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6,591 stories from Stage and Cinema

Los Angeles Theater Review: TWELFTH NIGHT (Filter Theatre at The Wallis in Beverly Hills) by Tony Frankel

IF PIZZA BE THE FOOD OF LOVE… Well, that was frustrating. Now at the Wallis in Beverly Hills is England’s Filter Theatre, which deconstructs Twelfth Night to the bare walls (l…

SOURCE: Stage and Cinema at 3:18am on March 15, 2017

Chicago Theater Review: THE MOST HAPPY FELLA (Theo Ubique Cabaret Theatre) by Lawrence Bommer

ABBONDANZA! What a gem of a jewel is this rarely done masterwork! It's what Candide was to Leonard Bernstein or Porgy and Bess to George Gershwin, a folk opera to rise above mere musicals. A…

SOURCE: Stage and Cinema at 3:10pm on March 14, 2017

Chicago Theater Review: SPAMILTON (Royal George) by Lawrence Bommer

CANNED SPAM-ILTON For little more than an hour, Spamilton, an attention-deficit musical travesty, never lets up until we're let out. Exploding with relentless volleys of unfriendly fire, it …

SOURCE: Stage and Cinema at 3:59pm on March 13, 2017

Los Angeles Music & Theater Preview: NIGHT AND DREAMS: A SCHUBERT AND BECKETT RECITAL (Disney Hall) by Tony Frankel

A NIGHT THAT WILL BE A DREAM Franz Schubert, the quintessential Romantic composer of the 19th century, was loved by Irish avant-garde novelist, playwright, poet and director Samuel BeckettÂ…

SOURCE: Stage and Cinema at 8:53pm on March 10, 2017

Theater Review: HEDWIG AND THE ANGRY INCH (National Tour) by Lawrence Bommer

PLEASE, SIR, I WANT SOME MORE INCHES "I'm the new Berlin Wall. Try to tear me down!" That defiant dare marks the flaming arrival of Hedwig Schmidt, survivor-heroine of John Cameron Mitchell'…

SOURCE: Stage and Cinema at 12:37pm on March 9, 2017

Los Angeles Theater Preview: FIVE GUYS NAMED MOE (Ebony Repertory Company) by Tony Frankel

HERE COMES MR. JORDAN Get ready, cats. The best musical revue since Ain’t Misbehavin’ is coming to Los Angeles, and I’m warning you well in advance: I promise you–yep…

SOURCE: Stage and Cinema at 6:00pm on March 8, 2017

Los Angeles Opera Review: NIXON IN CHINA (Los Angeles Philharmonic at Walt Disney Concert Hall) by Tony Frankel

LET ME MAKE THIS PERFECTLY CLEAR Prior to yesterday's matinee, the last of a two-performance run of Nixon in China presented by LA Phil, I wondered who would make up the audience for a re…

SOURCE: Stage and Cinema at 2:05am on March 7, 2017

Los Angeles Cabaret Preview: CHARLES BUSCH: THAT GIRL/THAT BOY (Rockwell Table and Stage in Los Feliz) by Tony Frankel

THAT GIRL, THAT BOY…HELL, THAT STAR It was well over 30 years ago that I first saw writer, actor and drag legend Charles Busch. Not only was he hi-larious in his long-running Off-Br…

SOURCE: Stage and Cinema at 6:51pm on March 6, 2017

Los Angeles Theater Review: HALLELUJAH, BABY! (Musical Theatre Guild at the Alex Theatre in Glendale) by Frank Arthur

COME ON, BABY I wanted so badly to say “Glory, Hallelujah!” after seeing Musical Theatre Guild’s staged concert version of the 1968 Tony-winning musical. While it’s e…

SOURCE: Stage and Cinema at 1:38am on March 3, 2017

Los Angeles Dance Preview: ALVIN AILEY DANCE THEATER (Dorothy Chandler Pavilion) by Tony Frankel

AILEY IS ALWAYS A REVELATION(S) After many happy visits to the Music Center’s Dorothy Chandler Pavilion, Alvin Ailey Dance Theater returns to unleash a sumptuous, three-program showcas…

SOURCE: Stage and Cinema at 8:41pm on March 1, 2017

Los Angeles Theater Preview: AMOUR (Musical Theatre West in Long Beach) by Tony Frankel

YOU’LL FALL IN LOVE WITH AMOUR “I wanted to write an opera-bouffe, an intimate evening with light, lyrical singing and delicate charm,” wrote composer Michel Legrand. ̶…

SOURCE: Stage and Cinema at 10:14pm on February 28, 2017

Los Angeles Music Review: HÉLÈNE GRIMAUD PLAYS BRAHMS (LA Phil at Walt Disney Concert Hall) by Tony Frankel

THERE’S A REASON WE RETURN TO BRAHMS AND RAVEL Under guest conductor James Gaffigan's assured leadership, the Los Angeles Philharmonic brought a fuller and more vibrant sound to two ve…

SOURCE: Stage and Cinema at 1:57am on February 27, 2017

Chicago Opera Review: THE INVENTION OF MOREL (Chicago Opera Theater at the Studebaker Theater) by Barnaby Hughes

COPELAND'S MOREL LACKS INVENTION Four years ago, Long Beach Opera (Artistic and General Director Andreas Mitisek's other company) staged Stewart Copeland's The Tell-Tale Heart, giving the on…

SOURCE: Stage and Cinema at 9:36pm on February 25, 2017

Los Angeles Theater Feature: FOUR BY TENN: A TENNESSEE WILLIAMS READING SERIES (The Pasadena Playhouse) by Frank Arthur

A PERFECT TENN The Pasadena Playhouse is currently presenting God Looked Away, an ode to Tennessee Williams at the end of his career. As an adjunct to this world premiere development prod…

SOURCE: Stage and Cinema at 7:09pm on February 25, 2017

Los Angeles Theater Review: BYE BYE BIRDIE (Glendale Centre Theatre) by Tony Frankel

 A BIRDIE THAT TAKES WING Having no intention of reviewing, I bought a couple tickets to a non-union production of Bye Bye Birdie, but the entire affair had me so damn giddy that I can…

SOURCE: Stage and Cinema at 8:55pm on February 24, 2017

Chicago Theater Review: THE COLUMNIST (American Blues Theater at Greenhouse Theatre Center) by Lawrence Bommer

THE SOUR SMELL OF SUCCESS Never confuse fear with respect. During the Cold War, when the Russians were less deniably our enemies, op-ed tyro Joe Alsop rivaled gossip czar Walter Winchell in …

SOURCE: Stage and Cinema at 3:17pm on February 24, 2017

Theater Review: THE ILLUSIONISTS " LIVE FROM BROADWAY (North American Tour) by Lawrence Bommer

MATURE MAGIC No spells get cast here, no phantoms materialize. There are no mystical suspension of the laws of physics, just our disbelief. Now in a too-short stop at Chicago's Oriental T…

SOURCE: Stage and Cinema at 1:47pm on February 23, 2017

Theater Review: FUN HOME (National Tour) by Tony Frankel

IN AND OUT AT HOME The Tony-winning 2013 coming-of-age memory play/chamber musical Fun Home"based on Alison Bechdel's 2006 semi-autobiographical graphic novel"is a worthy coming-out tale. We…

SOURCE: Stage and Cinema at 12:52pm on February 23, 2017

Theater Review: FINDING NEVERLAND (National Tour at the Hollywood Pantages) by Tony Frankel

NEVERLAND FOUND AND LOST Playwright Alan Knee called Sir J. M. Barrie "the man who was Peter Pan." If so, it was an author's compensation as much as creativity. James Barrie was a shy Scotsm…

SOURCE: Stage and Cinema at 9:12pm on February 22, 2017

Chicago Theater Review: UNCLE VANYA (Goodman) by Lawrence Bommer

SINKING INTO THE STEPPES Running invisible endurance feats, the characters of Anton Chekhov expose what Henry David Thoreau called “lives of quiet desperation.” When the good doc…

SOURCE: Stage and Cinema at 1:17pm on February 22, 2017

San Diego Theater Review: PICASSO AT THE LAPIN AGILE (The Old Globe) by Tony Frankel

THEATER’S BLUE PERIOD Steve Martin wrote Picasso at the Lapin Agile in 1993. The offbeat meta-theatrical play opened at Chicago’s Steppenwolf, went to Los Angeles’s West…

SOURCE: Stage and Cinema at 12:50am on February 21, 2017

CD Review: THE ROBBER BRIDEGROOM (2016 Off-Broadway Cast on Ghostlight Records) by Tony Frankel

A SCALED-DOWN ROBBER BRIDEGROOM STEALS YOUR HEART ON CD It will always remain one of the great unsolved mysteries in Broadway history. Composer Robert Waldman and librettist and lyricist …

SOURCE: Stage and Cinema at 4:00pm on February 20, 2017

Chicago Theater Review: MY BROTHERS KEEPER"THE STORY OF THE NICHOLAS BROTHERS (Black Ensemble Theater) by Lawrence Bommer

THIS BROTHERS IS A KEEPER This winner really is a blast from the past. Celebrating America's most explosive and enthralling tap-dancing team, My Brother's Keeper"The Story of the Nicholas…

SOURCE: Stage and Cinema at 1:15pm on February 20, 2017

Los Angeles Theater Review: 33 VARIATIONS (Actors Co-op in Hollywood) by Tony Frankel

MORE THAN JUST VARIATIONS ON A THEME "Why did the great German composer Ludwig van Beethoven write 33 variations on a trivial little waltz by a mediocre amateur composer?" On the surface, th…

SOURCE: Stage and Cinema at 9:59pm on February 18, 2017

Chicago Theater Review: A WONDER IN MY SOUL (Victory Gardens Biograph Theater) by Lawrence Bommer

A SOUTH SIDE WEAVE The setting is a beloved beauty parlor on Chicago's South Side. It's seen better times and may soon see none. Hanging over the storefront is a gallery of famous female Afr…

SOURCE: Stage and Cinema at 2:34pm on February 18, 2017
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