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8,501 stories from Backstage

The Dining Room - Reviewed by SAM THIELMAN

Keen Company turns "The Dining Room" into a cleverly clinical study of feeling; both the characters' emotions and the audience's reactions are displayed without any accompanying quote marks …

SOURCE: Backstage at 5:58pm on May 25, 2015

A Global Dionysus in Napoli - Reviewed by CHRISTOPHER MURRAY

The presentation of Marcello Colasurdo as a sort of singing savior of the people wears thin even within the swift 50 minutes of this piece.

SOURCE: Backstage at 5:58pm on May 25, 2015

The Magnificent Cuckold - Reviewed by HARRY FORBES

Were this only a reading, it would be well worth seeing, as Belgian playwright Fernand Crommelynck's play is such a rarity. In a stylish, full-out production like this one, it's quite indisp…

SOURCE: Backstage at 5:58pm on May 25, 2015

Hamlet - Reviewed by RON COHEN

Clarity and immediacy are key virtues of Pearl Theatre Company's satisfyingly straightforward rendering of "Hamlet."

SOURCE: Backstage at 5:58pm on May 25, 2015

The Rockae - Reviewed by JERRY PORTWOOD

Euripedes' "The Bacchae" is a tragedy, but that fact comes as a complete surprise while watching "The Rockae," Prospect Theater Company's musical adaptation, because it's such a sexy good ti…

SOURCE: Backstage at 5:58pm on May 25, 2015

The Piper - Reviewed by NANCY ELLEN SHORE

With minor tweaking, this heartwarming show could go places.

SOURCE: Backstage at 5:58pm on May 25, 2015

The Brain From Planet X - Reviewed by DAVID SHEWARD

"Little Shop of Horrors," "Zombies From the Beyond," "Bat Boy," and "The Rocky Horror Show" all did it better.

SOURCE: Backstage at 5:58pm on May 25, 2015

Tully (in no particular order) - Reviewed by DAVID A. ROSENBERG

In juxtaposing Catullus' works with his exploits, "Tully (in no particular order)" obfuscates the actual poems themselves. Instead of letting us in on the struggles of creation, the writers …

SOURCE: Backstage at 5:58pm on May 25, 2015

The Boy in the Bathroom - Reviewed by ANDY PROPST

"The Boy in the Bathroom," a three-character chamber musical about 20-something David, who, suffering from OCD, has locked himself in the bathroom of his mother's home for a year, should be …

SOURCE: Backstage at 5:58pm on May 25, 2015

I See London, I See France - Reviewed by ANDY PROPST

There's much promise in this generally smart and amiable musical variation on "Sex and the City."

SOURCE: Backstage at 5:58pm on May 25, 2015

Unlock'd - Reviewed by CHRISTOPHER MURRAY

The uniformly fine cast makes every effort to imbue the material with passion and lighthearted joie de vivre, but their professionalism and zest can't overcome what is essentially a highly p…

SOURCE: Backstage at 5:58pm on May 25, 2015

Stoppard Goes Electric - Reviewed by JERRY PORTWOOD

These three 1960s teleplays don't match the brilliance of Tom Stoppard's later work.

SOURCE: Backstage at 5:58pm on May 25, 2015

Blind Mouth Singing - Reviewed by RON COHEN

Playwright Jorge Ignacio Cortiñas and director Rubén Polendo combine to create a piece of beguiling if somewhat baffling theatre in Cortiñas' fablelike drama.

SOURCE: Backstage at 5:58pm on May 25, 2015

Scarcity - Reviewed by PAUL MENARD

Lucy Thurber's explosive family drama about a brother and sister longing to escape poverty in small-town Massachusetts certainly is relevant. Unfortunately, it's also predictable.

SOURCE: Backstage at 5:58pm on May 25, 2015

Rock Doves - Reviewed by JERRY PORTWOOD

Playwright Marie Jones has great intentions, but they're smothered by the conventionality of her execution.

SOURCE: Backstage at 5:58pm on May 25, 2015

The Angle of the Sun - Reviewed by RON COHEN

Genuine and subtle in its feelings about the unexpected turns of life and the urge to create art, "The Angle of the Sun" is a finely wrought and superbly performed intimate musical. It's a w…

SOURCE: Backstage at 5:58pm on May 25, 2015

100 Saints You Should Know - Reviewed by SAM THIELMAN

Historically, religion and homosexuality have gone together like peanut butter and chives. Leave it to provocateur Kate Fodor to address the conflict between desire and belief in subtle and …

SOURCE: Backstage at 5:58pm on May 25, 2015

The Seagull - Reviewed by DAVID SHEWARD

Fortunately, Trevor Nunn and the Royal Shakespeare Company remember that Chekhov specified "The Seagull" is a comedy, and their production is as full of laughs as pathos.

SOURCE: Backstage at 5:58pm on May 25, 2015

Jonathan Whitton - Reviewed by DAVID FINKLE

Jonathan Whitton exudes talent and taste. He understands that songs exist to be acted and, furthermore, that show tunes written for dramatic situations frequently offer the richest acting op…

SOURCE: Backstage at 5:58pm on May 25, 2015

Margaret Garner - Reviewed by ANDY PROPST

Librettist Toni Morrison and composer Richard Danielpour occasionally linger on some of the piece's least dramatic moments. Still, this new opera is a snapshot of a haunting and haunted peri…

SOURCE: Backstage at 5:58pm on May 25, 2015

King Lear - Reviewed by DAVID SHEWARD

Trevor Nunn gives us a robust, lively rendering, injecting just enough humor to bring the sorrow into high relief. The show flies by despite its nearly four-hour running time, and Ian McKell…

SOURCE: Backstage at 5:58pm on May 25, 2015

No Place to Be Somebody - Reviewed by A.J. MELL

Director Woodie King, Jr. succeeds in keeping the energy high and the tone consistent throughout this revival of Charles Gordone's 1970 Pulitizer Prize-winning play.

SOURCE: Backstage at 5:58pm on May 25, 2015

Kiss of the Spider Woman - Reviewed by HARRY FORBES

Your grandma's "Kiss of the Spider Woman" this ain't. Perhaps a nonmusical version might have served the Vortex Theater Company's serious purposes better than this ambitious but enervating m…

SOURCE: Backstage at 5:58pm on May 25, 2015

Flags - Reviewed by PAUL MENARD

With President Bush's recent announcement of his plan to decrease American troop levels in Iraq, the timing of the East Coast premiere of Jane Martin's Flags becomes even more disturbingly a…

SOURCE: Backstage at 5:58pm on May 25, 2015

Trish, Hans, and Phil, reviewed by David Finkle

The voices of Seattle visitors Trish, Hans, and Phil are a perfect blend. When the three harmonize, the sounds they make are enough to soothe the savage breast in just about anyone.

SOURCE: Backstage at 5:58pm on May 25, 2015
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