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6,591 stories from Stage and Cinema

Chicago Theater Review: HIGH FIDELITY: AN OPERETTA FARCE (ColorBox Theatre at Royal George) by Lawrence Bommer

LOVE AS A VERY MOVEABLE FEAST Love may be blind but it can certainly sing up a storm. Not to be confused with the John Cusack film about a Chicago vinyl record shop, High Fidelity: An Ope…

SOURCE: Stage and Cinema at 2:28pm on August 19, 2017

Chicago Theater Review: MACHINAL (Greenhouse Theater Center) by Lawrence Bommer

MURDER—A REFUSAL TO SUBMIT? You could call Machinal a nightmare under stage lights. Still potent after nearly ninety years, Sophie Treadwell's 1928 drama can't be dismissed as a …

SOURCE: Stage and Cinema at 8:44pm on August 15, 2017

Chicago Theater Review: SHOCKHEADED PETER (Black Button Eyes Productions) by Lawrence Bommer

SCHADENFREUDE GETS ITS SHOW We learn from fear, even if it's the wrong lessons. Well before Mark Twain's "Slovenly Peter," let alone Edward Gorey, Roald Dahl or Tim Burton, there was Heinric…

SOURCE: Stage and Cinema at 3:49am on August 13, 2017

Los Angeles Theater Review: HONKY TONK LAUNDRY (Hudson Mainstage Theatre in Hollywood) by Samuel Garza Bernstein

THE HARDEST WORKING GALS IN SHOW BUSINESS One thing is clear: If Bets Malone and Misty Cotton ever choose to sell themselves as an actual country music recording duo, they will be a smash. T…

SOURCE: Stage and Cinema at 3:14am on August 12, 2017

San Diego Theater Review: Evita (San Diego Rep) by Milo Shapiro

DON’T CRY, BUT SEE ARGENTINA The crime of being a legend is to be simultaneously loved and hated, while the truth will always be a matter of perspective and interpretation. Eva Duarte,…

SOURCE: Stage and Cinema at 3:31am on August 9, 2017

Los Angeles Dance Review: FANTASM"ODYSSEY OF DREAMS (Bellydance Evolution at The Ford Theatres) by Lara Altunian

FANTASM'S FANTASTIC FORAY INTO BELLYDANCING Bellydance Evolution's Fantasm"Odyssey of Dreams is a well-interpreted and abridged re-telling of One Thousand and One Nights, the Ara…

SOURCE: Stage and Cinema at 2:51am on August 8, 2017

Los Angeles Theater Review: THE MARVELOUS WONDERETTES (Sierra Madre Playhouse) by Tony Frankel

IT WONDERS ME It’s uncanny that ever since Roger Bean wrote and directed this asinine jukebox musical in 1999, it's lightweight nostalgia factor and updated arrangements of 50s and 60s…

SOURCE: Stage and Cinema at 2:26am on August 8, 2017

San Diego Theater Review: PUMP UP THE VOLUME: A 90'S PALOOZA (San Diego Musical Theatre) by Milo Shapiro

THE 90’s ARE BACK AND SOUNDING SWEET While the nineties might not sound that long ago to an older crowd, when was the last time you thought about Lorena Bobbitt? Or tamagotchis? Or won…

SOURCE: Stage and Cinema at 8:00pm on August 7, 2017

CD Review: IRVING BERLIN'S HOLIDAY INN (Original Broadway Cast on Ghostlight Records) by Tony Frankel

REDUCE, REUSE, RECYCLE OK, let’s get the confusion out of the way. If you’re not at all familiar with the Paramount films Holiday Inn and White Christmas, listening to the jus…

SOURCE: Stage and Cinema at 12:28am on August 7, 2017

DVD Review: AGENT HAMILTON (MHz Releasing) by Dale Reynolds

MOVE OVER BOND AND BOURNE; HAMILTON’S IN TOWN These two hard-hitting spy thrillers, filmed in 2012, are based on well-known novels by the French-Swedish journalist, Jan Guillou (b. 194…

SOURCE: Stage and Cinema at 9:23pm on August 5, 2017

Theater Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (North American Tour) by Frank Arthur

DETECTING LOVE A 15-year-old math whiz, Christopher is an only child with Asperger's Syndrome. The anomaly is enough to push adolescence way beyond awkward. His autism manifests in manic mul…

SOURCE: Stage and Cinema at 5:31pm on August 4, 2017

Chicago Theater Review: HAIR: THE AMERICAN TRIBAL LOVE-ROCK MUSICAL (Mercury Theater) by Lawrence Bommer

WHEN LOVE SEEMED ALL A half century can wreak a ton of change, especially when it takes us from 1967's Summer of Love to 2017's Winter of Trump. It's impossible to imagine two more different…

SOURCE: Stage and Cinema at 12:48pm on August 4, 2017

San Diego Theater Preview: KEN LUDWIG'S ROBIN HOOD (The Old Globe) by Tony Frankel

THE GLOBE GOES BACK INTO THE WOODS Ken Ludwig is arguably the leading comic dramatist in the American theater, and with Robin Hood! he has fashioned an extraordinary new take on the le…

SOURCE: Stage and Cinema at 2:47am on August 4, 2017

Los Angeles Theater Review: AS YOU LIKE IT (Antaeus Theatre Company in Glendale) by Dale Reynolds

AS YOU MAY OR MAY NOT LIKE IT At its new home in Glendale, Antaeus Theatre’s second play, As You Like It, is an odd duck of a production. As is its norm, Antaeus "partner-casts" each p…

SOURCE: Stage and Cinema at 12:21pm on August 2, 2017

Chicago Theater Review: LAST DANCER STANDING (MORE THAN HIP-HOP) (Black Ensemble Theater) by Lawrence Bommer

DRIVEN DANCES FOR JOY AND JUSTICE Their "dance card" is filled to bursting. Departing from Black Ensemble Theater's usual blast-from-the-past musical reclamations (Nicholas Brothers, Josephi…

SOURCE: Stage and Cinema at 5:27pm on August 1, 2017

Los Angeles Theater Review: SHOUT SISTER SHOUT! (Pasadena Playhouse) by Samuel Garza Bernstein

THE ORIGINAL SISTER ACT This new bio-musical of the legendary gospel/rock crossover star Sister Rosetta Tharpe is at its best when focusing on its three powerhouse female stars. Tracy Nicole…

SOURCE: Stage and Cinema at 3:14pm on July 31, 2017

Los Angeles Theater Review: MAMMA MIA! (Hollywood Bowl) by Samuel Garza Bernstein

SUPER TROUPERS BURN BRIGHTLY UNDER THE STARS I've always thought Benny Andersson and Björn Kristian Ulvaeus of ABBA, along with Mamma Mia! book writer Catherine Johnson, were incredibly sma…

SOURCE: Stage and Cinema at 3:59pm on July 30, 2017

San Diego Theater Preview: PIPPIN (San Diego Junior Theatre at the Casa del Prado Theatre) by Tony Frankel

DON’T BE SKIPPIN’ PIPPIN Here’s a can’t-miss opportunity: San Diego Junior Theatre is presenting the perky but dark 1972 musical, Pippin. Don’t be fooled by the…

SOURCE: Stage and Cinema at 8:44pm on July 28, 2017

Theater Review: AN AMERICAN IN PARIS (National Tour reviewed in Chicago) by Lawrence Bommer

PARIS AS A PAS DE DEUX The opening image"a baby grand piano under the Arc de Triomphe"suggests the rest. The hopeful harbinger of a new normality, the beloved 1951 film An American in Par…

SOURCE: Stage and Cinema at 2:32pm on July 27, 2017

Los Angeles Theater Review: PARADE (Chance Theater) by Tony Frankel

SEE IT BEFORE THIS PARADE PASSES YOU BY The emotionally pile-driving Parade by bookwriter Alfred Uhry and composer/lyricist Jason Robert Brown reprises an ugly and evergreen tragedy. T…

SOURCE: Stage and Cinema at 8:45pm on July 26, 2017

Los Angeles Theater/Music Review: SONDHEIM ON SONDHEIM (Hollywood Bowl) by Tony Frankel

A GOOD THING GOING; GOING, GOING… Sondheim on Sondheim, which had a short run on Broadway in 2010, offers both songs and personal musings from one of Broadway's greatest composer/lyric…

SOURCE: Stage and Cinema at 7:47pm on July 25, 2017

San Diego Theater Review: AVENUE Q (OB Playhouse) by Milo Shapiro

IT MAY SUCK TO LIVE ON AVENUE Q, BUT NOT TO SEE IT In the right setting, irreverence is so jovial. Our era of thought-police and political correctness has made it delicious to pervert that w…

SOURCE: Stage and Cinema at 3:18pm on July 24, 2017

CD Review: WAR PAINT (Original Broadway Cast on Ghostlight Records) by Frank Arthur

STAR POWER MEETS GIRL POWER The new Broadway musical War Paint centers on historical personages and rags-to-riches rivals Helena Rubinstein and Elizabeth Arden, cosmetic moguls who are…

SOURCE: Stage and Cinema at 8:34pm on July 23, 2017

Tour Review: LUZIA (Cirque du Soleil) by Lawrence Bommer

MEMORIES OF MEXICO, LUZIA UNLEASHES A RAIN OF JOY The Cirque du Soleil just made a run for the border"and not the Canadian one. Ignoring the United States (a favorite activity of many now…

SOURCE: Stage and Cinema at 2:22am on July 23, 2017

Los Angeles Theater Review: A STEADY RAIN (John Kirby Studio) by Dale Reynolds

A STEADY PLAY What police personnel go through day-by-day isn't really fully understood by civilians: the life-and-death tensions that alternate with the inevitable boredom and the public's …

SOURCE: Stage and Cinema at 4:12am on July 22, 2017
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