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1,091 stories from Show Showdown

Love, Love, Love by Wendy Caster

This is not a review. I saw the first preview of Love, Love, Love, and a review wouldn't be appropriate. However, the show is already in excellent shape, and quite interesting, and completel…

SOURCE: Show Showdown at 2:30pm on September 23, 2016

Blossom by Wendy Caster

James Blossom is a hero--over and over again. He defuses a Nazi nuke miles under the sea and "is given a ticker tape parade and his face on the five dollar bill." He saves the life of the Se…

SOURCE: Show Showdown at 11:13pm on September 12, 2016

Small Mouth Sounds by Wendy Caster

Six people assemble for a spiritual retreat with varying levels of comfort and enthusiasm: an ultra-limber, ultra-sexy yoga instructor; a lesbian couple, affectionate but annoyed with each o…

SOURCE: Show Showdown at 9:31pm on September 8, 2016

The Same RIver Twice: Art Times Essay by Wendy Caster

My latest Art Times essay is up:The Greek philosopher Heraclitus believed that you can never step into the same river twice because the water is ever-flowing"and also you have chan…

SOURCE: Show Showdown at 6:40pm on August 30, 2016

The Tony Awards: 1970 to 1974 by Wendy Caster

Some friends and I are working our way through past Tony Award shows, and it's been a surprising journey in many ways. This past week, we watched 1970 through 1974. The Tony gestalt has chan…

SOURCE: Show Showdown at 12:16am on August 29, 2016

Small Mouth Sounds and Men on Boats by Elizabeth Wollman

Small Mouth Sounds, a play by Bess Wohl currently being restaged at the Signature Theater after an initial run at Ars Nova last year, is sweet and diverting, if not as deft or probing as it …

SOURCE: Show Showdown at 4:14pm on August 3, 2016

When Less is More: The 90-Minute Play by Wendy Caster

My latest essay is up at Art Times:What accounts for the rise of the intermissionless 90-minute play? A prevalent theory points to the shrinking attention spans of a population inundated 24/…

SOURCE: Show Showdown at 10:48pm on July 18, 2016

Privacy by Wendy Caster

It's almost impossible to discuss James Graham's new play Privacy without saying too much. So here's what I will say:Privacy is a frequently entertaining, sometimes horrifying exam…

SOURCE: Show Showdown at 10:32pm on July 17, 2016

Hadestown by Elizabeth Wollman

Have you ever not completely connected with a show when you first sat through it, only to fall head over heels in love with it in retrospect? It's happened to me on only a few occasions that…

SOURCE: Show Showdown at 8:30pm on July 10, 2016

Why Do Spoilers Suck? Because Art Is Always New by Wendy Caster

My latest essay is up at Art Times. Here's a taste.A recent cover of Entertainment Weekly achieved a new low in spoilers. It blared out a big, juicy piece of information about a po…

SOURCE: Show Showdown at 12:03am on July 1, 2016

Aladdin and Long Day's Journey Into Night: A Comparison by Elizabeth Wollman

It's not atypical for me to see more than one play or musical over the course of the week, but it is rare that I see two shows back-to-back that are as different as Long Day's Journey Into N…

SOURCE: Show Showdown at 6:07pm on June 30, 2016

How'd We Do? Show Showdown Tony Predictions Wrap-Up 2016 by Wendy Caster

Our correct predictions are highlighted. Wendy Sandra Cameron Liz Best play: The Humans The Humans The Humans The Humans King Charles III Best musica…

SOURCE: Show Showdown at 1:16am on June 15, 2016

The Color Purple by Wendy Caster

The Color Purple has been well-reviewed all over the place, and I generally agree that it is a strong production of a moving show. But I have a serious ax to grind.In Alice Walker's nov…

SOURCE: Show Showdown at 5:37pm on June 9, 2016

Show Showdown's Tony Picks (Not All of Which Are "Hamilton") by Elizabeth Wollman

If you are a reader of this blog, then we probably don't have to tell you that early June means the annual Tony awards. Even if you are not a reader of this blog, we also probably don't have…

SOURCE: Show Showdown at 10:16am on June 7, 2016

Universal Robots by Wendy Caster

Stephen Hawking: The real risk with AI isn't malice but competence. A superintelligent AI will be extremely good at accomplishing its goals, and if those goals aren't aligned with ours, we'r…

SOURCE: Show Showdown at 4:04am on June 7, 2016

Rizing by Wendy Caster

The setting is familiar: a 12-step-program-type support group. A woman stands, says, "Hello, my name is Mica, and I'm Z-positive," and everyone else says, "Hi, Mica." Does "Z-positive" perha…

SOURCE: Show Showdown at 9:19pm on June 4, 2016

Random roundup: The Father, Turn Me Loose, The Crucible by Elizabeth Wollman

The Father, Florian Zeller's very good play (in very good translation by Christopher Hampton) is worth seeing both for the tricks it plays on the audience and for Frank Langella's rivet…

SOURCE: Show Showdown at 1:45am on May 31, 2016

Shuffle Along by Elizabeth Wollman

The...um....reconception? reconstruction? reconsideration?...of the 1921 hit show Shuffle Along, currently at the Music Box Theater (which, by the way, also opened in 1921), has some of the …

SOURCE: Show Showdown at 8:38pm on May 14, 2016

The School for Scandal by Wendy Caster

Same as it ever was, same as it ever was.Richard Brinsley Sheridan's The School For Scandal, first performed in 1777, reveals that humans have changed little over the centuries, clothing and…

SOURCE: Show Showdown at 11:31pm on May 4, 2016

What I Did Last Summer (And Fall and Winter and Spring) by Elizabeth Wollman

From April 2015 to March 2016, I served as a judge on the Lortel Awards, which recognize excellence in the Off Broadway theater. The term was a little daunting--I was told to expect (and ult…

SOURCE: Show Showdown at 5:48pm on May 4, 2016

Dido and Aeneas by Wendy Caster

There's good news, and bad news, and good news again. The good news is that the Master Voices (formerly The Collegiate Chorale) production of Dido and Aeneas was lovely. The bad news is that…

SOURCE: Show Showdown at 10:34pm on April 30, 2016

Echoes by Wendy Caster

The earnest and well-acted Echoes takes place in two times and places: Victorian England and Afghanistan, and present-day England and Syria. In both situations, a young woman has&n…

SOURCE: Show Showdown at 9:22pm on April 26, 2016

Taming of the Shrew by Sandra Mardenfeld

There must be something in the water ... at least, in Padua. The first of two productions of The Taming of the Shrew featuring an all-female cast opened on April 16 at the Wild Pro…

SOURCE: Show Showdown at 2:01pm on April 21, 2016

Spring roundup: Head of Passes, Bright Star, The Color Purple, Kvelertak by Elizabeth Wollman

 It's been a hellishly busy couple of weeks, but I've managed to see a few shows nonetheless. In the interest of time, I'll spare you my typically long-winded reviews in favor of terser…

SOURCE: Show Showdown at 5:48pm on April 15, 2016

The Tricky Limits of Color-Blind and Gender-Blind Casting by Wendy Caster

From Art Times:Once upon a time, boys played the women's roles in Shakespeare's plays. Once upon a different time, Al Jolson and Eddie Cantor performed in blackface to great acclaim, and som…

SOURCE: Show Showdown at 8:58pm on April 5, 2016
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