'Oliver!' stumbles but entertains with heart By Judith Newmark

Fagin: Beyond the stereotype By Judith Newmark

It never gave Bruce Adler a moment's pause.

Season's greetings By Judith Newmark

Other people may love old movie musicals as much as Paul Blake does. But how many share his faith in their future?

Where's the va va VOOM in this 'Gypsy'? By Judith Newmark

The Wizard of Oz (Muny)<br> Review By Judith Newmark

Full orchestra plays a lead role at the Muny By Judith Newmark

Prince of Broadway keeps producing lifetime achievements By Judith Newmark

Simone will reprise Broadway role at Muny By Judith Newmark

An award called Kevin Kline By Judith Newmark

St. Louis native reflects on lending his name to a local theatrical prize.

EDUCATION: The art of critical thinking By Steven Woolf

It's unlikely that school superintendent Mark Enderle intended it, but by halting Fulton High School's planned production of "The Crucible," the superintendent cast himself squarely into the…

Michael York: He and Will Shakespeare go way back By Judith Newmark

Kushner created 'Caroline' from his own story By Judith Newmark

Daddy Warbucks says he can 'only be as good as my Annie' By Calvin Wilson

"Wicked" star Kendra Kassebaum returns to St. Louis By Judith Newmark

Dave Kassebaum and Norbert Butz have known each other for a long time.

Albee's sollioquy By Judith Newmark

The prize-winning playwright shares his thoughts on drama, theater and the man in the White House.

This "Sound of Music" is a winner By GERRY KOWARSKY

Who could blame the capacity crowd at the Muny for being pleased with a production as strong as the one that opened Monday evening?

West Side Story<br> Review By Judith Newmark

Memo to Mame Dennis: Retire By Judith Newmark

Despite director Paul Blake's careful affection for the material, the show seems wilted - and not only because of the oppressive heat that plagued the opening night. The time for "Mame" has …

Singin' in the Rain<br> Review By Judith Newmark

At the Muny, director Lee Roy Reams lets the mercury rise to the top of the tube.

Muny lifts curtain on new top producer by Judith Newmark

Opera review: Lots of laughs in Opera Theatre's 'Barber of Seville,' but not much logic by Sarah Bryan Miller

The production is an absurdist update to Spain in the 20th century

After a career in paint, Anthony Kalil turned to opera by Sarah Bryan Miller

Talented tenor turned away from a corporate career.

'La Rondine': Beautiful Puccini in which nobody dies by Sarah Bryan Miller

It's one of OTSL music director Stephen Lord's favorite operas

Big Muddy flows on with new artistic director by Calvin Wilson

Dance company's upcoming show reflects leadership of Brian Enos.

Larger-than-life characters reveal human feelings in 'Antony and Cleopatra'

Shakespeare Festival St. Louis stages its 15th production in Forest Park.