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6,591 stories from Stage and Cinema

Los Angeles Theater Review: THE HEART OF ROBIN HOOD (The Wallis in Beverly Hills) by Tony Frankel

WE GET EVERYTHING BUT THE HEART Certainly one of the most gorgeous lavish sets ever seen at the Wallis, with gorgeous sumptuous costumes, and gorgeous talented athletic actors. With all of t…

SOURCE: Stage and Cinema at 4:53pm on December 6, 2017

Los Angeles Theater Review: PACIFIC OVERTURES (Chromolume Theatre) by Tony Frankel

PLEASE HELLO! Remarkably, one of the most difficult things about Pacific Overtures is that Harold Prince directed the original production utilizing the ancient Japanese theater-form, Kabuki,…

SOURCE: Stage and Cinema at 3:17am on December 6, 2017

Chicago Theater Review: GOBSMACKED! (Broadway in Chicago at the Broadway Playhouse) by Lawrence Bommer

FOLLOW THE BOUNCING BEAT Now in a very brief visit to Chicago's Broadway Playhouse, Gobsmacked! is a good title for a show that slaps sounds out of seven performers' fertile heads. It …

SOURCE: Stage and Cinema at 3:01am on December 6, 2017

Los Angeles Theater Review: CAUGHT (Think Tank Art Gallery in the Fashion District, DTLA) by Tony Frankel

CAUGHT IN ITS SPELL An onion-skin experience, Christopher Chen’s magnificent Caught is indeed scripted, but you won’t know that when you’re watching it. Part immersive thea…

SOURCE: Stage and Cinema at 5:59pm on December 5, 2017

Chicago Theater Review: ALTAR BOYZ (Theo Ubique) by Lawrence Bommer

HOLY HARMONIC HORMONES! Praise the Lord and pass the parody! Infernally ingratiating and devilishly disarming, Altar Boyz is also sweetly sardonic and packed with pep. This successful …

SOURCE: Stage and Cinema at 1:17pm on December 5, 2017

Los Angeles Music Preview: DECK THE HALL HOLIDAY CONCERTS (Disney Hall) by Tony Frankel

The Los Angeles Philharmonic's Deck the Hall Holiday Concerts at Disney Hall are just around the corner, and the variety this year is unmatched. I may be enchanted by the ever-popul…

SOURCE: Stage and Cinema at 7:46pm on December 4, 2017

Chicago Theater Review: TWELFTH NIGHT (Midsommer Flight at the Lincoln Park Conservatory) by Lawrence Bommer

THE WHIRLIGIG OF TIME If only by virtue of its title, you could call Twelfth Night a holiday love comedy: Epiphany, the twelfth day of Christmas (January 6) is for many in Europe…

SOURCE: Stage and Cinema at 1:25pm on December 3, 2017

Chicago Theater Review: PUFF: BELIEVE IT OR NOT (Remy Bumppo Theatre Company) by Lawrence Bommer

THE FICTIONS THAT MAKE FACTS This two-act comedy relishes a cruel contradiction: false facts. Rich with rancid exposés, its 150 minutes indict press-agent "puffery," strategic lies that tri…

SOURCE: Stage and Cinema at 10:14pm on November 28, 2017

Los Angeles Theater Review: BLED FOR THE HOUSEHOLD TRUTH (Rogue Machine) by Paul Birchall

WHAT WON’T YOU DO FOR A CHELSEA SUBLET? Ambiguity and nuance are qualities in a play to be greatly desired and lauded " and yet, if you do not go "ick" at least four times while wat…

SOURCE: Stage and Cinema at 3:46pm on November 25, 2017

Los Angeles Music Preview: CHRISTMAS CHORAL CONCERTS (Los Angeles Master Chorale at Disney Hall) by Tony Frankel

OUR CHORALE’S CHRISTMAS CHORAL CONCERTS AND CAROLS With the indefatigable Energizer Bunny of conducting, Grant Gershon, at the helm, Los Angeles Master Chorale (LAMC) can easily be lab…

SOURCE: Stage and Cinema at 7:38pm on November 24, 2017

Theater Review: SOMETHING ROTTEN! (National Tour reviewed in Los Angeles) by Tony Frankel

SOMETHING SILLY; NOT QUITE ROTTEN BUT HARDLY FRESH What is it about William Shakespeare that inspires lesser authors (namely, everyone else) to try to take him down? George Bernard Shaw spen…

SOURCE: Stage and Cinema at 6:45pm on November 22, 2017

Chicago Theater Review: THE MINUTES (Steppenwolf) by Lawrence Bommer

BLOOD"AND WAR PAINT"WILL OUT Superbly civic, the vast council chamber created by set designer David Zinn reeks of rectitude. With a coffered arched ceiling, it's festooned with plaques, proc…

SOURCE: Stage and Cinema at 3:01pm on November 22, 2017

Chicago Theater Review: WILD BOAR (Silk Road Rising) by Lawrence Bommer

A 'PERFECT CITY'—AND A MUZZLED PRESS They're always eager to alert Chicago audiences to dangerous developments here and abroad: Silk Road Rising is a committed company which tells tale…

SOURCE: Stage and Cinema at 6:10pm on November 19, 2017

Los Angeles Theater Review: WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (Musical Theatre Guild) by Tony Frankel

A CONCERT ON THE VERGE OF A NERVOUS BREAKDOWN Given the Madrid setting, Hispano characters, and Latin-inspired score, it's possible that the musicalized version of Pedro Almodóvar's film …

SOURCE: Stage and Cinema at 8:47pm on November 16, 2017

Theater Review: ESCAPE TO MARGARITAVILLE (pre-Broadway tryout at the Oriental Theatre in Chicago) by Lawrence Bommer

A COUNTRY/CARIBBEAN ROMP AT CLUB JIMMY It's a jukebox musical that marinates in Gilligan's Island/South Pacific nostalgia. Plus, it's got a feel-good love story that's a creditable excuse fo…

SOURCE: Stage and Cinema at 3:17pm on November 16, 2017

Los Angeles Theater Review: KING CHARLES III (Pasadena Playhouse) by Samuel Garza Bernstein

WOMEN BEHAVING BADLY In Mike Bartlett's play about the imagined aftermath of Queen Elizabeth II's death, men hold inherited titles, but women, both living and dead, hold the keys to power. C…

SOURCE: Stage and Cinema at 2:57am on November 15, 2017

Los Angeles Theater Review: TALES FROM THE CRYPT THEATER OF MYSTERY (Captured Aural Phantasy Theater at the Bob Baker Marionette Theater) by Tony Frankel

ORIGINAL GHOST HOST A COUP FOR CAPT Captured Aural Phantasy Theater (CAPT), the only group authorized to perform EC Comics’ material live, offered a blood-bucket of charm at their rece…

SOURCE: Stage and Cinema at 1:09am on November 12, 2017

Chicago Opera Review: THE CONSUL (Chicago Opera Theater at the Studebaker Theater) by Lawrence Bommer

TO THIS WE'VE COME (AGAIN) Playing Chicago t0o briefly at the Studebaker Theatre, historically important and artistically wondrous, this co-production between Chicago and Long Beach Opera is…

SOURCE: Stage and Cinema at 4:59am on November 11, 2017

Los Angeles Theater Review: MR. BURNS, A POST-ELECTRIC PLAY (Sacred Fools) by Tony Frankel

LET THERE BE DARK A group of campers sits around the warm glow of campfire embers and tries to retell a favorite episode of The Simpsons. One man excitedly recalls and performs "Cape Fear…

SOURCE: Stage and Cinema at 4:44am on November 10, 2017

Chicago Theater Review: SIGNIFICANT OTHER (About Face Theatre and Theater Wit) by Lawrence Bommer

PASSIONS OF A PITY PARTY We're born alone. We die alone. But in between we need people"for love or money. That's searingly so for Jordan Berman. The gay anti-hero of Significant Other …

SOURCE: Stage and Cinema at 2:52am on November 10, 2017

Los Angeles Theater Review: YOHEN (East West Players and Robey Theatre Company) by Paul Birchall

DAMAGED GOODS Playwright Phillip Kan Gotanda's elegiac drama is a powerful piece that encompasses many themes in a surprisingly tight and concise package; it's about aging, it's about the co…

SOURCE: Stage and Cinema at 7:40pm on November 7, 2017

Chicago Music Review: REGRESAR/REVISIT: A DÍA DE LOS MUERTOS CELEBRATION (Chicago Sinfonietta) by Lawrence Bommer

DEATH DANCES TO LIFE'S BEATS It took us from Mozart to Mexico. Now, alas, it's over for another year—Chicago Sinfonietta's much anticipated, annual A Día de los Muertos Celebrati…

SOURCE: Stage and Cinema at 3:00pm on November 7, 2017

Chicago Theater Review: J.B. (City Lit at Edgewater Presbyterian Church) by Lawrence Bommer

THE ULTIMATE 'PROOF OF PAIN' "The Lord giveth and the Lord taketh away." He certainly doth in the Book of Job. In this brief but telling chronicle, a catalogue of catastrophes is visited on …

SOURCE: Stage and Cinema at 5:44pm on November 6, 2017

Los Angeles Theater and Music Review: A MIDSUMMER NIGHT'S DREAM (Mendelssohn music and Shakespeare scenes with the LA Phil) by Tony Frankel

COME FOR MENDELSSOHN, STAY FOR MÄLKKI There are three things to consider regarding LA Phil’s huge production of Felix Mendelssohn’s A Midsummer Night’s Dream, which …

SOURCE: Stage and Cinema at 8:39pm on November 3, 2017

Theater Review: SCHOOL OF ROCK THE MUSICAL (National Tour at the Cadillac Palace Theatre in Chicago) by Lawrence Bommer

WEBBER RETURNS TO HIS ROCKIN’ ROOTS "Out of the guitars of babes": The 2003 film was a four-star charmer: Jack Black, a screen actor with the chops to be richly ordinary, depicte…

SOURCE: Stage and Cinema at 4:27pm on November 3, 2017
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