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8,108 stories from DC Theatre Scene

Review: Richard & Jane & Dick & Sally at Baltimore Center Stage by Jayne Blanchard

Boy, things have certainly changed since the days of "See Spot Run." Dick is sick and goes by the grown-up name Richard (Neimah Djourabchi, a textbook 50s Dad with existential longing). His …

SOURCE: DC Theatre Scene at 5:06pm on February 17, 2020

Review: Mother Road, a rip-roaring road drama, buddy comedy, musical, and meditation on what it means to be "American".  by Ben Demers

"How can we live without our lives? How will we know it's us without our past?" So wonders the desperate Joad family in Steinbeck's "The Grapes of Wrath," as they burn their belongings befor…

SOURCE: DC Theatre Scene at 1:12pm on February 17, 2020

Review: Anna Ziegler's Boy at Keegan Theatre by John Bavoso

As I was watching the DC premiere of Anna Ziegler's inspired-by-a-true-story play, Boy, now playing at Keegan Theatre, there was an Oscar Wilde quote rattling around in the back of my brain …

SOURCE: DC Theatre Scene at 2:06pm on February 15, 2020

Review: World Stages: The Clemency of Titus by Gregory J. Ford

In The Clemency of Titus, currently being presented at the Kennedy Center under its World Stages program, we have the most unbelievable plot imaginable given one of the most delightful produ…

SOURCE: DC Theatre Scene at 11:36am on February 15, 2020

Review: World Stages: Heroine. A disappointing production of a powerful wartime story by Susan Galbraith

I mostly love the works brought to DC by The Kennedy Center's World Stages. I love the sub-genre of one-person shows. I also take a serious interest and have been involved in working with th…

SOURCE: DC Theatre Scene at 1:42pm on February 14, 2020

Review: The King's Speech makes a brief, but memorable, stop at The National by Steven McKnight

The King's Speech, the true royal story told in an Academy Award-winning 2010 film, brings its American debut as a play to the National Theatre.  Early in, King George V (who in 1932 beca…

SOURCE: DC Theatre Scene at 7:36pm on February 13, 2020

DC area theatres share their love for Victor Shargai on Valentine's Day. by Keith Loria

From dimming a marquee, to moments of silence, to toasts and notes and thanks, this Valentine's Day, the DC area theater community will express its love for Victor Shargai, philanthropist, l…

SOURCE: DC Theatre Scene at 11:48am on February 13, 2020

Review: Zomo the Rabbit at Imagination Stage by Alan Katz

As my toddler stuffed fistfuls of frosting in her mouth, I couldn't help think of Zomo the Rabbit, the deliciously fun Theater for Young Audiences play that we saw earlier. Not just because …

SOURCE: DC Theatre Scene at 8:06pm on February 11, 2020

Toxic Avenger: The Musical is indestructible. Here's why. by Steven McKnight

Watching Rorschach Theatre's production of Toxic Avenger: The Musical, I wondered what it is about this show that makes it seem as indestructible as its mutant monster hero? Toxic Avenger: T…

SOURCE: DC Theatre Scene at 8:06pm on February 11, 2020

Justin Weaks is working two very different characters at the same time. How he keeps his balance by Julian Oquendo

Justin Weaks is well-known to DC audiences these days. He's worked over 20 productions since 2015, won a Helen Hayes James MacArthur Award in 2017 (Word Becomes Flesh), and, after finishing …

SOURCE: DC Theatre Scene at 8:06pm on February 11, 2020

Review: The 39 Steps from Constellation Theatre by Missy Frederick

As Constellation Theatre Company wraps up its performance of The 39 Steps each night, one thing's for certain: the lighting designer deserves his own curtain call. Managing Director A.J. Gub…

SOURCE: DC Theatre Scene at 8:06pm on February 11, 2020

Review: Synetic's Phantom of the Opera, a sexy female-driven ballet of obsession by Jayne Blanchard

The Phantom of the Opera meets The Red Shoes in Synetic Theater's sexy and Goth take on Gaston Leroux's 1910 novel about ghosts, haute society, obsession and the symbiotic relationship betwe…

SOURCE: DC Theatre Scene at 12:03pm on February 11, 2020

Review: Rocky Horror Show, Iron Crow's annual raunchy, ridiculous treat by Jill Kyle-keith

For those of you who have been living under a rock or putting up moose jerky with the Doomsday Preppers these last few years, The Rocky Horror Picture Show is that ages-old, ever-young cult …

SOURCE: DC Theatre Scene at 3:32pm on February 10, 2020

Review: GALA's Exquisita Agonía (Exquisite Agony), visually and emotionally stunning by Susan Galbraith

Pulitzer Prize winning playwright Nilo Cruz has come to Washington's GALA Hispanic Theatre to direct his most recent play, and has unleashed from his prodigiously creative mind something lik…

SOURCE: DC Theatre Scene at 3:32pm on February 10, 2020

Review: The Toxic Avenger: The Musical, in-toxic-ating fun by Kelly McCorkendale

Save the Earth. Kick a little ass. Ripe out a spleen (or a spine). And do it all with a power-pop ballad in your heart. That is The Toxic Avenger: The Musical, and, in Rorschach's hands, …

SOURCE: DC Theatre Scene at 3:32pm on February 10, 2020

Review: Gun & Powder, a groundbreaking new musical debuts at Signature Theatre by Meaghan Hannan Davant

If you love groundbreaking musical theater, I suggest you navigate away from this page for just a few seconds to snap up tickets to Signature Theatre's Gun & Powder while you still can. …

SOURCE: DC Theatre Scene at 2:24pm on February 7, 2020

Review: World Stages: Huff. A dazzling young performer delivers hard truths by Susan Galbraith

A stranger comes to town. He changes things up. He sheds a light on deep darkness.  There are things the people don't want to see but can't look away. There is something of the shaman abo…

SOURCE: DC Theatre Scene at 12:18pm on February 7, 2020

Review: Comedy in Venice, the shakeup of what's funny in 18th century Venice by Debbie Minter Jackson

Venetian writers Carlo Goldoni and Carlo Gozzi have a battle royale throwdown in this giddy world premiere, Comedy of Venice.  Esteemed writer Gozzi (Turandot) rules the roost in Venice a…

SOURCE: DC Theatre Scene at 1:03pm on February 5, 2020

Dance Review: Alvin Ailey's old and new revelations by Alexander C. Kafka

Technically, Alvin Ailey American Dance Theater's evening at the Kennedy Center Opera House Tuesday was a performance. But following a pre-concert gala, with an audience in sparkling gowns a…

SOURCE: DC Theatre Scene at 1:03pm on February 5, 2020

2020 Helen Hayes Award nominees announced. Most recognized: Olney Theatre Center and Constellation's Little Shop of Horrors by Tim Treanor

Olney Theatre Center leads the pack of company nominations with 27 nods for this year's Helen Hayes Awards, theatreWashington announced last night at its annual kickoff to the Helen Hayes Aw…

SOURCE: DC Theatre Scene at 12:24pm on February 4, 2020

Review: Henry the Fourth, Part 1 " A Monarchy… if you can keep it. by John Geoffrion

(First off: my sincere apologies to the company for my constant coughing through the performance.) Henry Bolingbroke, having snatched the English crown with boist'rous hands, must now strugg…

SOURCE: DC Theatre Scene at 12:24pm on February 4, 2020

Review: Miss You Like Hell at Olney Theatre Center. by Daniella Ignacio

Olney Theatre Center's production of Miss You Like Hell explores issues of immigration policies, parental abandonment and the power of Latinx women. Lisa Portes makes her Olney Theatre direc…

SOURCE: DC Theatre Scene at 7:06am on February 4, 2020

Thoughts on Dominique Morisseau's Pipeline. Make no mistake. These people are fighting for their lives by Gregory J. Ford

"He was her only child: her baby boy..maybe an A-1 student running, hiding, taking cover.  The women gather crying tears that fill a million oceans. It doesn't matter where you're living.…

SOURCE: DC Theatre Scene at 2:36pm on February 3, 2020

Folger Theatre's 2020-21 season, reporting not only what but where by Tim Treanor

Folger Theatre will be out-of-house for the 2020-21 season while the venerable Folger Shakespeare Library undergoes renovation. To get its audiences ready for the pleasures yet to be, the co…

SOURCE: DC Theatre Scene at 12:54pm on February 3, 2020

Review: The Simon and Garfunkel Story at the National by Christopher Henley

There are a few ways to handle the often reviled, increasingly prevalent form we know as the "jukebox musical." Sometimes (Mama Mia!, as an example), the music catalog of a popular artist or…

SOURCE: DC Theatre Scene at 4:36pm on February 1, 2020
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