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6,591 stories from Stage and Cinema

Chicago Theater Review: HANG (Remy Bumppo) by Lawrence Bommer

A VICTIM'S IMPACT STATEMENT Critics always worry about giving away too much — in spoilers and such. And, yes, at first that fear seemed real with hang by U.K. playwright debbie t…

SOURCE: Stage and Cinema at 12:26am on March 28, 2018

San Diego Theater Review: KING CHARLES III (Coronado Playhouse) by Milo Shapiro

WOULD SHAKESPEARE BY ANY OTHER PLAYWRIGHT SMELL AS SWEET? If the title King Charles III sounds rather Shakespearean, yet you cannot recall a “Charles” among all his Henrys …

SOURCE: Stage and Cinema at 2:43am on March 27, 2018

Chicago Dance Review: HUBBARD STREET SPRING SERIES (An Evening of Alejandro Cerrudo at the Harris) by Lawrence Bommer

CERRUDO'S SPRING FLING It's now dance history but, performed last weekend at the Auditorium Theatre, Hubbard Street Dance Chicago's annual Spring Series, An Evening of Alejandro Cerrudo, …

SOURCE: Stage and Cinema at 7:37pm on March 25, 2018

Theater Review: ON YOUR FEET (National Tour) by Lawrence Bommer

DANCE DELIRIUM As jukebox musicals go, On Your Feet! really earns its exclamation point. No question, the music alone, which won 26 Grammy Awards, would justify this 2015 tribute to th…

SOURCE: Stage and Cinema at 2:50am on March 25, 2018

Chicago Theater Review: AN ENEMY OF THE PEOPLE (Goodman Theatre) by Lawrence Bommer

CAGE-MATCH COMBAT: IBSEN VS. TRUMP Right now, the biggest prize fight in Chicago is at Randolph and Dearborn. More polemically urgent than psychologically penetrating, a new treatment of Hen…

SOURCE: Stage and Cinema at 8:05pm on March 20, 2018

San Diego Theater Review: A JEWISH JOKE (The Roustabouts Theatre Co. at MOXIE Theatre) by Milo Shapiro

A JEWISH JOKE WAS NO LAUGHING MATTER IN THE 1950s When the nation went into Commie panic in the '40s and '50s, one of the first places to get hard hit was Hollywood. In 1947, Congress's Hous…

SOURCE: Stage and Cinema at 3:16am on March 19, 2018

San Diego Theater Review: A LITTLE NIGHT MUSIC (Cygnet Theatre Company) by Milo Shapiro

CYGNET DIDN’T SEND IN ANY CLOWNS ON THIS ONE Much like modern art, Steven Sondheim musicals aren’t for everyone.  They are purposefully discordant in places, often dark in ton…

SOURCE: Stage and Cinema at 8:24pm on March 18, 2018

CD Review: THE BAND'S VISIT (Original Broadway Cast Recording on Ghostlight Records) by Tony Frankel

WELL WORTH A VISIT Perhaps composer/lyricist David Yazbek (The Full Monty, Dirty Rotten Scoundrels) was inspired by one of our best new playwrights, Itamar Moses, and his adaptation of the t…

SOURCE: Stage and Cinema at 7:20pm on March 15, 2018

Los Angeles Theater Preview: 57 CHEVY (Highways) by Frank Arthur

57 CHEVY: THE ANTI-IMMIGRANT ANTIDOTE, OR HOW BROWN WAS MY VALLEY? There's palpable excitement surrounding the upcoming West Los Angeles engagement of Cris Franco's autobiographical comedy, …

SOURCE: Stage and Cinema at 7:11pm on March 15, 2018

Los Angeles Theater Feature: REPRISE RETURNS WITH NEW SEASON OF MUSICALS (Freud Playhouse) by Tony Frankel

REPRISE REPRISED It’s a strange sort of serendipity. Just when Musical Theatre Guild announced its final season after eight glorious years presenting rarely produced musicals, along co…

SOURCE: Stage and Cinema at 3:01am on March 15, 2018

San Diego Theater Review: THIS RANDOM WORLD (North Coast Rep) by Milo Shapiro

WELL-PLANNED IRONIES Facebook and LinkedIn have illuminated the error in the supposed six degrees of separation theory, which asserts that all living things and everything else in the world …

SOURCE: Stage and Cinema at 9:47pm on March 14, 2018

Dance Review: ROMEO AND JULIET (Joffrey Ballet) by Tony Frankel

SUCH SWEET SORROW FOR THE WRONG REASONS It's as if choreographer Krzysztof Pastor, director of the Polish National Ballet, gave Prokofiev the opportunity to protest Stalin's tyranny that he …

SOURCE: Stage and Cinema at 8:36pm on March 12, 2018

Los Angeles Opera Review: ORPHEUS AND EURYDICE / ORPHÉE ET EURYDICE (LA Opera) by Tony Frankel

DON’T MYTH OUT, OR DANCING THAT’S ORPH THE CHARTS LA Opera’s gorgeous production of Christoph Willibald Gluck's Orpheus and Eurydice (Orphée et Eurydice), featuring a welc…

SOURCE: Stage and Cinema at 5:59pm on March 12, 2018

Chicago Theater Review: THE PICTURE OF DORIAN GRAY (City Lit) by Lawrence Bommer

DIFFICULT TO PICTURE The Picture of Dorian Gray is its author's self-portrait — perversely paradoxical, sardonically aesthetic, and (necessarily) obsessed with concealment. First pu…

SOURCE: Stage and Cinema at 12:55pm on March 12, 2018

Chicago Theater Review: CYRANO (BoHo Theatre) by Lawrence Bommer

WHO NOSE BEST? Edmond Rostand's timeless love story celebrates the one-sided love between the famous 17th-century swordsman and poet — disfigured with a humongous schnoz — and hi…

SOURCE: Stage and Cinema at 1:57pm on March 11, 2018

Los Angeles Theater Review: SELL/BUY/DATE (Geffen Playhouse in Westwood) by Samuel Garza Bernstein

SEX WORK/#METOO/FUTURE TENSE Sarah Jones is a prescient writer and an actor of rare gifts and remarkable range. It's no wonder that an early patron and supporter was Meryl Streep, for like S…

SOURCE: Stage and Cinema at 4:22pm on March 10, 2018

Theater Interview: PAT KINEVANE (starring in three plays at The Odyssey Theatre) by Dale Reynolds

THE LUCK OF THE IRISH AMBASSADOR Pat Kinevane, 51, is a native of rural Ireland — specifically County Cork — now living and working in Dublin, the capitol of Eire. A qualified sp…

SOURCE: Stage and Cinema at 3:18pm on March 10, 2018

CD Review: ERNEST SHACKLETON LOVES ME (Original Cast Recording) by Tony Frankel

THE IMPORTANCE OF BEING ERNEST I'm actually happy I didn't see this musical live on stage. It makes for a wonderful original cast recording, but what seems like a giant heart on this CD, out…

SOURCE: Stage and Cinema at 2:39am on March 9, 2018

Chicago Theater Review: TIME IS ON OUR SIDE (About Face Theatre) by Lawrence Bommer

UNLOCKING WHAT WAS NEVER HIDDEN At least Time Is On Our Side is more sex-affirmative and upbeat than Significant Other, About Face Theatre's last offering. A Midwest premiere devote…

SOURCE: Stage and Cinema at 2:21pm on March 8, 2018

CD Review: WORKING: A MUSICAL (Original London Cast Recording on Ghostlight Records) by Tony Frankel

THE MUSICAL THAT KEEPS ON WORKING Was 2017 really the European premiere of this oft-produced musical? Yep. 40 years since the Broadway opening of Working, and we’re just getting the Or…

SOURCE: Stage and Cinema at 5:51pm on March 6, 2018

Chicago Opera Review: FAUST (Lyric Opera) by Barnaby Hughes

A FAUSTIAN BARGAIN OF SORTS Bold, eclectic and experimental, Lyric Opera's new production (co-produced with Portland Opera) of Gounod's Faust comes across as rather jumbled, a mishmash, a ho…

SOURCE: Stage and Cinema at 2:26am on March 6, 2018

Chicago Theater Review: PLANTATION! (Lookingglass Theatre Company) by Lawrence Bommer

RIDICULOUS REVENGE It's so well-intentioned that the results are doubly deplorable. Lookingglass Theatre Company’s Plantation!, a world premiere by ensemble member Kevin Douglas staged…

SOURCE: Stage and Cinema at 6:55pm on March 4, 2018

Chicago Dance Review: 8TH ANNUAL WINNING WORKS (Joffrey Academy of Dance and MCA, Chicago) by Lawrence Bommer

LITERAL LEAPS INTO THE FUTURE It's all over — but this review of record is as much a promissory note as a remembrance. Worth noting as much as seeing, Winning Works, the Joffrey Bal…

SOURCE: Stage and Cinema at 2:47am on March 4, 2018

Chicago Theater Review: MARY STUART (Chicago Shakespeare Theater) by Lawrence Bommer

A ROYAL CATFIGHT GETS A ROYAL PRODUCTION Coulda, woulda, shoulda: It's the greatest confrontation between rival monarchs that never happened — the 1586 face-off between the "Virgin" Qu…

SOURCE: Stage and Cinema at 1:06pm on March 2, 2018

Los Angeles Theater Review: A STREETCAR NAMED DESIRE (Boston Court in Pasadena) by Tony Frankel

A MODERNIZED STREETCAR Since struggle for power among the classes is one of the main themes in Tennessee Williams' still-shocking A Streetcar Named Desire, it makes perfect sense that direct…

SOURCE: Stage and Cinema at 6:45pm on February 27, 2018
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