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3,543 stories from The Arts Desk

The Real Ones, Bush Theatre review - engrossing, enjoyable and quietly inspiring by Aleks.sierz

Waleed Akhtar's new play is about platonic love in a contemporary context Platonic love should be simple " basically you're best mates. And without the complications of sex, what could go w…

SOURCE: The Arts Desk at 6:32pm on September 13, 2024

Our Country's Good, Lyric Hammersmith review - lively but patchy revival by Helen Hawkins

Timberlake Wertenbaker's updated version takes particular aim at colonialism The latest Greatest Hit to land at the Lyric is Timberlake Wertenbaker's 1988 award-winning play about a performa…

SOURCE: The Arts Desk at 5:12am on September 13, 2024

Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing show by Gary Naylor

★★★ WHY AM I SO SINGLE?, GARRICK THEATRE Six's writers lay bare their souls in new musical Marlow and Moss are back with deeply personal exploration of how lives are liv…

SOURCE: The Arts Desk at 9:36pm on September 12, 2024

The Silver Cord, Finborough Theatre review - Sophie Ward is compellingly repellent by Gary Naylor

★★★★ THE SILVER CORD, FINBOROUGH THEATRE Narcissism up-close and disturbingly relevant  Beautifully staged and acted revival of Sidney Howard's century-old blac…

SOURCE: The Arts Desk at 9:36pm on September 6, 2024

Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiere by Gary Naylor

★★★★ ART, THEATRE ROYAL BATH Three men fall out over a painting in a very French comedy Male friendships buckle as egos clash, with a resonance for today's culture…

SOURCE: The Arts Desk at 9:32pm on September 5, 2024

The Real Thing, Old Vic review - Stoppard classic keeps on giving by Demetrios Matheou

James McArdle is immense as Stoppard's true romantic When it was first produced in 1982, The Real Thing was a turning point for Tom Stoppard, the play that added to the existing perc…

SOURCE: The Arts Desk at 6:24pm on September 4, 2024

G, Royal Court review - everyday realism blitzed by urban myth by Aleks.sierz

Award-winning new writing is full of mystery and metaphor, but a bit too literary I live in Brixton, south London; in my street, for many years, a pair of trainers were up in the sky, hangin…

SOURCE: The Arts Desk at 1:54pm on September 1, 2024

A Night with Janis Joplin: The Musical, Peacock Theatre review - belting Blues singing in an oddly sanitised format by Helen Hawkins

A wealth of musical talent keeps this gig musical afloat The signs in the Peacock's foyer warn that this show features "very loud music". Exactly what Janis Joplin fans want to hear. This is…

SOURCE: The Arts Desk at 8:36am on August 29, 2024

Edinburgh Fringe 2024 reviews: L'Addition / Long Distance / The Sun, the Mountain and Me by David Kettle

From meta-theatrical mayhem to dreams of freedom and escape in three shows from the Fringe's closing days L'Addition, Summerhall ★★★★ 

SOURCE: The Arts Desk at 12:54am on August 24, 2024

Shifters, Duke of York's Theatre review - star-crossed lovers shine in intelligent rom-com by Gary Naylor

★★★★ SHIFTERS, THE DUKE OF YORK'S THEATRE Winning and witty 21st century love story Only the third West End written play by a black woman will not be the last Pete…

SOURCE: The Arts Desk at 12:42am on August 23, 2024

Edinburgh Fringe 2024 reviews: REVENGE: After the Levoyah / Puddles and Amazons by David Kettle

Jewish gangsters and ice-cold adolescents in two strong shows at Summerhall REVENGE: After the Levoyah, Summerhall ★★★★★ 

SOURCE: The Arts Desk at 7:18am on August 22, 2024

The 39 Steps, Trafalgar Theatre review - return of an entertaining panto for grown-ups by Helen Hawkins

Patrick Barlow's brand of silly still delivers a sly Hitchcock spoof Before the Plays That Went Wrong and the multi-role six-hander Operation Mincemeat, there was Patrick Barlow's adaptat…

SOURCE: The Arts Desk at 2:54am on August 22, 2024

Edinburgh Fringe 2024 reviews: Ã’ran / This Town by David Kettle

Two solo shows merge poetry, rap, spoken word and theatre to compelling effect Òran, Pleasance Courtyard ★★★★ 

SOURCE: The Arts Desk at 1:48am on August 21, 2024

The Fabulist, Charing Cross Theatre review - fine singing cannot rescue an incoherent production by Gary Naylor

★★ THE FABULIST, CHARING CROSS THEATRE Plenty of ambition, but achieves very little Beautiful music, but curious decisions in scripting and staging sink the show On opening ni…

SOURCE: The Arts Desk at 9:18pm on August 20, 2024

Edinburgh Fringe 2024 reviews: Ni Mi Madre / Bi-Curious George: Queer Planet by David Kettle

Boys playing girls playing boys in two joyful queer shows at the Pleasance Dome Ni Mi Madre, Pleasance Dome ★★★★ 

SOURCE: The Arts Desk at 5:03am on August 20, 2024

Edinburgh Fringe 2024 reviews: Bellringers / Suitcase Show by David Kettle

A troubling take on the climate emergency and a pile of suitcases containing tall tales in two intimate shows at Summerhall Bellringers, Roundabout @ Summerhall ★★★★�…

SOURCE: The Arts Desk at 6:06am on August 19, 2024

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force by Tom Birchenough

The Globe stretches the theatrical experience with this bilingual BSL production More surely than any other London stage, the Globe has opened up our theatrical perspective on different lang…

SOURCE: The Arts Desk at 3:54pm on August 18, 2024

The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punch by Gary Naylor

★★★★ THE BIRTHDAY PARTY, USTINOV STUDIO, THEATRE ROYAL BATH Landmark play revived to shock and surprise all over again Jane Horrocks garners the laughs in a very d…

SOURCE: The Arts Desk at 8:06am on August 16, 2024

Peanut Butter & Blueberries, Kiln Theatre review - rom-com in a time of Islamophobia by Aleks.sierz

Debut two-hander explores a gentle love story of two practicing Muslims At one point, in John Fowles's 1977 novel The Magus, the guru character in the story compares sexuality before and af…

SOURCE: The Arts Desk at 5:18am on August 16, 2024

Death of England: Michael / Death of England: Delroy, Soho Place review - thrilling portraits, brilliantly performed, of rebels without a cause by Helen Hawkins

Roy Williams and Clint Dyer's protagonists rage against the limits of their lives Two boys in east London, one Black, one white, grow up together, play pranks at school, then decades later h…

SOURCE: The Arts Desk at 9:44am on August 15, 2024

Edinburgh Fringe 2024 reviews: Adam Riches: Jimmy / TERF by Veronica Lee

One-man play about a sporting great, and a hot topic served cold Adam Riches: Jimmy Summerhall ★★★

SOURCE: The Arts Desk at 7:08pm on August 14, 2024

Edinburgh Fringe 2024 reviews: The Sound Inside / So Young by David Kettle

Unexpected twists in relationships mark out two dramas at the Traverse Theatre The Sound Inside, Traverse Theatre ★★★★★

SOURCE: The Arts Desk at 3:53am on August 13, 2024

Edinburgh Fringe 2024 reviews: In Two Minds / My English Persian Kitchen by David Kettle

Mental health and food form the themes behind two strong dramas at the Traverse Theatre In Two Minds, Traverse Theatre ★★★★ 

SOURCE: The Arts Desk at 4:43am on August 10, 2024

The Grapes of Wrath, NT Lyttelton review - a bleak journey into migrant purgatory by Helen Hawkins

The National's finely acted staging of Steinbeck's grim classic is a tough watch It's a brave company that embarks on a staging of John Steinbeck's award-winning 1939 novel The Grapes of Wra…

SOURCE: The Arts Desk at 6:08am on August 9, 2024

The Years, Almeida Theatre review - matchless acting quintet makes for a must-see by Matt Wolf

French "hybrid memoir" comes blazingly alive onstage in London The title sounds as if we ought to be in for an evening of Virginia Woolf, and, indeed, one of the astonishing women on view (…

SOURCE: The Arts Desk at 5:34am on August 8, 2024
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