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6,591 stories from Stage and Cinema

Los Angeles Theater Preview: A LITTLE NIGHT MUSIC IN CONCERT (Colony Theatre) by Tony Frankel

A LITTLE NIGHT MUSIC; A VERY SHORT RUN; A MOST ACCOMPLISHED CAST Get ready for the wit, sophistication, and gentle eroticism of this most worldly and elegant of American musicals. The story …

SOURCE: Stage and Cinema at 2:43pm on September 16, 2017

Los Angeles Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK C by Samuel Garza Bernstein

DON'T ARGUE WITH ME, I HAVE CANCER As the play begins, two women are asleep in hospital beds in a shared room with a curtain drawn between them. A tightly wound young woman, Karla (Halley Fe…

SOURCE: Stage and Cinema at 3:49pm on September 15, 2017

San Diego Theater Review: WILD GOOSE DREAMS (La Jolla Playhouse) by Tony Frankel

FLYING WITH BROKEN WINGS It’s amazing. Thousands of billions of electronic messages are delivered every month globally, but it doesn’t feel like a small world after all. For many…

SOURCE: Stage and Cinema at 7:06pm on September 14, 2017

Los Angeles Theater Review: FOOTLOOSE (Glendale Centre Theatre) by Tony Frankel

FOOTLOOSE AND FANCY FREE Based on the 1984 film Footloose, this eponymous musical opened on Broadway in 1998. Both adaptation and jukebox musical, in which songs sometimes land willy-nilly w…

SOURCE: Stage and Cinema at 3:00am on September 13, 2017

San Diego Theater Review: THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS (Cygnet) by Milo Shapiro

THE EFFECT OF GOOD THEATER “You know, maybe someday you will be pretty,” says Beatrice to her teenage daughter Tillie.  Gee, thanks, Mom. Ah, mothers. The Glass Menagerie. Ord…

SOURCE: Stage and Cinema at 2:59am on September 13, 2017

Chicago Theater Review: BULLETS OVER BROADWAY (NightBlue Performing Arts Company at Stage 773) by Lawrence Bommer

A THUG BECOMES A MUSE "Fish out of water" humor meets showbiz stereotypes—that's the gag-winning formula in the 1994 film Bullets Over Broadway, starring John Cusack, Jennifer Tilly…

SOURCE: Stage and Cinema at 1:29pm on September 12, 2017

San Diego Theater Review: KISS OF THE SPIDER WOMAN (Welk Resorts Theatre in Escondido) by Tony Frankel

ALONG CAME THIS SPIDER Defying torture and humiliation in a Latin American prison, two cellmates—seeming enemies—build a passionate friendship and a larger loyalty. Hollywood vis…

SOURCE: Stage and Cinema at 2:59am on September 12, 2017

Chicago Theater Review: DEIRDRE OF THE SORROWS (City Lit at Edgewater Presbyterian Church) by Lawrence Bommer

FACING FATALITY It's the last play written by John Millington Synge. This Irish minstrel-playwright died in 1909 at only 37 after penning stunning beauties—Riders to the Sea and his…

SOURCE: Stage and Cinema at 5:21pm on September 11, 2017

Chicago Theater Review: THE HEAVENS ARE HUNG IN BLACK (Shattered Globe Theatre) by Lawrence Bommer

A STUNNING RECLAMATION OF OUR 16th "AND BEST"PRESIDENT Right now—bar none—the most stirring chronicle on a Chicago stage is Shattered Globe Theatre's enthralling 155-minute Th…

SOURCE: Stage and Cinema at 4:42am on September 11, 2017

Los Angeles Theater Review: DAYTONA (Rogue Machine at the Met Theatre) by Samuel Garza Bernstein

HIDING IN PLAIN SIGHT One of the brilliant things about Oliver Cotton's Daytona, is how his dialogue both reveals and conceals at the same time. "Billy, are you in trouble?" Joe (George Wyne…

SOURCE: Stage and Cinema at 4:32pm on September 10, 2017

Chicago Theater Review: THE AMERICAN MERCY TOUR (Greenhouse Theater Center) by Lawrence Bommer

WHEN MEDICINE GETS SICK "First, do no harm." A no-brainer, this unarguable warning in the Hippocratic Oath apparently defies and defines the medical profession in 2017. Mercy Killings …

SOURCE: Stage and Cinema at 3:48am on September 9, 2017

Los Angeles Theater Review: IPHIGENIA IN AULIS (Getty Villa in Pacific Palisades) by Tony Frankel

AULIS WELL AT THE GETTY Check out the production of Euripides' Iphigenia in Aulis by Chicago's Court Theatre, and you'll see why I rave about theater in the Windy City. Guided by the scholar…

SOURCE: Stage and Cinema at 8:50pm on September 7, 2017

Chicago Theater Review: THE CIVILITY OF ALBERT CASHIER (Permoveo Productions at Stage 773) by Lawrence Bommer

BECOMING A "MAN" A brand-new musical about the past intersects the present with a vengeance. A world premiere from Permoveo Productions and Pride Films & Plays, The CiviliTy of Albert…

SOURCE: Stage and Cinema at 2:22pm on September 7, 2017

San Diego Theater Preview: ACCOMPLICE (Scripps Ranch Theatre) by Frank Arthur

ACCOMPLISHED ACCOMPLICE Rupert Holmes’s Accomplice is the wittiest and most accomplished fooler play since Ira Levin’s Deathtrap. Each time you think you know what is unfol…

SOURCE: Stage and Cinema at 7:20pm on September 5, 2017

Chicago Theater Review: BONNIE AND CLYDE (Kokandy Productions at Theater Wit) by Lawrence Bommer

SYMPATHY FOR SCUMBAGS How can two white-trash lovers—"small town nobodies," as the press release puts it—"search for meaning at the height of the Great Depression"? Patronize a s…

SOURCE: Stage and Cinema at 7:31pm on September 3, 2017

Chicago Theater Review: HONEYMOON IN VEGAS (Marriott Theatre in Lincolnshire) by Lawrence Bommer

A PRETTY WOMAN GETS AN INDECENT PROPOSAL" AND IT'S A MUSICAL! Some marriages get tested before they tie the knot. That's trenchantly the case with naïve fiancés Jack Singer and Bet…

SOURCE: Stage and Cinema at 2:04pm on August 31, 2017

San Diego Theater Preview: LAST OF THE RED HOT LOVERS (North Coast Rep in Solana Beach) by Tony Frankel

HE WHO LAUGHS AT LAST LAUGHS BEST Barney Cashman is a neurotic, shlubby, well-intentioned if somewhat misguided seafood restaurateur who feels his life and marriage have become too predictab…

SOURCE: Stage and Cinema at 5:47pm on August 30, 2017

Los Angeles Theater Preview: AIN'T MISBEHAVIN' (La Mirada Theatre for the Performing Arts) by Tony Frankel

IN HARLEM'S WAY "One never knows, do one?" That's the favorite catchphrase of Fats Waller (1904-1943), an irrepressible master of music. The 285-pound, cherubic-cheeked jokester genius is th…

SOURCE: Stage and Cinema at 4:08pm on August 30, 2017

Los Angeles Music Preview: CARMINA BURANA & CHICHESTER PALMS (Los Angeles Master Chorale on September 23 & 24, 2017, at Disney Hall) by Tony Frankel

WHERE DO YOU GET ORFF..? There are some entertainments that bear repeating: Los Angeles Master Chorale has visited Carl Orff's pagan-fest, Carmina Burana, under each of their music …

SOURCE: Stage and Cinema at 4:00pm on August 30, 2017

Chicago Theater Review: BARBECUE (Strawdog Theatre Company at Steppenwolf's 1700 Theatre) by Lawrence Bommer

UNDERCOOKED AND INNUTRITIOUS Yes, disruption continues to roil the stage in 2017. Old-fashioned make-believe dwindles into its opposite: dis-illusionment. The latest test case: Robert O'Hara…

SOURCE: Stage and Cinema at 2:10pm on August 29, 2017

Los Angeles Theater Review: RHINOCEROS (Pacific Resident Theatre in Venice) by Tony Frankel

LIFE IS AN ABSURD BUSINESS It’s an absurdist masterwork, yet it is rarely produced in the States. A disquieting parable which warns against the herd mentality, Eugène Ionesco's three-…

SOURCE: Stage and Cinema at 6:49pm on August 27, 2017

Chicago Theater Review: THE AUDIENCE (TimeLine Theatre Company) by Lawrence Bommer

TUESDAYS WITH ELIZABETH IN A NOT SO PRIVATE PALACE Peter Morgan is the proverbial fly on the wall: Commanding the realm of royal fiction and other historical speculation, this British writer…

SOURCE: Stage and Cinema at 1:41am on August 25, 2017

Theater Interview: MISS COCO PERU: THE TAMING OF THE TENSION by Samuel Garza Bernstein

SHE WHO CAN’T BE TAMED Clinton Leupp may not aspire to self-help guru status, but his upcoming appearance as Miss Coco Peru in The Taming of the Tension is driven by a definite sense o…

SOURCE: Stage and Cinema at 1:15am on August 23, 2017

Chicago Theater Review: THE VEIL (Idle Muse Theatre Company at The Edge Theater) by Lawrence Bommer

TOO MANY SAILS AND NO RUDDER How have the mighty fallen! It's hard to believe that, 17 years after The Weir fascinated Steppenwolf Theatre audiences, not to mention all-absorbing Chica…

SOURCE: Stage and Cinema at 6:51pm on August 21, 2017

Chicago Theater Review: GYPSY (Music Theater Works) by Lawrence Bommer

TOUGH LOVE GONE HAYWIRE Some people"hey, that could be a song title!"say Gypsy is the greatest Broadway musical ever written. And, calibrators of showbiz greatness, these folks may …

SOURCE: Stage and Cinema at 11:39pm on August 20, 2017
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