Mina - Reviewed by GWEN OREL
As a biographical play, Leslie Lee's "Mina" is confusing at best.
As a biographical play, Leslie Lee's "Mina" is confusing at best.
Immediate Medium's multimedia production uses pastiche to collide 1960s nostalgia with our current wartime situation.
The Amoralists is a theatre company that claims not to be "concerned with the principals of right or wrong, good or bad," an attitude that could endanger the success of its productions. And …
While viewing Kathryn Chetkovich's domestic drama, one gets to wondering if domestic drama is still a viable theatrical genre.
The Pan Asian Rep production exudes the sense of a welcome visit with old friends.
Chicago's Writers' Theatre brings its rightfully celebrated 2003 production of Dostoevsky's "Crime and Punishment" to 59E59 Theaters as part of the GoChicago! Festival.
There may be an insightful, moving play in Jonathan Marc Sherman's "Things We Want," currently being presented by the New Group, but it's buried underneath too many literary conceits.
While Jeffrey Essman's vignettes are reasonably smart and observant, he hasn't found the core of these characters - the elusive, living pulse that would convince us that these shadows are re…
Tarell Alvin McCraney's exciting new play bursts across the stage with blistering intensity and keen intelligence.
Ultimately, the precision of this production leaves little room for the inexplicable.
A promising new playwright, an attractive cast, free beer, and a director to keep an eye on: Who could possibly complain?
Ishmael Reed's provocative, highly topical, wildly funny new work will have well-informed, thinking audiences roaring.
This thoroughly satisfying revival of Adrienne Kennedy's gripping drama makes for a chilling theatrical experience.
Like a multicolored harlequin costume, "The Glorious Ones," the new musical from Lynn Ahrens and Stephen Flaherty, is a patchwork affair. Some individual numbers shine brightly, but the show…
Tyrell has one of the major elements - perhaps the major element - that distinguished Bobby Short: joy.
Tom Coash's play poetically links symbols with themes but ultimately falls victim to hard-to-believe dialogue and long speeches of undramatic philosophizing.
Milan Stitt's intense drama gets an intense revival under the aegis of the estimable Actors Company Theatre.
Tom Stoppard's latest play is a a stunning theatrical portrait of a span of the 20th century that affectingly dramatizes how social forces affect the lives and loves of its characters.
"The Chaos Theories" by Alexander Dinelaris slides down the gullet as easily and as addictively as a fresh Frito. Sadly for the playwright and his company, this mélange of skits posin…
Katori Hall's play is unsurprising in its attempts to explore dark subject matter. Hall loves language, and I enjoyed the sex and soul, but I was hoping to discover some new and untold story.
Anthropology and autism meet provocatively if not always successfully in "Lucy," a drama by Canadian playwright Damien Atkins.
Slick and serious but only intermittently thrilling or moving, this Off-Broadway musical adaptation of "Frankenstein" tries to jam in just about everything from Mary Shelley's novel and wind…
It seems the British have America licked in the classics wars, at least in the star-vehicle division.
"The Wooster Group Hamlet," which reconstructs the the 1964 Broadway production of "Hamlet" starring Richard Burton, including a great deal of director John Gielgud's staging, is fascinating.
I suspect that Shakespeare might have enjoyed watching the appropriately named Impetuous Theater Group reconfigure his Candlemas confection into a Halloween-appropriate exercise in slapstick…