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3,478 stories from The Arts Desk

The Divine Mrs S, Hampstead Theatre review - Rachael Stirling shines in hit-and-miss comedy by Tom Birchenough

Awkward mix of knockabout laughs, heartfelt tribute and feminist messaging never quite settles There are genres of theatre that demand buy-in from the audience " musicals, opera and the…

SOURCE: The Arts Desk at 2:12pm on April 1, 2024[SHARE]

The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with love by Demetrios Matheou

Greg Hicks shines as Dostoevsky's defiantly optimistic dreamer Like all great literature, Fyodor Dostoevsky's final, eccentric, playfully wondrous short story seems to have been written just…

SOURCE: The Arts Desk at 7:18am on March 29, 2024[SHARE]

MJ The Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void inside by Helen Hawkins

It's a great song and dance evening, but the story is an empty one In a secret chamber somewhere, the producers of MJ the Musical may be keeping a portrait of the King of Pop that has ac…

SOURCE: The Arts Desk at 6:12am on March 29, 2024[SHARE]

First Person: author-turned-actor Lydia Higman on a play that foregrounds a slice of forgotten history by Lydia Higman

'Gunter' co-creator and historian connects a 1604 witch hit to the world today I first read Anne Gunter's story about five years ago, when I was in my first year of university at Oxford, lit…

SOURCE: The Arts Desk at 6:22am on March 28, 2024[SHARE]

Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemen by Gary Naylor

★★★★ FOAM, FINBOROUGH THEATRE Skinhead finds his feet (in a pair of DMs) then leads double life as street thug and gay cruiser Infamous neo-Nazi brought to life in co…

SOURCE: The Arts Desk at 10:18pm on March 27, 2024[SHARE]

First person: playwright Paul Grellong on keeping pace with American politics by Paul Grellong

The author of 'Power of Sail' sets the scene for his play's UK premiere I'm writing this in the lobby of the Menier Chocolate Factory a couple of hours before the first preview. I was last …

SOURCE: The Arts Desk at 4:44am on March 27, 2024[SHARE]

Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic again by Helen Hawkins

Director Rachel O'Riordan finds lighter moments in a tale of grief Brian Friel's Faith Healer isn't noted for its laughs, but Rachel O'Riordan has found more than most directors do in this …

SOURCE: The Arts Desk at 8:48am on March 22, 2024[SHARE]

Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer by Heather Neill

Focused on young life in south London, this hit is as energetic and joyful as ever The reviews of Tyrell Williams' debut play on its first and second outings at the Bush Theatre were univer…

SOURCE: The Arts Desk at 10:48pm on March 21, 2024[SHARE]

WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else by David Nice

THISISPOPBABY serves up a joyous tapestry of Ireland contemporary and traditional In what feels like the beginning, or at least the Old Testament, there was Riverdance. Now, ready to flow th…

SOURCE: The Arts Desk at 9:48am on March 21, 2024[SHARE]

Harry Clarke, Ambassadors Theatre review - an entertaining curio by Demetrios Matheou

Billy Crudup essays multiple characters as a fake Englishman abroad Is it just coincidence, or something about the post-Covid theatrical landscape, that one-person shows are becoming commonp…

SOURCE: The Arts Desk at 7:06am on March 14, 2024[SHARE]

Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice by Matt Wolf

Trevor Nunn, age 84, makes a blinding return to form "We all live here in peace and friendship," notes Telegin (David Ahmad), otherwise known as Waffles, early in Uncle Vanya, to which one …

SOURCE: The Arts Desk at 2:18am on March 11, 2024[SHARE]

For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Garrick Theatre review - exhilarating, moving show makes West End return by Jane Edwardes

Ryan Calais Cameron brilliantly uses storytelling, music and verse When For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy first moved to the West End in 2023, it felt…

SOURCE: The Arts Desk at 6:54am on March 9, 2024[SHARE]

The Lonely Londoners, Jermyn Street Theatre review - evocative portrait of the migrant experience by Saskia Baron

Roy Williams and Ebenezer Bamgboye skilfully bring Sam Selvon's novel to the stage Sam Selvon's 1956 novel about a flotilla of Caribbean migrants who came to London filled with expectations …

SOURCE: The Arts Desk at 5:54am on March 7, 2024[SHARE]

The Duchess of Malfi, Sam Wanamaker Playhouse review - the good end badly, but act best by David Nice

Francesca Mills' protagonist is the vivacious, truthful heart of this fascinating production "All discord without this circumference," the Duchess of Malfi tells the good man she's just aske…

SOURCE: The Arts Desk at 7:32am on March 4, 2024[SHARE]

Standing at the Sky's Edge, Gillian Lynne Theatre review - heartwarming Sheffield musical arrives in the West End by Jane Edwardes

Olivier Award-winning musical offers a celebration of community and a stirring exploration of a brutalist building's history Can there be anyone from Sheffield who has not seen Standing at t…

SOURCE: The Arts Desk at 9:12am on March 1, 2024[SHARE]

Cruel Intentions, The Other Palace review - Uneasy vibes, but hit tunes and sparkling staging makes a super show by Gary Naylor

★★★ CRUEL INTENTIONS, THE OTHER PALACE Bad people do bad things, but bangers from Britney and co save the day  Jukebox musical gets toes tapping, even if the thrill of t…

SOURCE: The Arts Desk at 10:12pm on February 29, 2024[SHARE]

The Human Body, Donmar Warehouse review - Keeley Hawes and Jack Davenport excel in an intriguing staging by Helen Hawkins

Lucy Kirkwood's latest mixes the birth of the NHS with a Brief Encounter-ish romance Keeley Hawes onstage is something to look forward to, so rare are her appearances there. In Lucy Kirkwo…

SOURCE: The Arts Desk at 6:02am on February 29, 2024[SHARE]

Nachtland, Young Vic review - German black comedy brings uneasy humour and discomfiting relevance by Gary Naylor

★★★ NACHTLAND, YOUNG VIC Patrick Marber directs flawed but fascinating disquisition on the past's relevance to the present in art, politics and morality Something to laugh …

SOURCE: The Arts Desk at 9:02pm on February 28, 2024[SHARE]

Cable Street, Southwark Playhouse review - engaging new musical in an impressive staging by Helen Hawkins

The rise of fascism in the 1930s East End is given a human face Hot on the heels of Brigid Larmour's updating of The Merchant of Venice to the East End in 1936, a spirited new musical acr…

SOURCE: The Arts Desk at 5:48am on February 28, 2024[SHARE]

Out of Season, Hampstead Theatre review - banter as bullying by Aleks.sierz

New comedy about masculinity and music is predictable and clumsy One island off the coast of Spain has more cultural oomph than all the rest put together. I'm talking about Ibiza, the sun-s…

SOURCE: The Arts Desk at 2:36pm on February 27, 2024[SHARE]

Shifters, Bush Theatre review " love will tear us apart again by Aleks.sierz

New play about love and memory is exquisitely written and beautifully acted For the past ten years, Black-British playwrights have been in the vanguard of innovation in the form and content …

SOURCE: The Arts Desk at 2:36pm on February 26, 2024[SHARE]

The Merchant of Venice 1936, Criterion Theatre review - radical revamp with a passionate agenda by Helen Hawkins

Tracy-Ann Oberman turns Shylock into a heroic Jewish anti-fascist It's an unhappy time to be staging Shakespeare's problematic play, given its antisemitic content, so hats off to adaptor-dir…

SOURCE: The Arts Desk at 7:48pm on February 25, 2024[SHARE]

The Big Life, Stratford East review - big-hearted musical brings the joy and honours the past by Gary Naylor

Revived 20 years on, this Windrush musical lands differently, but is still wonderfully entertaining Is there a healthier sound than that of laughter ringing round a theatre?  There are p…

SOURCE: The Arts Desk at 10:02pm on February 23, 2024[SHARE]

Hir, Park Theatre review - incendiary production for Taylor Mac's rich absurdist family drama by Helen Hawkins

Felicity Huffman, heading a superb cast, is a force of nature In 2017, two years after Hir premiered, Taylor Mac was awarded a "Genius Grant" and nominated for a Pulitzer Prize for drama. Th…

SOURCE: The Arts Desk at 4:24am on February 23, 2024[SHARE]

Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provokin by Gary Naylor

'We don't use the word slave round here' - 21st century tourism skewered You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place's being can invade …

SOURCE: The Arts Desk at 10:03pm on February 22, 2024[SHARE]
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