The Toronto Theatre Review: Kanika Ambrose's Moonlight Schooner By Ross A ship and its crew at sea trying to survive a storm is a powerfully terrifying and engaging beginning of almost any p…
The Broadway Theatre Review: Little Bear Ridge Road By Ross The shadow of an overhead fan engulfs the space with its stark rhythm and cold lines. It fits perfectly alongside a shiny plastic …
The Ontario Theatre Review: Disney's Frozen at the Grand Theatre, London By Ross There is a particular kind of magic in seeing Disney's Frozen in the theatre, one that depends as much on who…
The Toronto Theatre Review: Jinkx & DeLa Holiday Show By Ross The Jinkx & DeLa Holiday Show returned to Toronto like a glitter-dusted snowstorm of chaos, sequins, and unexpected sinc…
Frontmezzjunkies reports: Theatrical Release of Chloé Zhao's "Hamnet." By Ross "From the first image of Agnes curled against her mother's tree, Hamnet casts a spell that never lets go." Chl…
The Off-Broadway Theatre Review: Public Theater's The Seat of Our Pants By Ross There's something extravagantly delightful and frankly miraculous about watching a show fully understand the i…
The Shaw Festival Theatre Review: Irving Berlin's White Christmas By Ross After strolling the Christmas-adorned streets of Niagara-on-the-Lake, with piped-in carols ushering us along those b…
The Toronto Theatre Review: Coal Mine Theatre's Fullfillment Centre By Ross Something deeply uncomfortable is happening inside the Coal Mine Theatre in Toronto, an unease that truly is the h…
The Toronto Theatre Review: debbie tucker green's a profoundly affectionate, passionate devotion to someone (-noun) at Tarragon's Mainspace By Ross With no apologies, debbie tucker green's a…
The Toronto Theatre Review: Dandelion Theatre's An Orchid and Other Such Lilies and Lies By Ross Truth be told, I love going to the Red Sandcastle Theatre on Queen Street East in Toronto bec…
The Toronto Theatre Review: b current, Crow's Theatre, and Studio 180's The Christmas Market By Ross Caribbean music slides into the space, playing up against all the frivolities of the holi…
The Broadway Theatre Review: Two Strangers (Carry a Cake Across New York) By Ross Two Strangers (Carry a Cake Across New York) arrives on Broadway with the kind of gentle confidence that fee…
The Broadway Theatre Review: Oedipus on Broadway By Ross The moment that Mark Strong's handsome frame fills that massive opening screen, a sensation passes through Broadway's Studio 54 Theat…
Frontmezzjunkies reports: Audible Theater to Present 25th Anniversary Reading of Laramie Project There are plays that you see, and there are plays that change you. And then, there's The L…
The Broadway Theatre Review: Art on Broadway By Ross "You're missing the serious point," he says as a tidy bit of irony creeps its way into Art, the starry revival that recently opened on Br…
Frontmezzjunkies reports: The New Group Announces First Season in New Home at The Theater at St. Clement's The award-winning, artist-driven company ushers in a new era with the laun…
The Toronto Theatre Review: Predictable Holiday Rom-Com: The Musical at Second City Toronto By Ross The new Christmas show, Predictable Holiday Rom-Com: The Musical, may arrive wrapped in th…
The TIFF Film Review: Bobby Farrelly's "Driver's Ed" By Ross Sometimes a movie doesn't need to reinvent the wheel; it just needs to keep driving down the well-paved road with the passenger s…
The Ontario Theatre Review: Wonderful Joe By Ross Ronnie Burkett builds worlds from wood, string, and spirit, and his Wonderful Joe is no exception. I've been wanting to make Joe's acquainta…
The Frontmezzjunkies Interview: The Unauthorized Hallmark(ish) Parody Musical Conducted by Ross It's beginning to look a lot like a Hallmark(ish) holiday in Toronto"only this time, the snow …
The Off-Broadway Theatre Review: Prince Faggot By Ross Prince Faggot strides forward, not with a golden crown but an actor's confession, based on childhood photos seen under a microscope, qu…
The Toronto Theatre Review: Bowtie Productions' tick, tick…BOOM! at Alumnae Theatre By Ross "The sound you are hearing is not a technical problem. It is not a musical cue. It is not a joke…
The Toronto Theatre Review: Soulpepper's The Comeuppance and Icarus Theatre's DNA By Ross Death has been lurking on the edges of Toronto's stages lately, threatening and messing with the liv…
The Toronto Theatre Review: The Far Side of the Moon at Bluma Appel Theatre, Toronto By Ross Robert Lepage, who masterfully brought motorcycles and mayhem to his Stratford Festival productio…
The Toronto Theatre Review: Doc Wuthergloom's Little Lib'ary of the Damned at the Red Sandcastle Theatre By Ross We're warned before we even take our seats: doom is imminent. A committed, po…