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6,804 stories from Stage and Cinema

Theater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company) by Lynne Weiss

A GREAT DEBATE A play that asks the audience to think about what the Constitution means to them When she was 15, Heidi Schreck went on tour to compete for college scholarships by delivering …

SOURCE: Stage and Cinema at 10:59am on April 14, 2026

Broadway Review: BECKY SHAW (Helen Hayes) by Carol Rocamora

LOVE, LIES, AND LETHAL CHARM Gina Gionfriddo's comedy of dysfunction refuses easy labels"and lands every blow "Rom-com?" No. "Meet-cute"? Far from it. Sitting through Becky Shaw at the Helen…

SOURCE: Stage and Cinema at 10:29am on April 14, 2026

Theater Review: LOVE! VALOUR! COMPASSION! (Dezart Performs, Palm Springs) by Jason Mannino

A SUMMER OF MEMORY AND LOSS A moving revival that transforms urgency into reflection without losing its emotional core The lights went down at Dezart Performs' gorgeous new home on Saturday,…

SOURCE: Stage and Cinema at 5:30am on April 14, 2026

Theater Review: WHAT PRICE FREEDOM (Moving Arts Theatre, Los Angeles) by Ernest Kearney

FOUNDING FATHERS, FOUND WANTING A promising historical premise undone by uneven writing What Price Freedom, by Tony Blake, having its world premiere at Moving Arts Theatre, recounts one of t…

SOURCE: Stage and Cinema at 5:05am on April 14, 2026

Concert Review: LISE DAVIDSEN & FREDDIE DE TOMMASO (BroadStage, Santa Monica) by Michael M. Landman-karny

TWO VOICES, ONE VOLTAGE An evening of operatic power finds its charge in connection, not just scale BroadStage does not often present evenings of this ambition: a sold-out house, a freelance…

SOURCE: Stage and Cinema at 2:57am on April 14, 2026

Theater Review: WHEN PLAYWRIGHTS KILL (Huntington Theatre, Boston) by Lynne Weiss

TURNING A THEATRICAL LEMON INTO FIZZY LEMONADE Matthew Lombardo spins a true-life theatrical disaster into a relentlessly funny backstage comedy According to Nora Ephron, who turned her husb…

SOURCE: Stage and Cinema at 2:55am on April 14, 2026

Broadway Review: DOG DAY AFTERNOON (August Wilson Theatre) by Paulanne Simmons

HOLDING UP UNDER PRESSURE A bold stage adaptation that captures much "but not all"of the film's tension Adapting an iconic film like Dog Day Afternoon for the stage is a challenge. There are…

SOURCE: Stage and Cinema at 2:50am on April 14, 2026

Theater Review: GOODNIGHT MOON (Chicago Children's Theatre) by C.j. Fernandes

A GREAT, GREEN ROOM YOU'LL NEVER WANT TO LEAVE Chicago Children's Theatre closes out its 20th anniversary season with a picture(book)-perfect triumph! "I wish I might, I wish I may / go live…

SOURCE: Stage and Cinema at 2:19am on April 14, 2026

Dance Preview: PARSONS DANCE (BroadStage, Santa Monica) by Tony Frankel

HIGH VOLTAGE DANCE, NO SAFETY NET A company built on athleticism, musicality, and sheer momentum returns to BroadStage Few choreographers have maintained the kind of sustained, high-energy a…

SOURCE: Stage and Cinema at 2:58am on April 13, 2026

Dance Review: SCORCHED EARTH (St. Ann's Warehouse, Brooklyn) by Paola Bellu

LAND, LABOR, AND THE BODY Luke Murphy's dance-theatre work turns ownership into something visceral and urgent St. Ann's Warehouse unveils Scorched Earth, a striking dance-theatre work from A…

SOURCE: Stage and Cinema at 2:51am on April 13, 2026

Theater Review: KNIFE TO THE HEART (Desert Ensemble Theatre in Palm Springs) by Jason Mannino

A FINAL BOW WITH HUMOR AND HEART DET closes its run with a sharp, funny family comedy about tradition and change There is a bittersweet irony in Desert Ensemble Theatre choosing Knife to the…

SOURCE: Stage and Cinema at 2:48am on April 13, 2026

Theater Review: THE GOAT, OR WHO IS SYLVIA? (Shotgun Players, Berkeley) by Chuck Louden

A MODERN TRAGEDY IN PLAIN SIGHT Albee's shocking premise unfolds with the inevitability of Greek drama Playwright Edward Albee remains one of the most incisive chroniclers of American family…

SOURCE: Stage and Cinema at 11:52pm on April 12, 2026

Preview: THE MUSIC THAT MAKES ME DANCE: THE SONGS OF JULE STYNE (El Portal Theatre, North Hollywood) by Michael M. Landman-karny

EVERYTHING'S COMING UP JULE Broadway's golden-age hits return in a world premiere revue that treats them as living drama Jule Styne's name tends to arrive attached to titles that feel immova…

SOURCE: Stage and Cinema at 5:12am on April 12, 2026

Preview: KISS OF THE SPIDER WOMAN (Palm Canyon Theatre, Palm Springs) by Tony Frankel

DESIRE, DANGER, AND A SONG TO SURVIVE Palm Canyon Theatre dives into one of Kander and Ebb's most intoxicating musical Palm Canyon Theatre brings bold heat to the desert with Kiss of the Spi…

SOURCE: Stage and Cinema at 4:13am on April 12, 2026

Dance Review: SYLVIA (American Ballet Theatre at Segerstrom Center) by Michael M. Landman-karny

DELIBES TAKES THE LEAD In ABT's return of Ashton's Sylvia, the best performance at Segerstrom wasn't onstage Frederic Ashton's Sylvia arrives at Segerstrom Center for the Arts after nine yea…

SOURCE: Stage and Cinema at 2:50am on April 12, 2026

Concert Review: STANDARD TIME WITH MICHAEL FEINSTEIN"ON THE TOWN (Carnegie Hall, Zankel Hall) by Rob Lester

THE SONGBOOK LIVES ON Feinstein's Carnegie Hall "On the Town" concert celebrates classic songs and those who wrote and performed them with style, wit, and swing Like a party that keeps going…

SOURCE: Stage and Cinema at 2:25am on April 12, 2026

Off-Broadway Review: THE PUSHOVER (John Patrick Shanley World Premiere, Chain Theatre) by Paola Bellu

POWER, CONTROL, AND WHAT LURKS BENEATH Shanley's psychological thriller simmers with tension, even when it overreaches John Patrick Shanley digs back into power and vulnerability in The Push…

SOURCE: Stage and Cinema at 2:50am on April 11, 2026

Theater Review: THE MERRY WIVES OF WINDSOR (Chicago Shakespeare Theater) by Emma S. Rund

WHEN SHAKESPEARE NEEDS A LITTLE HELP Physical comedy drives the laughs"sometimes to excess"in Phillip Breen's energetic production The Merry Wives of Windsor is not one of Shakespeare's most…

SOURCE: Stage and Cinema at 4:00am on April 10, 2026

ENTERTAINMENT AND THE BIG SCREEN: WHY THEATRE AND NIGHTLIFE HAVE GONE DIGITAL by Michael Carr

Walk into any cinema in the New York, Chicago, or Los Angeles today, and you'll find something interesting in the listings. Multiplexes aren't just filling their screens with Hollywood produ…

SOURCE: Stage and Cinema at 3:01am on April 10, 2026

Theater & Concert Preview: MY FAIR LADY IN CONCERT (Pacific Symphony in Costa Mesa) by Michael M. Landman-karny

THE RAIN IN SPAIN, UNRESTRAINED At full symphonic scale, My Fair Lady finally sounds the way it was written to be heard George Bernard Shaw got what he deserved. He spent decades refusing to…

SOURCE: Stage and Cinema at 6:33pm on April 9, 2026

Theater Review: MA RAINEY'S BLACK BOTTOM (Goodman Theatre, Chicago) by C.j. Fernandes

THE BLUES THAT BUILT AMERICA" AND THE COST OF SINGING THEM August Wilson's masterpiece lands with devastating force in a blazing Goodman revival Four black musicians amble into a recording s…

SOURCE: Stage and Cinema at 7:00am on April 9, 2026

Theater Review: UNCLE VANYA, SCENES FROM COUNTRY LIFE (La MaMa, NYC) by Paola Bellu

CHEKHOV, REIMAGINED IN BEAUTIFUL CHAOS Dmitry Krymov turns a classic into a surreal theatrical hallucination There are many ways to stage Anton Chekhov. You can do it the traditional way wit…

SOURCE: Stage and Cinema at 2:51am on April 9, 2026

4 DESIGN TRICKS FOR THEATER COSTUMES by John Todd

4 Practical Costume Tips for Period Theater Creating stunning period theater costumes relies on four key strategies. These include adapting historical silhouettes with modern materials, desi…

SOURCE: Stage and Cinema at 3:10am on April 8, 2026

Theater Review: THE OFFICIAL BIOGRAPHY (Her Story Theatre at The Den, Chicago) by C.j. Fernandes

A GREAT PERFORMANCE IN SEARCH OF A BETTER PLAY Gary Houston towers in a two-hander that never quite lives up to its premise Outside a run-down cottage in rural Connecticut, a white-haired ma…

SOURCE: Stage and Cinema at 2:51am on April 8, 2026

Theater Review: LOST IN YONKERS (Lesher Center for the Arts, Walnut Creek) by Chuck Louden

FAMILY, FEAR, AND FINDING A VOICE Neil Simon's coming-of-age drama blends humor and heartbreak in an intimate, character-driven production Now playing at Walnut Creek's Lesher Center for the…

SOURCE: Stage and Cinema at 2:50am on April 8, 2026
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