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6,591 stories from Stage and Cinema

Chicago Theater Review: MY FAIR LADY (Lyric Opera) by Barnaby Hughes

STILL THE FAIREST OF THEM ALL This reviewer has a confession to make: I don’t particularly like musicals. I'll happily laugh at the jokes and delight in the dancing, but the styl…

SOURCE: Stage and Cinema at 2:19am on May 2, 2017

Chicago Theater Review: THE LIAR (Promethean Theatre Ensemble at Athenaeum Theatre) by Lawrence Bommer

PUNCTURING PREVARICATIONS We've seen a lot of lying lately"enough to make Pierre Corneille's 1644 comedy The Liar cruelly contemporary. An uncharacteristic farce from a famously tragic drama…

SOURCE: Stage and Cinema at 1:35pm on April 30, 2017

Los Angeles Theater Review: WEST SIDE STORY (La Mirada Theatre for the Performing Arts) by Frank Arthur

A SUBURBAN WEST SIDE STORY Sadly, hate conquers all in West Side Story, but the love we see and feel can hold its own. Though over a half-century old, the Bernstein/Laurents/Sondheim/Robbins…

SOURCE: Stage and Cinema at 10:01pm on April 28, 2017

Los Angeles Music Preview: THE BEST OF WAGNER'S RING (LA Phil at Disney Hall) by Tony Frankel

PHILLIPE JORDAN, LORD OF THE RING Little more than 200 years since the birth of Wagner, and the world still can't get enough of the German composer. Love him or hate him, he is one of the mo…

SOURCE: Stage and Cinema at 7:09pm on April 27, 2017

Chicago Dance Review: GLOBAL VISIONARIES (Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

THINK GLOBALLY, DANCE LOCALLY Leaps of faith meet jumps for joy. Closing its 2016-2017 season with a bold new offering by Alexander Ekman, Global Visionaries is a salute to the future and th…

SOURCE: Stage and Cinema at 2:48pm on April 27, 2017

Chicago Theater Review: NOT ABOUT NIGHTINGALES (Raven Theatre) by Lawrence Bommer

BEFORE ANY GLASS MENAGERIE, A PRISON SWEATBOX It's not the "odor of mendacity" that wafts through this Tennessee Williams play"it's more like the whiff of tear gas. The "kindness of stranger…

SOURCE: Stage and Cinema at 1:49pm on April 26, 2017

Opera Review: THE PERFECT AMERICAN (Chicago Opera Theater at the Harris Theater) by Barnaby Hughes

PERFECT IMPERFECTIONS Growing up on a steady diet of animated and live-action Disney films and in the shadow of the Disneyland theme park in Anaheim, which I visited every year until I was 1…

SOURCE: Stage and Cinema at 5:57pm on April 25, 2017

Chicago Theater Review: 3C (A Red Orchid) by Lawrence Bommer

DISCO DESPAIR Now festering at Chicago's A Red Orchid Theatre, 3C, David Adjmi's 90-minute one-act, is perversely perky, as zany as a zombie. With rapid-fire non-sequiturs and six crazy/need…

SOURCE: Stage and Cinema at 3:13pm on April 25, 2017

Los Angeles Concert Feature: IDOLS & ICONS (The 33rd [and final] S.T.A.G.E. at Saban Theatre) by Tony Frankel

COME SALUTE THE END OF AN ERA It’s a bit surreal, but the the theater community’s longest-running AIDS-related benefit is having its final fundraiser on Saturday May 13, 2017. Th…

SOURCE: Stage and Cinema at 3:47am on April 25, 2017

Chicago Theater Review: SHAKESPEARE IN LOVE (Chicago Shakespeare) by Lawrence Bommer

HAPPY HOAX OR LITERARY LARCENY? Can we really separate a creator from his art? Can our sense of Shakespeare feel more real to us than his characters do? These aren't rhetorical questions: A …

SOURCE: Stage and Cinema at 4:32pm on April 24, 2017

Chicago Theater Review: QUEEN (Victory Gardens) by Lawrence Bommer

HIVE AGAINST HIVE Bees, it seems, are humming their last. In the future,honey could well be synthetic. Appropriately debuting on Earth Day weekend, this world premiere from Chicago's Victory…

SOURCE: Stage and Cinema at 1:58pm on April 22, 2017

Theater Review: ALADDIN (North American Tour) by Lawrence Bommer

A WHOLE NEW WORLD FROM BROADWAY: A MUSICAL THAT TRULY SOARS "Open sesame" indeed! It’s "Abracadabra" times ten as the arrival of Aladdin in Chi-town feels as triumphant as Prince Ali's…

SOURCE: Stage and Cinema at 3:21pm on April 20, 2017

Chicago Theater Review: MARRY ME A LITTLE (Porchlight Music Theatre at Stage 773) by Lawrence Bommer

SONDHEIM'S CARE PACKAGE FOR LOST LOVERS In a melodically and lyrically mediocre time like, for instance, 2017, even lesser songs by Stephen Sondheim beat half the musicals at large. In 1981 …

SOURCE: Stage and Cinema at 2:30pm on April 19, 2017

Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at the Kirk Douglas Theatre) by Jason Rohrer

THE LOVE CONTINUES [Editor's Note: To celebrate the work being done on intimate stages in Los Angeles, the Center Theatre Group (CTG) is producing Block Party at the Kirk Douglas Theatre. CT…

SOURCE: Stage and Cinema at 2:58am on April 17, 2017

Theater Feature: BRIDGE TO AFRICA! (B.R.I.D.G.E. Theatre Project in Kigali, Rwanda) by Jason Rohrer

BRIDGE TO SOMEWHERE I once picked up a hitchhiker a half-mile from a state prison. It was dusk. He wore prison blues and carried a child’s backpack full of knives, cigarette lighters a…

SOURCE: Stage and Cinema at 2:35am on April 15, 2017

Los Angeles Music Review MARTHA ARGERICH & STEPHEN KOVACEVICH (Recital at Disney Hall) by Tony Frankel

PRIMO AND PRIMO A strange thing happened on the way to the duo piano recital of the once-married pianists Martha Argerich and Stephen Kovacevich at Disney hall last Saturday. A few minutes b…

SOURCE: Stage and Cinema at 4:04am on April 14, 2017

Chicago Theater Review: BORN YESTERDAY (Remy Bumppo at Greenhouse Theater Center) by Lawrence Bommer

"IT'S A FREE COUNTRY!" It's one of the seven wonders of the American theater: Few sights on stage are as magical as watching Billie Dawn wise up. This dumb-as-a-rock good-time girl slowly wa…

SOURCE: Stage and Cinema at 4:40pm on April 13, 2017

Chicago Theater Review: KING OF THE YEES (Goodman) by Lawrence Bommer

AN IDENTITY QUEST COMES UP EMPTY As the cops say, "Nothing to see here, folks. Move right along." Or, as Gertrude Stein said of Oakland, there is no "there there." Both cautions apply to Goo…

SOURCE: Stage and Cinema at 7:57pm on April 12, 2017

Chicago Theater Review: FOR PETER PAN ON HER 70TH BIRTHDAY (Shattered Globe Theatre) by Lawrence Bommer

DEATH BY ANECDOTE A playwright dredges up her past at her peril. As with Goodman Theatre's current confusion King of the Yees, Sarah Ruhl's For Peter Pan on Her 70th Birthday is a very…

SOURCE: Stage and Cinema at 2:50pm on April 12, 2017

Los Angeles Theater Review: THE ENCOUNTER (Complicite at The Wallis in Beverly Hills) by Tony Frankel

THEATER ON TAPE Once the mainstay of fringe festivals and performance art houses, one-person plays showcasing the likes of James Whitmore and Lily Tomlin became financially viable in the lat…

SOURCE: Stage and Cinema at 2:59am on April 11, 2017

Los Angeles Theater Preview: GROUNDLINGS SLEEPAWAY CAMP (The Groundlings Theatre) by Tony Frankel

IT’S TIME FOR S’MORE GROUNDLINGS Who doesn’t love sitting around a campfire scaring the crap outta some brat? Who doesn’t love canoe trips down a rocky brook? Who …

SOURCE: Stage and Cinema at 7:45pm on April 10, 2017

Los Angeles Theater Preview: APOCALYPSE PLAY (Moving Arts at Atwater Village Theatre) by Frank Arthur

FINAL WEEKEND FOR THE END OF THE WORLD If you think the end of the world is scary, how about the end of a run of a terrific new play and you missed it? The Ovation-recommended Apocalypse Pla…

SOURCE: Stage and Cinema at 6:27pm on April 10, 2017

Los Angeles Theater Review: MAN OF LA MANCHA (A Noise Within in Pasadena) by Dale Reynolds

A MAN FOR ALL SEASONS As a part of A Noise Within's 25th Season, co-Artistic Director Julia Rodriguez-Elliott helms an extraordinary production of this 1964 hit musical, Man of La Mancha, ad…

SOURCE: Stage and Cinema at 3:11am on April 10, 2017

Chicago Theater Review: LINDA VISTA (Steppenwolf) by Lawrence Bommer

FINDING FOCUS Linda Vista is billed as "an adult comedy about immature behavior." Surprisingly tender, Tracy Letts' Steppenwolf stunner examines one man's mid-life crisis from all sides and,…

SOURCE: Stage and Cinema at 6:57pm on April 9, 2017

San Diego Theater Review: FIRST DATE (San Diego Music Theatre at Horton Grand Theatre) by Milo Shapiro

A FIRST DATE THAT GOES WELL The device of having characters receive advice from a conscience or someone from their past is tried and true in musicals: They’re Playing Our Song‘…

SOURCE: Stage and Cinema at 4:35pm on April 9, 2017
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