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6,591 stories from Stage and Cinema

Los Angeles Theater Review: BORN FOR THIS (The Broad Stage in Santa Monica) by Samuel Garza Bernstein

THE MIRACLE OF LOVE: WINANS STYLE BeBe Winans was on-hand to enjoy a triumphant opening night for his coming-of-age stage musical Born For This, that takes him and his sister CeCe from young…

SOURCE: Stage and Cinema at 3:51am on July 21, 2017

San Diego Theater Review: GUYS AND DOLLS (The Old Globe's Donald and Darlene Shiley Stage) by Tony Frankel

A FEW BLEMISHES CAN’T MAR THIS BEAUTIFUL DOLL It’s amazing. Were this masterpiece from Broadway’s golden age an actual guy or doll, he or she would be scoring Social Securi…

SOURCE: Stage and Cinema at 2:59am on July 21, 2017

London Theatre Preview: ANGELS IN AMERICA (National Theatre Live Screening) by Tony Frankel

ANGELS IN AMERICA APPROACHES In two sprawling works written in the 1980’s, Tony Kushner brought alive the American national scene of the 1980's and early 1990's, mixing raw naturalism …

SOURCE: Stage and Cinema at 9:34pm on July 19, 2017

San Diego Theater Review: AT THE OLD PLACE (La Jolla Playhouse) by Tony Frankel

OUT OF PLACE Well, that was pointless. Entertaining to a point, but pointless. I had a feeling about two minutes into At the Old Place that something was wrong dramatically. A woman shows up…

SOURCE: Stage and Cinema at 1:03pm on July 18, 2017

Los Angeles Theater Review: THE DEVIL'S WIFE (Skylight Theatre) by Dale Reynolds

A MARRIAGE MADE IN HELL Tom Jacobson's latest play, The Devil's Wife, is a droll take on old European tales regarding evil demons and feckless wives. Here, the Devil, in the guise of rich la…

SOURCE: Stage and Cinema at 10:55pm on July 16, 2017

Off-Broadway Theater Review: THE GOVERNMENT INSPECTOR (New World Stages) by Dmitry Zvonkov

UNDER INSPECTION Michael Urie pops and sparkles as Ivan Alexandreyevich Hlestakov, a foppish but penniless out-of-work clerk who gets mistaken for the Czar's inspector by the corrupt officia…

SOURCE: Stage and Cinema at 6:04pm on July 15, 2017

Chicago Theater Review: BEAUTY'S DAUGHTER (American Blues Theater) by Lawrence Bommer

BLUES WITHOUT NOTES It takes a play to raise a village. Here it's East Harlem, a killing field with 8 homeless shelters, 36 drug and alcohol treatment centers, and 37 mental health treatment…

SOURCE: Stage and Cinema at 12:13pm on July 14, 2017

Los Angeles/Regional Theater Preview: THE TEMPEST (Shakespeare Orange County in Garden Grove) by Tony Frankel

ENCHANTED FORGIVENESS Shakespeare Orange County (SOC) has used local community members alongside professional actors to reinvent Shakespeare as a way to offer thoughts about inclusiveness an…

SOURCE: Stage and Cinema at 2:18am on July 14, 2017

Theater Review: SOMETHING ROTTEN! (National Tour reviewed in Chicago) by Lawrence Bommer

SOMETHING SILLY; NOT QUITE ROTTEN BUT HARDLY FRESH What is it about William Shakespeare that inspires lesser authors (namely, everyone else) to try to take him down? George Bernard Shaw spen…

SOURCE: Stage and Cinema at 2:14pm on July 13, 2017

San Diego Theater Review: ANIMAL CRACKERS (Cygnet Theatre Company) by Milo Shapiro

A SWEET SAMPLING OF ANIMAL CRACKERS, ALBEIT A BIT DAY-OLD One can easily see why Animal Crackers was a Broadway hit from 1928-1929, followed by a successful movie version. Start with the zan…

SOURCE: Stage and Cinema at 1:52am on July 13, 2017

Los Angeles Theater, Music & Dance Preview: CULTURE CLASH'S OG SUMMER DESMADRE (John Anson Ford Amphitheatre in Hollywood) by Dale Reynolds

CURE YOUR POLITICAL HANGOVER WITH CULTURE CLASH Founded in 1984, L.A.'s very own veteran satirical Latino comedy troupe, "Culture Clash” (Herbert Siguenza, Ric Salinas and Richard Mont…

SOURCE: Stage and Cinema at 2:47am on July 12, 2017

Regional Theater Preview: THE GRAND TOUR (Pageant of the Masters in Laguna Beach) by Tony Frankel

TAKE A GRAND TOUR WITHOUT LEAVING YOUR SEAT Pageant of the Masters, now in its 83rd year, is a singularly unique entertainment that has perfected the art of tableaux vivants ("living p…

SOURCE: Stage and Cinema at 7:08pm on July 10, 2017

Broadway Theater Review: MARVIN'S ROOM (Roundabout) by Dmitry Zvonkov

ROOM TO GROW In a way Scott McPherson's Marvin's Room is a perfect play. It's like a well-ordered house, comfortable, professionally decorated, where everything works. The story is straightf…

SOURCE: Stage and Cinema at 8:18pm on July 9, 2017

Chicago Theater Review: HIR (Steppenwolf Theatre) by Lawrence Bommer

DOMESTIC DISRUPTION From the start, a classic curtained proscenium conceals the utter disorder that detonates on Steppenwolf Theatre's sprawling mainstage. Hir, now in a Chicago premiere,…

SOURCE: Stage and Cinema at 6:59pm on July 9, 2017

Los Angeles Theater Review: MARY POPPINS (Musical Theatre West in Long Beach) by Tony Frankel

MARY‘S POPPIN’ OUT ALL OVER Not just the quintessentially "practically perfect" nanny, Mary Poppins is a kind of cosmic cure. Given the state of our disunion, we probably need to…

SOURCE: Stage and Cinema at 4:36am on July 9, 2017

Los Angeles Theater Review: THE ANDREWS BROTHERS (Glendale Centre Theatre) by Samuel Bernstein

BOOGIE WOOGIE BUGLE GIRLS OF THE U.S.O. Deanna Durbin is all but forgotten now, but there was a time when her movie musicals were so popular, they were said to have literally saved Universal…

SOURCE: Stage and Cinema at 3:50am on July 9, 2017

Chicago Theater Review: THE NANCE (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

BIGOTRY AT THE BURLESQUE Some swan songs will never sound sweet. Take the fade-out of female impersonators in Elizabethan drama. Or the final white thespian to wear blackface. Or"well, witne…

SOURCE: Stage and Cinema at 1:48pm on July 7, 2017

Los Angeles Theater Review: THE CAKE (The Echo Theater Company in Atwater Village) by Tony Frankel

TRIPLE-LAYERED CAKE Thirty-something Jen (Shannon Lucio) is torn. She wants her deceased mother’s best friend, Della (Debra Jo Rupp), a talented but struggling baker, to create her …

SOURCE: Stage and Cinema at 4:52pm on July 6, 2017

Los Angeles Theater Review: JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS (Odyssey) by Samuel Bernstein

JACQUES IN THE BOX I think if I had been alive and living in New York in 1968, I would have been beguiled by Jacques Brel Is Alive and Well and Living in Paris. Eric Blau and Mort Shuman tra…

SOURCE: Stage and Cinema at 3:00pm on July 2, 2017

Los Angeles Theater Review: LETTERS FROM A NUT BY TED. L NANCY (Geffen Playhouse in Westwood) by Samuel Bernstein

MY SHOW, THE NUT Dear Mr. Ted L. Nancy: You are a funny letter writer. In fact, you are the best letter writer who reads his own letters in a show with an actress reading replies to his lett…

SOURCE: Stage and Cinema at 3:56am on June 30, 2017

Los Angeles Cabaret Review: HELLO, AGAIN! THE SONGS OF ALLAN SHERMAN (Linden Waddell at the Stephanie Feury Studio Theatre) by Tony Frankel

MY DAUGHTER, THE CABARET SINGER This year’s Hollywood Fringe Festival has given me new hope for the art of cabaret: Black and White in Paris offered standards dripping in style; Psy…

SOURCE: Stage and Cinema at 3:01am on June 28, 2017

San Diego Theater Review: AIDA (Moonlight Stage Productions in Vista) by Tony Frankel

AIDA GETS THE AID IT NEEDS There are two beautiful reincarnations with Moonlight's production of Aida, a 2000 Disney outing that never would have seen the light of day were it not for the ce…

SOURCE: Stage and Cinema at 2:59am on June 28, 2017

Chicago Theater Review: AH, WILDERNESS! (Goodman) by Lawrence Bommer

HAPPY DAY'S JOURNEY INTO LOVE It's a dramatic "one-off": The same Connecticut domicile supplies the site of two enormously different plays by the same author. If Eugene O'Neill imagined a da…

SOURCE: Stage and Cinema at 1:53pm on June 27, 2017

Broadway Theater Preview: FALSETTOS (Screening in movie theaters nationwide beginning July 12, 2017) by Frank Arthur

FALSETTOS ON THE BIG SCREEN FROM BROADWAY: EVEN UP CLOSE, THERE’S NOT A FALSE NOTE The musical masterpiece Falsettos follows Marvin, who struggles to create a tightknit family out o…

SOURCE: Stage and Cinema at 3:19am on June 26, 2017

Chicago Theater Review: JOHNNY JOHNSON (Chicago Folks Operetta) by Lawrence Bommer

A KURT WEILL COMEBACK Here's another triumph worth the wait. Recently revived, City Lit's London Assurance took 120 years to return"hilariously"to a Chicago stage. Even more inexplicably abs…

SOURCE: Stage and Cinema at 12:34pm on June 25, 2017
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