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Despite the excitement, the life of a young Broadway star can be grueling.
Frank Langella is in no mood to be messed with right now.
Even with Langella gloriously emoting on the American Airlines stage, Roundabout's "A Man for All Seasons" can't quite shake a sermonlike feeling.
Playwright Stephen Belber has a knack for making male banter sound real even while his plot veers into improbability while attempting to keep the audience off-balance.
The best thing about Weller's play is that it offers no easy answers for making a relationship work.
When I was a kid, I never understood why my older sister got so giddy whenever we saw this middle-aged guy in tight jeans and a white T-shirt zipping around town on a bright blue motorcycle.
It was only Paul Newman. So what?
Director Thea Sharrock, taking a cue from the original staging, has given the play a compelling, arenalike flavor.
Haven't we been here before? And in much better crafted company?
"The First Breeze of Summer," a powerful drama written in 1975 by Leslie Lee, is nearly as relevant today as it was three decades ago.
The Public Theater's Central Park production of "Hair" is the most exuberant, middle-aged musical around.
That's not to say it's the most coherent.
There's no need to travel all the way to Florida to see dinner theater. Instead, Florida dinner theater has come to off-Broadway's New World Stages, in the form of "Flamingo Court: A Comedy …
If you thought Marissa Jaret Winokur was bubbly and cheerful before...
And while the cast is game, director Gordon Edelstein's slack revival moves slowly as the considerable foibles of these folks are revealed.
Tom Cavanagh is the kind of guy who holds doors open for strangers.
