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6,591 stories from Stage and Cinema

Chicago Theater Review: LONDON ASSURANCE (City Lit at Edgewater Presbyterian Church) by Lawrence Bommer

REST ASSURED: THE LIES LOVE LIVES ON You can't keep a good comedy down. Wildly popular in its time, Dion Boucicault's 1841 London Assurance is a mating romp that, inexplicably, has not been …

SOURCE: Stage and Cinema at 1:21pm on June 24, 2017

Los Angeles Theater Review: DOG SEES GOD: CONFESSIONS OF A TEENAGE BLOCKHEAD (Worst First Kiss Productions at the McCadden Place Theatre) by Tony Frankel

A VERY GOOD GRIEF This funny but disturbing update of Charles M. Schultz’s Peanuts comic strip first arrived at the Blank Theatre, after which Worst First Kiss Productions wisely ut…

SOURCE: Stage and Cinema at 3:41pm on June 22, 2017

Chicago Theater Review: LATE COMPANY (Cor Theater) by Lawrence Bommer

IT GETS WORSE TOO Teenage suicide due to cyberbullying deserves its storytelling: In just 70 minutes, Canadian playwright Jordan Tannahill’s Late Company seems to cover the bases…

SOURCE: Stage and Cinema at 2:57pm on June 21, 2017

Chicago Theater Review: JACQUES BREL'S LONESOME LOSERS OF THE NIGHT (Theo Ubique Cabaret Theatre) by Lawrence Bommer

SONGS FROM THE BOTTOM OF A BOTTLE Theo Ubique Cabaret Theatre really loves the sad songs of Jacques Brel. First came A Jacques Brel Revue: Songs of War and Love in 2005. Three years later th…

SOURCE: Stage and Cinema at 2:18pm on June 19, 2017

San Diego Theater Review: WITHERING HEIGHTS (The Roustabouts at Diversionary Theatre) by Milo Shapiro

HOW’S THE WITHER? (JUST IN CASE YOU WERE WUTHERING…) A complicated nineteenth-century story of love and retaliation, featuring 13 characters, could be tough to pull off …

SOURCE: Stage and Cinema at 4:31am on June 19, 2017

Los Angeles Theater Review: IN THE VALLEY OF THE SHADOW (Rogue Machine at the Met Theatre) by Dale Reynolds

A BRUTAL TRUE-LIFE EVENT IS THE BASIS FOR POWERFUL THEATER Katharine Cortez' 80-minute take on the after-effects of the brutal slaying of 49 people at the LGBT dance-bar, PULSE, a year ag…

SOURCE: Stage and Cinema at 3:43pm on June 18, 2017

Chicago Theater Review: MOBY DICK (remount at Lookingglass Theatre Company) by Lawrence Bommer

THE WHITE WHALE RETURNS! You can't keep a good cetacean down. Buoyed by the success of their 2015 inaugural production and national tour, Lookingglass Theatre Company (in association with Th…

SOURCE: Stage and Cinema at 3:20pm on June 18, 2017

San Diego Theater Review: THE SPITFIRE GRILL (North Coast Repertory Theatre in Solana Beach) by Tony Frankel

GRILLED TO PERFECTION North Coast Rep's rendition of James Valcq and Fred Alley's simple musical The Spitfire Grill demonstrates two things: the redemptive power of acceptance, forgiveness a…

SOURCE: Stage and Cinema at 4:03pm on June 17, 2017

Los Angeles Theater Review: CONSTELLATIONS (Geffen Playhouse in Westwood) by Samuel Bernstein

PARALLEL UNIVERSES AND THE PHYSICS OF LOVE I have a brother-in-law who is a mathematician and a brother who's an astrophysicist. Both have tried to explain to me what they do, with little su…

SOURCE: Stage and Cinema at 6:08pm on June 16, 2017

Los Angeles Theater Review: A SOLDIER'S PLAY (Sacred Fools Theater) by Tony Frankel

THE WAR WITHIN THE WAR As sturdily written and swiftly moving as it was in 1982, Charles Fuller's A Soldier's Play remains an enduring testament to the home front battles that African-Americ…

SOURCE: Stage and Cinema at 5:05pm on June 16, 2017

Chicago Theater Review: BETTE DAVIS AIN'T FOR SISSIES (Athenaeum Theatre) by Lawrence Bommer

THE STAR WHO WAS A CONSTELLATION "Stardust" was the name for what made Bette Davis shine. With playwright Jessica Sherr's solo recreation of more than big eyes and flouncing cigarettes, t…

SOURCE: Stage and Cinema at 3:32pm on June 16, 2017

Los Angeles Theater Review: MYSTERY LIT: HOLMES, SHERLOCK, AND THE CONSULTING DETECTIVE (Santa Anita Train Depot) by Dale Reynolds

ELEMENTARY BUT AMUSING Unbound Productions takes original material and sets it in vaguely similar settings using carefully-chosen actors and company directors; the company has been produc…

SOURCE: Stage and Cinema at 7:30pm on June 15, 2017

Los Angeles Theater Review: THE PRIDE (The Wallis) by Samuel Bernstein

LOVING YOUR OPPRESSOR The audience is delighted when a character in Alexi Kaye Campbell's beautifully written play The Pride tells another, "Stop sucking the dick of your oppressor!" It's a …

SOURCE: Stage and Cinema at 6:26pm on June 15, 2017

Los Angeles Theater Review: THE INTERFERENCE (Rogue Machine at the Hollywood Fringe Festival) by Dale Reynolds

THERE’S NO INTERFERING WITH GREAT THEATER What an extraordinary piece of theater was this Hollywood Fringe entry from Pepperdine University in Malibu. The Interference confronts the di…

SOURCE: Stage and Cinema at 8:39pm on June 14, 2017

CD Review: CHARLIE AND THE CHOCOLATE FACTORY (Original Broadway Cast) by Tony Frankel

FREE WILLY Imagine if cast recordings from the fifties and sixties recorded out-of-town tryouts, then changed material, then recorded the Broadway production, then changed material, then …

SOURCE: Stage and Cinema at 3:53pm on June 14, 2017

Los Angeles Theater Review: FUCK TINDER: A LOVE STORY (Sacred Fools Theatre in Hollywood) by Tony Frankel

IT’S LIKE REAL LIFE, BUT BETTER About a decade ago, I was having a miserable time dating. The age of electronica was firmly in place, and chat rooms, lengthy bios, and requested cock s…

SOURCE: Stage and Cinema at 8:42pm on June 13, 2017

Los Angeles Cabaret Review: BLACK & WHITE IN PARIS: A CABARET MUSICAL (Stage 12 at Sunset Las Palmas Studios) by Tony Frankel

OOH-LA-LA Where am I? Is this a dream? Just when you thought cabaret in Los Angeles was on life support comes this bar of gold at the Hollywood Fringe. Do not miss this extravaganza of re…

SOURCE: Stage and Cinema at 9:08pm on June 12, 2017

Los Angeles Theater Review: ANDY: THE RED-NOSED WARHOLA (La-La Land Gallery) by Tony Frankel

THERE'S SOMETHING ABOUT A WARHOL If you thought Pop Artist Andy Warhol only referenced and defined mass culture and consumerism through replicated images of Campbell's soup cans and Marilyn …

SOURCE: Stage and Cinema at 2:18pm on June 12, 2017

Chicago Theater Review: PASS OVER (Steppenwolf) by Lawrence Bommer

PROVOCATION PLUS DISRUPTION" 2017 GETS ITS PLAY! Ever since artistic director Anna Shapiro took over Steppenwolf Theatre Company, the Chicago mecca hasn't been afraid to upset an audience. S…

SOURCE: Stage and Cinema at 6:58pm on June 11, 2017

Chicago Theater Review: NATIVE GARDENS (Victory Gardens Theater) by Lawrence Bommer

IS IT OK FOR PC TO FIGHT BS IN D.C. at the V.G.? (NOT WHEN IT'S TV…) There's a cable series on the Investigation Discovery channel called Fear Thy Neighbor: It recreates real-life tr…

SOURCE: Stage and Cinema at 1:14pm on June 10, 2017

Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (Season 39 Summer Series at the Harris) by Lawrence Bommer

DANCE BEGINS AT 40 For Hubbard Street Dance Chicago, it's time to take stock. This 100-minute evening does it all and well. It's as much a showcase for seven seminal choreographers (Lou Cont…

SOURCE: Stage and Cinema at 1:07pm on June 9, 2017

Los Angeles Theater Review: RED FLAGS (Capital W at the Hollywood Fringe Festival) by Tony Frankel

FLAGGED DOWN Who hasn’t walked away from some bad dates thinking, “Jesus, that was like being in a play.” Well, now Capital W — a theater company that offers uncon…

SOURCE: Stage and Cinema at 1:22am on June 7, 2017

San Diego Theater Review: DAMN YANKEES (San Diego Musical Theatre at Spreckels Theatre) by Milo Shapiro

DAMN, YANKEES DOESN’T HIT IT OUT OF THE PARK While many of Jerry Ross and Richard Adler’s songs from the 1955 Broadway classic hold up rather well, Douglass Wallop and George Abb…

SOURCE: Stage and Cinema at 3:52am on June 4, 2017

San Diego Theater Review: SHOCKHEADED PETER (Cygnet Theatre Company) by Milo Shapiro

WHAT A SHOCK In 1845, German psychiatrist Heinrich Hoffmann wrote a disturbing but popular children’s book featuring the perils of children who misbehave. A century and a half later…

SOURCE: Stage and Cinema at 1:49pm on June 3, 2017

Los Angeles Concert Preview: BROADWAY: THE GOLDEN AGE (Michael Feinstein, Liza Minnelli, Storm Large & the Pasadena POPS) by Tony Frankel

 MICHAEL FEINSTEIN! LIZA MINNELLI! STORM LARGE! JOEL GREY! BROADWAY! No one can argue that Michael Feinstein"charismatic, appealing, boyish, excited, and eager to please"has singlehandedl…

SOURCE: Stage and Cinema at 8:46pm on June 1, 2017
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