American Songbook to a modern audience works for me. And a cabaret revue entitled A Night at the Stork…

SOURCE: Stage and Cinema at 3:18pm on January 8, 2017

Los Angeles Theater Review: THE LION (Geffen Playhouse) by Tony Frankel

THE MANE EVENT Watching the Los Angeles premiere of writer/performer Benjamin Scheuer's one-man show The Lion, directed by Sean Daniels, the element I am most taken with is Mr. Scheuer's …

SOURCE: Stage and Cinema at 8:00pm on January 7, 2017

Los Angeles Music Review: TOVEY & CHEN PERFORM TCHAIKOVSKY & SIBELIUS (LA Phil at Disney Hall) by Tony Frankel

‘TWAS BRILLIG, AND THE SLITHY TOVEY The witty, charming raconteur and conductor Bramwell Tovey has never failed to have the audience in the palm of his baton-filled hand. As ener…

SOURCE: Stage and Cinema at 7:43pm on January 6, 2017

Los Angeles Theater Review: AMÉLIE, A NEW MUSICAL (pre-Broadway run at the Ahmanson Theatre) by Tony Frankel

WHIMSY WASHOUT Adapting a film or play into a musical is a dicey proposition. There’s no perfect formula, but theater’s great librettists"Oscar Hammerstein, Alan Jay Lerner, et a…

SOURCE: Stage and Cinema at 8:10pm on December 19, 2016

Chicago Theater Review: MR. AND MRS. PENNYWORTH (Lookingglass Theatre Company) by Lawrence Bommer

FIXING FICTION It's not your usual detective story: A quaint couple works to restore a villain suddenly lost from countless fairy tales. Mr. and Mrs. Pennyworth depicts a very proper Edwardi…

SOURCE: Stage and Cinema at 6:59pm on December 18, 2016

Theater Review: THE PHANTOM OF THE OPERA (2016 North American Tour; Cadillac Palace Theatre, Chicago) by Lawrence Bommer

DROPPING THE DROPPING CHANDELIER Andrew Lloyd Webber's mega-musical wants to be an opera about opera to end opera. Ironically, "Hannibal," its first-act spoof of a 19th-century grand oper…

SOURCE: Stage and Cinema at 3:25pm on December 17, 2016

Los Angeles Theater Feature: RUBY LAPEYRE (now in "Thoroughly Modern Millie" at Morgan-Wixson) by Jason Rohrer

THOROUGHLY THESPIAN Youth theater is mostly musicals, and many musicals are essentially infantilizing entertainments, most appropriate to teaching children how to perform. The kids themselve…

SOURCE: Stage and Cinema at 4:54pm on December 15, 2016

Los Angeles Theater/Music Preview: NOTES OF A NATIVE SONG (Stew & The Negro Problem at REDCAT) by Tony Frankel

TAKING NOTES TO THE NEXT LEVEL Los Angeles native Stew, born Mark Stewart, is one of today’s most fascinating songwriters. He has released both solo albums and with his band, The Negro…

SOURCE: Stage and Cinema at 8:55pm on December 14, 2016

Chicago Dance Review: Christopher Wheeldon's THE NUTCRACKER (The Joffrey Ballet) by Lawrence Bommer

TCHAIKOVSKY MEETS THE WORLD'S FAIR: A PERFECT NUTCRACKER RECIPE It was a marvel of the ages and the crowning achievement of the 19th century (except maybe the Eiffel Tower). Now, happily, th…

SOURCE: Stage and Cinema at 5:26pm on December 14, 2016
« Previous 25   Page 164 of 264   Next 25 »