<cite>Dogugaeshi</cite>, reviewed by Jerry Portwood
Basil Twist's puzzle piece of shifting shapes and colors could cause many an unsuspecting theatregoer to run screaming for the exit. It requires a great deal of patience, almost meditative d…
Basil Twist's puzzle piece of shifting shapes and colors could cause many an unsuspecting theatregoer to run screaming for the exit. It requires a great deal of patience, almost meditative d…
A night of wife swapping turns out to be not much fun in this dour drama by Brad Saville.
Best known for his high-octane solo shows, Danny Hoch is the undisputed master of the urban male rant. Till the Break of Dawn is Hoch's first attempt at a full-length play, and there are plenty of arias of angst delivered by a variety of characters that still sound suspiciously like him.
Women Seeking... is a 10-year-old theatre company dedicated to presenting works that showcase women artists. Its current production harkens back to the work of three early-20th-century femal…
When stoking his intent to kill a king, Macbeth reflects that he has "only vaulting ambition, which o'erleaps itself." Much the same might be said of ShakespeareNYC's production of the Scott…
Irish playwright Thomas Kilroy's "The Shape of Metal" is an articulate but familiar exploration of an angst-ridden mother-daughter relationship.
Burgess Clark's play is promising stuff but never succeeds in delivering heart-racing drama or a ripping emotional punch.
Absurdist playwright Eugene Ionesco's ghost hovers over Kevin Mandel's new play, a drearily one-dimensional comedy about the detrimental impact that television has on our lives.
"You May Go Now" recalls the work of "House of Yes"-era Wendy MacLeod, with Bekah Brunstetter's dialogue thriving on comic awkwardness. Under the direction of Geordie Broadwater, the show ke…
Mettawee River Theatre Company and director-designer Ralph Lee do a fine job of dusting off Aristophanes' play to appeal to a contemporary audience.
Author Robert Attenweiler and director John Patrick Hayden offer up a confused comedy that strives for absurdism but ends up simply absurd.
With a series of swift theatrical strokes, playwright Mike Folie develops a character study that is surprisingly intelligent and continually engrossing.
A play like this shouldn't give up all its mysteries, but there is still something to be said for basic coherence. Frustratingly, playwright Ken Urban doesn't meet us halfway.
Angelica Torn has been performing this one-woman show about Sylvia Plath, written and directed by Plath expert Paul Alexander, in various venues since 2003, and it's a rich, deeply felt tour…
Playwright Joel Shatzky has given us little reason to care about Ludwig Zelman, a world-famous conductor, impossible husband and father, and the focus of "Atonement," his melodramatic play b…
No pun intended here: Billy the Mime excels at bringing the unspeakable to the stage in his new one-man show America LoveSexDeath at the Flea Theater.
Employing his febrile vibrato and strong fingering like the master he is, Ross romps intelligently through some of the most popular Sondheim ditties and some barely known. This is a breathta…
Mabou Mines has created an ambitious and at times soaring love letter to New York City's complex history.
The premise can't be called unoriginal: a song cycle about people who believe that people who self-mutilate are the luckiest people in the world. Those expecting an actual exploration of a m…
In its new Off-Broadway incarnation, last year's Fringe Festival hit "Walmartopia" hopes to achieve a "Urinetown"-like success, but this convoluted musical will have a difficult time attract…
Tossing back her trademark golden ringlets, Small exudes an eagerness to please; her program of chosen songs, however, does this only some of the time.
Though Porter is cheerful enough in this show devoted to the songs of his idol, Nat King Cole, his patter is desultory, and his juggling what seem to be frayed lyric sheets isn't reassuring …
In director Jason Denuszek's punk interpretation of Romeo and Juliet, Shakespeare's tragic lovers -- clad in leather, Doc Martens, and fishnets -- spout his famous lines in between thrash gu…
If it weren't for the enthusiasm of the ensemble, this Czechoslovak-American Marionette Theatre production would be a tired interpretation of the Faust story -- even with the beautifully ren…
In this one-man show, it's a shame that author-performer David Rhodes is so earnestly playing tragedy while a tragic clown is imprisoned inside him.