PERVASIVE DEBAUCHERY
Simon Godwin puts some new touches on some old revelry.
Simon Godwin puts some new touches on some old revelry.
Sam Gold’s staging is unique, eloquent and at times very funny.
The groundbreaking 1990 musical humanizes the troubled souls who try to change history with a gun.
The Trump administration inspires another production that imagines how grim our future could become.
Though the performances are superb, this production sacrifices the storytelling and score for the sake of a gimmick.
Drawing parallels with Trump, this stylish production says as much about the public as it does about the president.
The Tony Awards were a less than glittering night for Broadway.
Jeffrey Hatcher presents awildly pleasing adaptation of a play that was long overdue for a revival.
A little-known prequel to D-Day is brought to light in this high-spirited tragicomedy.
Mint Theater Company takes another forgotten drama out of the drawer.
Sondheim’s glorious score rings out in this intimate, immersive staging.
Dear Evan Hansen, Come From Away, and A Doll’s House, Part Two were the standouts on Broadway this season.
Laura Linney and Cynthia Nixon alternate lead roles in this sturdy revival.
Lucas Hnath picks up where Henrik Ibsen left off in 1879.
Bette Midler is every bit as superb as you’ve heard.
Bette Midler has fans enraptured from beginning to end.
The tender, fanciful story is turned into a complete train wreck.
Paula Vogel s poignant play explores the history of the controversial 1923 melodrama God of Vengeance .
A talented cast and great production value make this musical fun for kids and adults alike.
Despite its two-dimensional characters, this is an old-fashioned musical with crowd-pleasing numbers.
A fine cast is given too little to do in Annie Baker s slow-moving play.
The tone of this musical adaption is gratingly cartoonish, replacing the dry whimsy of the movie with overwrought clownishness.
Bobby Cannavale gives an electric performance in a play that hasn t lost relevance in 100 years.
The colorful, quirky movie loses its magic on the way to the stage.
19th-century English literature gets a fresh new spin.