1,793 stories from Theater News Online
From the music to the costumes to the four-legged tap-dance, SpongeBob is a hit.
Steve Martin’s zestless couples comedy is high on wackiness but low on laughs.
Hailey Kilgore makes an exciting Broadway debut in a rich and creative production of this musical fable.
A play about greed and scandal in Washington comes across as flat and uninspired.
Lerner and Loewe s 1947 musical is a welcome treat for golden-age musical theater devotees.
Denise Gough delivers an all-out, full-bodied performance in this inventive production.
This touching tale about universal longings offers musical-theater fans a refreshing taste of something different.
Richard Nelson’s slow-moving historical drama depicts Joseph Papp s struggles during the early years of the New York Shakespeare Festival.
While entertaining, Junk is packed with a lot of trader jargon, greed and testosterone that you may feel like you ve seen before.
The changes made to this modern classic end up deadening the mysteries of the show.
John Patrick Shanley s direction encourages oversized performances and desperate stooping for laughter.
Michael Urie carves his name into the theatrical firmament with this performance.
While it may not be high on drama, an evening with the Boss is always special.
J.B. Priestley’s deceptively complex 1937 play takes place over three multi-faceted scenes.
John Doyle’s production conjures the sense of being a child at play in a forest of wondrous words.
The Mint has discovered a treasure trove of lost work by Irish playwright Teresa Deevy and puts on four one-acts here.
Lucas Hnath’s 85-minute, four-character debate is not for everyone, with or without a new cast.
This greatest-hits revue celebrates the work of Harold Prince in the least interesting way.
Unfortunately, the characters in Dominique Morisseau s drama reach no real resolution or realization.
Musical theater fans in the DC area should check out this lovely, humorous revival.
Three very solid ideas make Series B a compelling and entertaining evening of theater.
Three half-hour pieces produce varying results.
Michael Moore encourages the audience to do something – other than tweeting – to unseat our loathsome president.
Michael Urie leads a terrific cast in a very funny production.
Modern innovations can t solve all the problems in Shakespeare’s notoriously problematic play.
