A delightful holiday package is waiting for you on U Street. The contents are not new, exactly. Yet they have been reconditioned to conceal the telltale signs of age and yield a diversion th…
Although the visual wit is apparent, it's too much in service of a work that might be titled "As She Likes It."
Signature Theatre set out to solve problems in its revival of the inherently difficult "Show Boat," and in the process coughed up some new ones. Sapped of its vivacious epic strength, starve…
In most important ways, director Marcia Milgrom Dodge's economical staging retains the infectiously melodious appeal of the version that worked to such stimulating effect in the Kennedy Cent…
David Benoit currently resides in character-actor heaven. Which is located, if you're wondering, at 14th and P streets NW -- on the fourth floor.
If Cate Blanchett's nerve-shattering turn as Blanche DuBois doesn't knock the wind out of you, then there is nothing on a stage that can blow you away.
The professional reviews were already in, but the notice that seemed to strike Sir Ian McKellen most meaningfully came from a 10-year-old who had just seen him as King Lear.
Let's hear it for the boys! To get a most endearing glimpse into the fumbling rites of passage for guys on the verge of manhood, look to the terrific interactions of Noah Robbins and Santino Fontana in Broadway's handsomely crafted new revival of Brighton Beach Memoirs.
In the desert of menial employment, the creators of the blistering "Adding Machine: A Musical" find something astonishing: a symphony.
Kennedy Center's Board Treasurer Funds Productions
Theater Founder Helped Revive H Street
Numbers orbit eerily through "Adding Machine: A Musical," the New York and Chicago hit that makes its D.C. debut at Studio Theatre starting Wednesday.
"I love talking to people about this country, you know," says Smith, who performs every last "you know," "um" and vamping stammer as she impersonates her subjects.